Visionary Wild, LLC • 2200 19th St. NW, Ste 806, Washington, DC 20009
E-mail: firstname.lastname@example.org • Tel: 1-202-558-9596 (9am to 6pm, EST). • Justin Black’s iPhone: 1-202-302-9030
We look forward to hearing from you!
Recently, Alex Schult of PhotographyTalk.com sat down with Visionary Wild’s Justin Black – virtually, via Skype – for an interview recorded for their Success Interviews series, revealing the creative inspiration and path to success of noted photographers working today. Click here to watch the full 39-minute interview.
Our friends at Hunt’s Photo Video and Ilford are sponsoring a free webinar on fine print making,
What are the aspects and qualities that make for a Gallery-Quality Fine Art Print? Exacting color, smooth tonal transitions, a well-balanced contrast range and the best paper choice for the image all come together to make a print worthy of hanging in most any venue or location. Color workflow, soft-proofing and what fine edits to make will all go a long way towards making your results both accurate and repeatable. In this presentation, we’ll explore the process, tools and techniques from edit to output that allow you to produce a print both you and your collectors will be proud of.
In January 2012, photographers Jack Dykinga, John Shaw, and Justin Black collaborated on our first Vision Workshops at Santa Catalina State Park in Oro Valley, Arizona. Cinematographer Austin Andrews joined the group for a few field sessions in an attempt to capture the experience. Jack, John, and Justin are returning to Santa Catalina State Park for two more Vision Workshops in February 2013.
At a gala event in London sponsored by Veolia Environnement, Visionary Wild instructor Daniel Beltrá has won the 2011 Wildlife Photographer of the Year Award for his image Still Life in Oil, a striking shot of eight brown pelicans rescued from the Deepwater Horizon oil spill in the Gulf of Mexico in June 2010.
Beltrá made the photograph at an ad hoc bird-rescue facility on the Louisiana coast. ‘Crude oil trickles off the feathers of the rescued brown pelicans, turning the white lining sheets into a sticky, stinking mess. The pelicans are going through the first stage of cleaning. They’ve already been sprayed with a light oil to break up the heavy crude trapped in their feathers,’ Beltrá explained. A statement from the judging panel described the image as ‘a strong environmental statement, technical perfection and a work of art all rolled into one. The sheer simplicity of this powerful image makes it really beautiful and shocking at the same time’
The international judging panel of respected wildlife experts and nature photographers reviewed more than 40,000 entries from aspiring amateurs and established professional photographers from all corners of the earth. As a sign of the competition’s growing international reach, this year saw first-time submissions from countries as far afield as Cambodia, Moldova, Brunei and Kyrgyzstan. There was also a notable increase in photographs submitted from countries such as India, China and Russia.
Now in its 47th year, the competition is owned by the Natural History Museum and BBC Wildlife Magazine and is sponsored by Veolia Environnement. It is internationally recognised for taking a lead in the artistic representation of the natural world and continues to be held in high esteem with a reputation for being the Oscars of the wildlife photographic calendar.
The winning images will be featured in an international exhibition beginning at the Natural History Museum, London, on Friday 21 October
This important photograph is presently touring as part of Beltrá’s exhibit, Spill, at the Long Beach Aquarium in California, and at Roca Gallery in Barcelona, Spain. Limited edition prints are avaible as follows:
Oil Spill #20 – Still Life in Oil
Limited Editions: Mounted Size: Price:
8 48 x 60 $10,250
10 40 x 48 $5,500
15 25 x 30 $3,500
Prices are for unframed, museum quality mounted, archival prints.
Shipping and sales tax not included. For more information and edition availability, contact Susan Newbold at email@example.com.
The November 2011 issue of Outdoor Photographer magazine features an article by Justin Black about ways to add greater meaning and purpose to your photography. You can read the full text and see the accompanying photos here:
“Polar exploration is at once the cleanest and most isolated way of having a bad time which has been devised,” wrote Apsley Cherry-Garrard of his time with the 1910 Scott expedition to the South Pole. And that’s how most of us still imagine polar expeditions: stolid men with ice riming their beards drawing sledges and risking death for scientific knowledge. But polar science has changed drastically over the past century—as Chris Linder shows us, brilliantly, with Science on Ice.
The result is a combination travel book and paean to the hard work and dedication that underlies our knowledge of life on earth. Science on Icetakes readers to the farthest reaches of our planet; science has rarely been more exciting—or inspiring.
Review of Science on Ice:
“Science on Ice gives the reader a glimpse into the challenges of conducting field research in the extreme and isolated environments of the Arctic and Antarctic. I came away with a new appreciation of both the risks and adventures scientists experience, the creativity and adaptability they must possess to work in difficult conditions, and most of all, the fact that they are normal human beings with a strong sense of curiosity that fuels their work. This book will help us understand these distant reaches of our world, and] it has enormous potential to spark the minds of future would-be scientists.”—Amy Gulick, photographer and author ofSalmon in the Trees: Life in Alaska’s Tongass Rain Forest
Nature Conservancy Director of Photography Mark Godfrey recently interviewed Visionary Wild instructor Jack Dykinga for this multimedia slideshow featuring some of Jack’s best work.
by Justin Black
The Dragon rippled as I slid the kayak out into the swamp’s caramel-brown water. The still quiet of pre-dawn was broken only by the song of a prothonotary warbler, a croaking bullfrog, the sudden splash of a jumping sunfish. Gliding along on the glassy surface past lush swamp plants – arrow arum, water lilies, swamp rose, the lovely purple poker-like blooms of pickerelweed – and under the spreading branches of bald cypress, their conical “knees” emerging from the water in rows like the Dragon’s teeth, I felt completely removed from the Tidewater Virginia farmland that encircled me beyond the forest. Entering this place was like time-travel.
King Pacific Lodge, our basecamp for Visionary Wild’s innaugural expedition, September 5-12, 2011, is profiled in two recent articles in Islands and Forbes magazines. For more information about this special expedition to the Great Bear Rainforest with photographers Jack Dykinga and Daniel Beltrá, click here.