Visionary Wild, LLC • 2200 19th St. NW, Ste 806, Washington, DC 20009

E-mail: info@visionarywild.com    •    Tel: 1-202-558-9596 (9am to 5pm, EST).

Justin Black – Managing Director: 1-202-302-9030 • Email: justin@visionarywild.com

Sara Robb – Operations Assistant: sara@visionarywild.com

We look forward to hearing from you!

 

Workshops by Focus: Comprehensive Digital Workflow

Vision January 8 - 12, 2018
10 spaces | $3,850* Register

 

Refine your vision and harness the aesthetic potential of one of the world’s most geological wonders.

Wondering where to travel in winter? Bryce Canyon National Park is one of our favorite places to go to view some of the most unique opportunities during this season of snow dustings and low-angled light. Ponderosa pines, fir-spruce forests, slot canyons, horseshoe-shaped amphitheaters, and pink cliffs cover this area. Utah has a wealth of parks to explore and challenge your photographic senses, and Bryce Canyon National Park in among the most rewarding.

This greatest concentration of hoodoos in the world – an unearthly landscape to be sure – was formed over hundreds of millions of years of deposition and erosion. Bryce’s colorful rock spires are oriented perfectly to catch the reflected morning light, resulting in a glowing fairytale landscape providing endless options for creative photography. Join us to capture its splendor.

This outdoor classroom is a highlight of our Vision series, a special program of advanced instruction focusing on refining your personal creative vision, composition, digital workflow and image processing, designed and presented by renowned photographers Jack Dykinga, John Shaw, and Justin Black. All three instructors have photographed Bryce extensively and know its secrets well. We will photograph at a variety of locations in the park during our morning and evening field sessions, with emphasis on the hoodoos and sculpted designs in the canyons.

Packaged with single-occupancy lodging at the Bryce Canyon Grand Hotel (a Best Western Plus property), located ideally near the park entrance, and with all meals, snacks and beverages included, this is a superb workshop scenario. We hope you’ll join us!

 

About Vision Workshops

The creation of a truly great finished photograph is part of a process from initial concept and vision through execution in the field to digital workflow and creation of a high-quality, final master file ready for printing or publication. Vision workshops with John Shaw and Jack Dykinga address the two greatest challenges faced by photographers as they advance. The first of these is the tendency for original creative vision to reach a plateau in development, and the second is a digital workflow in need of streamlining and refinement to make the most of your images.

Click “Read More…” below right to read on…

On Creative Vision:

When we experience images that really move us, we are aware that they have impacted us, though we may not know what it was in the image that made it so powerful. In other words, we know when it works, but can be difficult to quantify. I try to teach the time-honored components of fine photography to build successful compositions…even in ordinary situations. People ask me, “What’s the difference between a pro and an amateur?” My response is, (a) the amateur has better equipment and (b) the professional photographer must create a publishable image every single time. To be successful, the professional must be the practitioner of a disciplined approach to situations that will result in compelling images that inform and move people. This workshop is designed to unleash that creativity in my students. – Jack Dykinga

Jack will focus on advanced seeing and ways to unlock creativity in situations that require conceptual and compositional ingenuity on the part of the photographer. In other words, he’ll answer the questions, “How do I make a great photograph when the subject matter and composition don’t suggest themselves to me, and how do I avoid photographic clichés when the situation offers up  a beautiful composition that is almost too obvious?”

On Workflow:

As photographers have switched to digital, one fact has become apparent:  we are drowning in files.  We’re shooting more images than ever, and digital file sizes are increasing with each new generation of cameras.  Without a smart, logical workflow – and a familiarity with programs such as Lightroom and Photoshop – we will quickly be overwhelmed with data.   – John Shaw

John will focus on teaching a logical, effective workflow that ensures the highest quality for your work, as well an image archive that is stable, consistent, and retrievable over the long term, and that ultimately liberates rather than burdens.  He will cover step by step the process from shooting RAW files in the field to optimizing the final image in Photoshop.

Workflow topics to be covered include:

  • File formats for shooting and for archiving
  • Exposing for digital
  • Downloading for automatic image organization
  • Proper file naming
  • Cataloging of images: Lightroom or other software
  • Keywording and captioning of images
  • The many uses of metadata
  • Processing the raw file
  • Using the tools in Adobe Camera Raw and Lightroom’s Develop Module
  • Color spaces for the best results in different media
  • The many faces of Bridge
  • Creating panoramic images
  • Color adjustment strategies
  • Using Photoshop to finalize the image: dodging and burning, adjustment layers and layer masking, controlling luminosity and contrast, sharpening for output
  • Color-managed workflow from input to output

The workshop includes eight field sessions, classroom lectures and ample hands-on instruction, critiques, single-occupancy lodging in deluxe rooms (prorated fee available for double-occupancy or for those who do not require lodging), and all meals and drinks. Justin Black will be present to serve as an instructor and to ensure everything runs smoothly. As always, all three instructors will be present to teach and assist students throughout the workshop.

Field sessions begin the evening of the first day. Each morning and evening, we’ll be out to photograph first light before breakfast, and out for evening light before dinner. During mid-day hours in our classroom at the hotel, Jack and John will make presentations on advanced seeing, composition and creativity, digital workflow, and maximizing image potential. Critique sessions will be held each of the last three days before returning to the field for photography in afternoon and evening light. Friday morning will be the final field session, followed by critique until we adjourn at 3:00 pm.

The class size is limited to a small group of ten to ensure that everyone gets the time and attention they need, both in the field and the classroom.

Basecamp is the Best Western Plus Bryce Canyon Grand Hotel. Group meals provide an informal setting to socialize and address specific interests that may not be covered during lectures and classroom discussion.

We supply materials in advance of the session to get newcomers up to speed with basics having to do with digital camera set-up and techniques, essential equipment recommendations, and other guidelines to ensure that everyone is ready to make the most of the experience.

Lodging, all meals, and beverages are included in the package.

Please click the “Register” button at the top of the page or contact us directly to reserve your space. A deposit of 50% is required at time of booking, with balance payable 60 days prior to workshop start date.

The workshop begins at 1pm on Monday, January 8th, and ends by 3pm on Friday, January 12th, 2018.

Note: Visionary Wild, LLC operates this workshop under a permit issued by the National Park Service at Bryce Canyon National Park.

Bryce in Winter
Map via Google
Expedition August 28 - September 6, 2018
50 spaces | $* Register

 

Join us for this all-inclusive, exclusive-charter expedition to the crown jewel of the High Arctic

Designed for photographers by photographers, this expedition to the Svalbard archipelago will be led by a dream team: Michael Melford, Roy Toft, Daisy Gilardini, Eddie Soloway, Justin Black, and Chris Linder. We will take you to the places we love to make the most of the great spectacle of Arctic light, landscape, wildlife, and ice. Here are just a few of the highlights:

  • A uniquely optimized small-group photographer’s experience aboard the ideal private-charter expedition vessel
  • World-class photo instructor team, and an excellent participant-to-instructor ratio that is almost unheard of on a ship-based expedition
  • The natural beauty of Svalbard itself, a superb destination for both landscape and wildlife photography, timed to coincide with seemingly endless sunsets, first snows of autumn on the mountains, and excellent wildlife opportunities.
  • All-inclusive from airport pickup in Oslo, Norway, featuring a high standard of accommodations and dining, and including R/T flights from Oslo to Svalbard, and all ground transfers.

Our expedition’s private charter vessel, M/V Plancius, optimizes the photographic potential and overall quality of experience on this trip. She is a very comfortable and capable 296-foot ice-rated expedition ship with accommodation in comfortable en suite cabins and staterooms. We have deliberately limited her passenger capacity for this voyage to only fifty guests (though the ship sleeps up to 116 normally). We have chosen to do this voyage on this ship because she offers the capabilities, amenities, comfort, dining, and photographic support that will enable us to deliver a uniquely enjoyable and creatively productive experience, both aboard and on shore. If you wish to travel with a world-class team of photographic instructors to the best locations, and you appreciate the advantages of an adventure designed specifically to optimize both the photography and overall experience, this is an exceptional opportunity.

Our expedition begins in Oslo, Norway, with an introductory reception dinner at one of the capital’s finest restaurants. After a restful night at The Thief – a modern Scandinavian boutique hotel that is one of Oslo’s very best – we fly as a group to the small harbor of Longyearbyen on the island of Spitsbergen, where our ship awaits us. We set sail that afternoon through the sheltered waters of Adventfjord on our way to the west coast where we will work our way northward with views of the stunning mountain landscape.

The wild landscape of Svalbard and the pack ice are characterized by a mesmerizing serenity… I felt like I was floating through a dream. –Justin Black

The High Arctic is one of Earth’s most serene, sublime, and evocative places, and in our opinion the mountainous, glacier-covered islands of the Svalbard archipelago are the crown jewels, in part because a visitor here experiences the best features of the Arctic in microcosm. We have deliberately timed this expedition for Arctic autumn – late August and early September – to take advantage of special seasonal phenomena. The quality of light at this time of year is beautiful. The sun sets for several hours at this time of year, but gorgeous post-sunset light lingers all night long. Also, by this time the mountains typically have had their first fresh snow for the season, making the landscape look its best. Polar bears are to be found on both the islands and the pack ice, and Arctic fox patrol the shorelines. Blue whales – the largest animal that has ever lived on Earth – ply the coastal waters. Large walrus colonies can be photographed both ashore and at sea, and seals – bearded, ringed, harp, and harbor – are commonly sighted. Migratory birds linger on for a while, including Ivory Gulls, Kittywakes, Fulmars, Eider ducks, and more, while native Rock Ptarmigans transition to their winter plumage. Temperatures are still relatively comfortable by Arctic standards, but the summer’s mosquitoes will have been killed off by the frost. Weather and seas tend to be calm, and free of fog that can limit visibility in summer.

We have conceived this Svalbard expedition with considerable advantages for the passionate photographer. The first-rate photo leader team comprises six outstanding professionals, all known as generous and engaging teachers, who have a superb collaborative chemistry. Their photographic specialties cover a cross-section of the opportunities we will be presented with during the expedition: wildlife, landscape, natural abstract, travel, fine art, and conservation.

M/V Plancius: Our exclusive charter vessel provides an excellent platform for this voyage, in part due to her strength, maneuverability, and ability to navigate the ice pack and waters that can be impassable to larger ships. Those who appreciate small-group travel will enjoy our  passenger limit of fifty guests, self-imposed to optimize both the photographic scenario and overall experience. Other “small-ship” trips operating in these waters carry 110 to 150 guests, resulting in a far less intimate experience and less nimble operations when making excursions from the ship. Superb expedition support includes a fleet of ten zodiacs, a highly experienced expedition staff of eight, and a top-notch crew who welcome guests on the ship’s spacious bridge. With our relatively small group and large photo leader team, everyone will have excellent access to leaders and expedition staff, landing operations are far more efficient, and we’ll be able to get to know one another much better. Plancius offers an impressive range of vantage points for photography, from close to waterline to up high, and her three diesel-electric engines are surprisingly quiet and produce little vibration.

Dining aboard Plancius is of a high standard, with menus prepared by an accomplished German chef, sous chefs, and baker, with ample fresh ingredients and healthy options available. We are assembling an excellent wine list for the trip as well! She’s just a great ship.

PRICING AND ITINERARY – CLICK “READ MORE” AT BELOW RIGHT:

SEE BELOW FOR HIGHLIGHTS, TRAVEL ARRANGEMENTS, AND INCLUSIONS/EXCLUSIONS.

read more…

Svalbard
Map via Google
Vision March 25 - April 5, 2015
10 spaces | $11,250* Register

This workshop is designed to maximize opportunities for well-crafted and compelling photographs in one of the world’s most awe-inspiring landscapes. Participants will have ample time to get to know Torres del Paine during its colorful autumn splendor, and your photography there will benefit from the opportunity to revisit fruitful situations to apply lessons learned and to take advantage of changing weather and light. The goal is for each participant to come away from this trip with a strong body of work, a new body of knowledge, new friendships, rejuvenation, and priceless memories.

Torres del Paine National Park and Biosphere Reserve is the centerpiece of Patagonia – the ultimate distillation of the region’s most inspiring qualities. It’s one of those rare places that routinely exceeds the grandest dreams of even the most experienced photographers. Peaks and spires thrust abruptly upward above turquoise lakes, forcing moisture-laden winds off the ocean to form soaring lenticular clouds that catch the fiery sunrise and sunset alpenglow. Glaciers spill down from the Patagonian icecap, depositing cobalt blue icebergs on the shores of Lago Grey. Endemic lenga tree forests glow in hues of gold and copper in the southern autumn. Rivers tumble over cascading waterfalls as condors ride thermals on the flanks of the Cordillera del Paine mountains. Guanacos and foxes range over the golden pampas, and flamingoes wade the lagoons. At this time of year, the days are a manageable length with extended periods of dawn and dusk, and the sun never rises more than 35 degrees above the horizon. The quality of light is spectacular.

Click “read more” below right for the itinerary and image gallery

read more…

Patagonia Vision
Map via Google
Vision February 2 - 6, 2015
0 of 10 spaces left | $3,850* Waitlist

The majestic Santa Catalina Mountains will be our backdrop in a landscape containing over 5,000 saguaro cactus – our outdoor classroom for this workshop, part of our Vision series, a special program of advanced instruction designed and presented by world-renowned photographers Jack Dykinga and John Shaw.

The creation of a truly great finished photograph is part of a process from initial concept and vision through execution in the field to digital workflow and creation of a high-quality, final master file ready for printing or publication. Vision workshops with John Shaw and Jack Dykinga address the two greatest challenges faced by photographers as they advance. The first of these is the tendency for original creative vision to reach a plateau in development, and the second is a digital workflow in need of streamlining and refinement to make the most of your images.

A SPECIAL GIFT: Each participant is entitled to have two fine exhibition prints made by the master printmakers at West Coast Imaging. Please see the “Outcomes” section below for details.

Click the “read more” button below right for more information and the image gallery…

read more…

Catalina S.P. Arizona
Map via Google
Vision March 26 - April 6, 2014
10 spaces | $11,250* Register

This workshop is designed to maximize opportunities for well-crafted and compelling photographs in one of the world’s most awe-inspiring landscapes. Participants will have ample time to get to know Torres del Paine during its colorful autumn splendor, and your photography there will benefit from the opportunity to revisit fruitful situations to apply lessons learned and to take advantage of changing weather and light. The goal is for each participant to come away from this trip with a strong body of work, a new body of knowledge, new friendships, rejuvenation, and priceless memories.

Torres del Paine National Park and Biosphere Reserve is the centerpiece of Patagonia – the ultimate distillation of the region’s most inspiring qualities. It’s one of those rare places that routinely exceeds the grandest dreams of even the most experienced photographers. Peaks and spires thrust abruptly upward above turquoise lakes, forcing moisture-laden winds off the ocean to form soaring lenticular clouds that catch the fiery sunrise and sunset alpenglow. Glaciers spill down from the Patagonian icecap, depositing cobalt blue icebergs on the shores of Lago Grey. Endemic lenga tree forests glow in hues of gold and copper in the southern autumn. Rivers tumble over cascading waterfalls as condors ride thermals on the flanks of the Cordillera del Paine mountains. Guanacos and foxes range over the golden pampas, and flamingoes wade the lagoons. At this time of year, the days are a manageable length with extended periods of dawn and dusk, and the sun never rises more than 35 degrees above the horizon. The quality of light is spectacular.

Click “read more” below right for the itinerary and image gallery

read more…

Patagonia Vision
Map via Google
Creative Core May 26 - 30, 2014
10 spaces | $2,995* Register

Truly a photographer’s playground, the sublime, dramatic, and moody Pacific coast around Bandon, Oregon, will be our outdoor classroom for this landscape- and seascape-oriented photo workshop, presented by renowned photographers and workshops leaders Justin Black and Jerry Dodrill.

Ever-changing light and the beautiful interplay of sun, waves, towering sea stacks, tide pools, wind-sculpted clouds, and marine fog mean that every day offers a different mood, even when we revisit our primary location, the sprawling Bandon Beach. Just down a wooden stairway from our hotel, it’s the perfect setting for a workshop focused on developing creativity, honing skills, and refining your personal vision. Justin and Jerry will teach you to take control of the finer points of composition, exposure and tonal control, and specialized techniques for capturing this amazing coastal landscape.

A SPECIAL GIFT TO PARTICIPANTS: Each participant in this workshops is entitled to have two free fine exhibition prints up to 20″x30″ in size made by the master printmakers at West Coast Imaging one of the very best digital fine art photography labs in the world. These print packages include all the expert digital prep work of your original image file, based on your wishes and input as the artist, to make the best possible print. This special offer is cumulative, so you get two prints for each workshop you take.

Click the “read more…” tab below right for more information and to see the photo gallery!

read more…

Oregon Coast
Map via Google
Vision February 10 - 14, 2014
0 of 10 spaces left | $3,850* Waitlist

The majestic Santa Catalina Mountains will be our backdrop in a landscape containing over 5,000 saguaro cactus – our outdoor classroom for this workshop, part of our Vision series, a special program of advanced instruction designed and presented by world-renowned photographers Jack Dykinga and John Shaw.

The creation of a truly great finished photograph is part of a process from initial concept and vision through execution in the field to digital workflow and creation of a high-quality, final master file ready for printing or publication. Vision workshops with John Shaw and Jack Dykinga address the two greatest challenges faced by photographers as they advance. The first of these is the tendency for original creative vision to reach a plateau in development, and the second is a digital workflow in need of streamlining and refinement to make the most of your images.

Click the “read more” button below right for more information and the image gallery…

read more…

Catalina S.P. Arizona
Map via Google
Vision February 18 - 22, 2013
0 of 10 spaces left | $3,750* Waitlist

The majestic Santa Catalina Mountains will be our backdrop in a landscape containing over 5,000 saguaro cactus – our outdoor classroom for this workshop, part of our Vision series, a special program of advanced instruction designed and presented by world-renowned photographers Jack Dykinga and John Shaw.

The creation of a truly great finished photograph is part of a process from initial concept and vision through execution in the field to digital workflow and creation of a high-quality, final master file ready for printing or publication. Vision workshops with John Shaw and Jack Dykinga address the two greatest challenges faced by photographers as they advance. The first of these is the tendency for original creative vision to reach a plateau in development, and the second is a digital workflow in need of streamlining and refinement to make the most of your images. read more…

Catalina II
Map via Google
Vision May 13 - 17, 2013
10 spaces | $3,995* Register

The superb Pacific coast landscape around Bandon, Oregon, will be our outdoor classroom for this workshop, part of our Vision series, a special program of advanced instruction designed and presented by world-renowned photographers Jack Dykinga and John Shaw.

The creation of a truly great finished photograph is part of a process from initial concept and vision through execution in the field to digital workflow and creation of a high-quality, final master file ready for printing or publication. Vision workshops with John Shaw and Jack Dykinga address the two greatest challenges faced by photographers as they advance. The first of these is the tendency for original creative vision to reach a plateau in development, and the second is a digital workflow in need of streamlining and refinement to make the most of your images. read more…

Oregon Coast
Map via Google
Vision February 11 - 15, 2013
0 of 10 spaces left | $3,750* Waitlist

The majestic Santa Catalina Mountains will be our backdrop in a landscape containing over 5,000 saguaro cactus – our outdoor classroom for this workshop, part of our Vision series, a special program of advanced instruction designed and presented by world-renowned photographers Jack Dykinga and John Shaw.

The creation of a truly great finished photograph is part of a process from initial concept and vision through execution in the field to digital workflow and creation of a high-quality, final master file ready for printing or publication. Vision workshops with John Shaw and Jack Dykinga address the two greatest challenges faced by photographers as they advance. The first of these is the tendency for original creative vision to reach a plateau in development, and the second is a digital workflow in need of streamlining and refinement to make the most of your images. read more…

Catalina S.P. Arizona
Map via Google
Vision January 17 - 21, 2012
0 of 10 spaces left | $3,750* Waitlist

This second session has been added due to popular demand for the Vision Workshops series.

The majestic Santa Catalina Mountains will be our backdrop in a landscape containing over 5,000 saguaro cactus – our outdoor classroom for this workshop, part of our Vision series, a special program of advanced instruction designed and presented by world-renowned photographers Jack Dykinga and John Shaw.

The creation of a truly great finished photograph is part of a process from initial concept and vision through execution in the field to digital workflow and creation of a high-quality, final master file ready for printing or publication. Vision workshops with John Shaw and Jack Dykinga address the two greatest challenges faced by photographers as they advance. The first of these is the tendency for original creative vision to reach a plateau in development, and the second is a digital workflow in need of streamlining and refinement to make the most of your images. read more…

Catalina II
Map via Google
Vision May 21 - 25, 2012
10 spaces | $3,995* Register

The superb Pacific coast landscape around Bandon, Oregon, will be our outdoor classroom for this workshop, part of our Vision series, a special program of advanced instruction designed and presented by world-renowned photographers Jack Dykinga and John Shaw.

The creation of a truly great finished photograph is part of a process from initial concept and vision through execution in the field to digital workflow and creation of a high-quality, final master file ready for printing or publication. Vision workshops with John Shaw and Jack Dykinga address the two greatest challenges faced by photographers as they advance. The first of these is the tendency for original creative vision to reach a plateau in development, and the second is a digital workflow in need of streamlining and refinement to make the most of your images. read more…

Oregon Coast
Map via Google
Vision January 10 - 14, 2012
0 of 10 spaces left | $3,750* Waitlist

The majestic Santa Catalina Mountains will be our backdrop in a landscape containing over 5,000 saguaro cactus – our outdoor classroom for this workshop, part of our Vision series, a special program of advanced instruction designed and presented by world-renowned photographers Jack Dykinga and John Shaw.

The creation of a truly great finished photograph is part of a process from initial concept and vision through execution in the field to digital workflow and creation of a high-quality, final master file ready for printing or publication. Vision workshops with John Shaw and Jack Dykinga address the two greatest challenges faced by photographers as they advance. The first of these is the tendency for original creative vision to reach a plateau in development, and the second is a digital workflow in need of streamlining and refinement to make the most of your images. read more…

Catalina S.P. Arizona
Map via Google