Visionary Wild, LLC • 2200 19th St. NW, Ste 806, Washington, DC 20009

E-mail: info@visionarywild.com    •    Tel: 1-202-558-9596 (9am to 5pm, EST).

Justin Black – Managing Director: 1-202-302-9030 • Email: justin@visionarywild.com

Sara Robb – Operations Assistant: sara@visionarywild.com

We look forward to hearing from you!

 

Limit 10 spaces | $4,295* Closed
Vision October 17 - 21, 2016 | View other workshops

Capitol Reef National Park II with Jack Dykinga, John Shaw and Cliff Zenor

Map via Google

The southwest United States holds some of the world's most inspiring landscape photography destinations, and the area including Capitol Reef National Park is one of our favorites. In addition to numerous steep ridges, colorful canyons, and sandstone formations, Capitol Reef National Park boosts the largest exposed monocline in North America and layers of sedimentary rock recording nearly 200 million years of geological change. This outdoor classroom is a highlight of our Vision series, a special program of advanced instruction focusing on refining your personal creative vision, composition, and digital workflow, designed and presented by renowned photographers Jack Dykinga, John Shaw, and Cliff Zenor. Packaged with single-occupancy lodging at The Broken Spur Inn in Torrey, the closest town to the Park, this is a superb workshop scenario set to challenge and amaze all participants. We hope you'll join us!

Photography sessions will take place in locations with very unique geology, including the Waterpocket Fold, Cathedral Valley, Temples of the Sun and Moon, and other opportunities scouted in advance by the instructors. The timing of this workshop was specifically chosen to coincide with the burst of peak fall foliage found among the cottonwoods and willows in the canyons, and aspens in the high country. The leaves of these trees turn into a brilliant hues of yellow, orange, and red during the fall. When set against a background of reddish-orange Entrada Sandstone or grayish desert storm clouds, capturing photos of these glowing leaves will be a very rewarding and exhilarating experience for the landscape photographer.

Packaged with single-occupancy lodging at The Broken Spur Inn, located ideally near the entrance to Capitol Reef National Park, and with all meals, snacks and beverages included, this is a superb fall foliage and landscape photography workshop scenario. We hope you'll join us!

Click "Read More..." below right to read on and see the image gallery...

The creation of a truly great finished photograph is part of a process from initial concept and vision through execution in the field to digital workflow and creation of a high-quality, final master file ready for printing or publication. Vision workshops with John Shaw and Jack Dykinga address the two greatest challenges faced by photographers as they advance. The first of these is the tendency for original creative vision to reach a plateau in development, and the second is a digital workflow in need of streamlining and refinement to make the most of your images.

On Creative Vision:

When we experience images that really move us, we are aware that they have impacted us, though we may not know what it was in the image that made it so powerful. In other words, we know when it works, but can be difficult to quantify. I try to teach the time-honored components of fine photography to build successful compositions…even in ordinary situations. People ask me, “What’s the difference between a pro and an amateur?” My response is, (a) the amateur has better equipment and (b) the professional photographer must create a publishable image every single time. To be successful, the professional must be the practitioner of a disciplined approach to situations that will result in compelling images that inform and move people. This workshop is designed to unleash that creativity in my students. – Jack Dykinga

Jack will focus on advanced seeing and ways to unlock creativity in situations that require conceptual and compositional ingenuity on the part of the photographer. In other words, he'll answer the questions, "How do I make a great photograph when the subject matter and composition don't suggest themselves to me, and how do I avoid photographic clichés when the situation offers up  a beautiful composition that is almost too obvious?"

On Workflow:

As photographers have switched to digital, one fact has become apparent:  we are drowning in files.  We’re shooting more images than ever, and digital file sizes are increasing with each new generation of cameras.  Without a smart, logical workflow – and a familiarity with programs such as Lightroom and Photoshop – we will quickly be overwhelmed with data.   – John Shaw

John will focus on teaching a logical, effective workflow that ensures the highest quality for your work, as well as an image archive that is stable, consistent, and retrievable over the long term, and that ultimately liberates rather than burdens.  He will cover the process step by step, from shooting RAW files in the field to optimizing the final image in Photoshop.

Workflow topics to be covered include:

  • 
File formats for shooting and for archiving
  • Exposing for digital
  • Downloading for automatic image organization
  • Proper file naming
  • Cataloging of images: Lightroom or other software
  • Keywording and captioning of images
  • The many uses of metadata
  • Processing the raw file
  • Using the tools in Adobe Camera Raw and Lightroom’s Develop Module
  • Color spaces for the best results in different media
  • The many faces of Bridge
  • Creating panoramic images
  • Color adjustment strategies
  • Using Photoshop to finalize the image: dodging and burning, adjustment layers and layer masking, controlling luminosity and contrast, sharpening for output
  • Creating a PDF electronic book
  • Color-managed workflow from input to output

The workshop includes eight field sessions, classroom lectures and ample hands-on instruction, critiques, single-occupancy lodging (prorated fee available for double-occupancy or for those who do not require lodging), and all meals and drinks. As always, all three instructors will be present to teach and assist students throughout the workshop.

Field sessions begin the evening of the first day. Each morning and evening, we'll be out to photograph first light before breakfast, and out for evening light before dinner. During mid-day hours, the instructors will make presentations on advanced seeing, composition and creativity, digital workflow, and maximizing image potential. Critique sessions will follow each day before returning to the field for photography in afternoon and evening light. Friday morning will be the final field session, followed by critiquing until we adjourn at 3:00 pm.

The class size is limited to a small group of ten to ensure that everyone gets the time and attention they need, both in the field and the classroom.

Basecamp is The Broken Spur Inn, which offers high quality rooms and a conference room ideal for photography instruction. The welcoming and comfortable lodge offers an array of amenities as well as its own Steakhouse. Group meals (included) will be at The Steakhouse or nearby restaurants that are among the finest in Torrey. These meals provide an informal setting to socialize and address specific interests that may not be covered during lectures and classroom discussion.

We supply materials in advance of the session to get newcomers up to speed with basics having to do with digital camera set-up and techniques, essential equipment recommendations, and other guidelines to ensure that everyone is ready to make the most of the experience.

Please contact us promptly to reserve your space. A deposit of 50% is required at time of booking to reserve space, with balance payable 60 days prior to workshop start date.

The workshop begins at 2pm on Monday, October 17th, and ends by 3pm on Friday, October 21st, 2015.

Note: Visionary Wild, LLC operates this workshop under a Commercial Use Permit issued by Capitol Reef National Park.

 

Jack Dykinga

Taste life and strive to make a difference.

Pulitzer Prize (1971 Feature Photography) winning photographer Jack Dykinga blends fine art photography with documentary photojournalism.  He is a regular contributor to Arizona Highways and National Geographic Magazines.  His ten wilderness advocacy, large format books include: Frog Mountain Blues, The Secret Forest, The Sierra Pinacate, The Sonoran Desert, Stone Canyons of the Colorado Plateau, and Desert: The Mojave and Death Valley.   He authored and photographed Large Format Nature Photography, a “how to” guide to color landscape photography.  Jack Dykinga’s ARIZONA, released in 2004 from Westcliffe Publishers, a compellation of Jack’s best Arizona images and: IMAGES:  Jack Dykinga’s Grand Canyon released by Arizona Highways, May 2008, reflect Jack’s love for Arizona. Jack’s latest book: “Capture the Magic” released November 2013, delves into composition and the creative process.

Dykinga’s fine art images were featured along with the work of Ansel Adams in an Arizona Highways Magazine retrospective shown at the Phoenix Art Museum, The Center for Creative Photography, and the Museum of Northern Arizona. 

Recent work includes:

Texas/Mexican border highlighting the biological diversity of protected areas along the Rio Grande River, appearing in the February 2007, National Geographic Magazine.

His illustration of the wilderness lands of Native American Tribes is featured in the August 2010 National Geographic.

Jack has donated his talents to the International Leagure of Conservation Photographer’s RAVEs (Rapid Assessment Visual Expeditions) El Triunfo, Mexico, 2007; Balandra 2007, Baja Sur, Mexico; the Yucatan 2009, Yucatan, Mexico; the U.S./ Mexico Borderlands 2009, as well as the 2010 Patagonia, Chile RAVE and the September 2010 Great Bear RAVE in B.C. Canada.

In each case, Jack and teams of celebrated photographers from all over the world pooled their collective talents to highlight potential environmental degradation.

 In April 2010, Jack’s image: “Stone Canyon” was selected as one of the forty best Nature Photographs of all time by the International League of Conservation Photographers, and he received: The Outstanding Photographer of the Year Award from the Nature Photographers of North America in March 2011. He has recently been named the recipient of NANPA's 2017 Lifetime Achievement Award.

He and his wife Margaret live in Tucson, Arizona.  His daughter Camille Bralts lives in Champaign-Urbana. His son Peter Dykinga lives in Tucson and manages Jack’s image collection.

Arizona PBS Interview with Jack:

An Interview with pre-digital Jack:

The Nature Conservancy's Director of Photography interviews Jack

National Geographic gallery of Jack's Native Lands project

Video: Profile of Jack Dykinga

Video: Interview with Jack Dykinga

Learning to See: an interview with Jack Dykinga

Visit Jack's website

 

John Shaw

I think a good attitude to have is that the next frame you shoot is going to be the better, definitive frame.

John, a natural and dedicated teacher, has been a professional nature photographer since the early 1970s. His work has been published in many publications and books, including National Geographic, Nature's Best, National Wildlife, Audubon, Outdoor Photographer, and many others. In 1997 he received the first-ever Outstanding Photographer Award given by the North American Nature Photography Association (NANPA). Nikon chose him as a featured Legend Behind the Lens in 2002, while Microsoft designated him an Icon of Imaging in 2006.  He has been part of Epson's Stylus Pro fine art print makers group since 2001.

John has published six books on nature photography, plus five eBooks on Photoshop and Lightroom.  He has photographed on every continent, from the Arctic to the Antarctic, from Provence to Patagonia.  While he once used a variety of film cameras, he much prefers the advantages of digital capture.

Visit John's Website

Testimonials

I just wanted to thank you personally for the best two days of photographic instruction that I've had in my 52 years. – Bill A.

The breadth and width of information that John Shaw provided both as an artist/photographer and his knowledge of digital software was impressive. His ability to communicate the information even more impressive. – Ric K.

John Shaw is a great leader and photographer and I always look forward to traveling with him. – Gordon K.

Cliff Zenor

Nature photographers are explorers. Each time we bring the camera to our eye, we hope to discover something as pleasing in the viewfinder as is in our mind’s eye. And in the effort, we’ll likely learn something new about our subjects and ourselves.

 Cliff Zenor has been a nature photographer, tour leader and workshop teacher for more than 20 years. He has photographed, toured and taught in parks and preserves across the continental US and in other wild places such as Kenya, the Galapagos Islands, the Pantanal Brazilian wetlands, Alaska and Canada. His photographs have appeared in such publications as Outdoor Photographer, Horticulture, Fine Gardening, Chicago Wilderness, and Midwest Living; and in newspapers, advertisements, and various books.

 Cliff has led tours and taught workshops for the leading providers in the field. He has presented programs for the Professional Photographers of America and the North American Nature Photography Association, and has appeared in segments of Public Television shows about exploring and photographing nature. His limited-edition photographic prints have been displayed in several galleries, private collections and public exhibitions.

From his background in horticulture and adult education, Cliff’s first ventures into publication were for gardening magazines and books, including Indoor Gardening for which he was the principal photographer. Since then, he has focused on wilder life and was a participant in several book projects including Nature of America and Daybreak 2000. His current work includes photo projects on the Eastern deciduous forests, the tallgrass prairies, Midwestern wetlands, gardening and historic architecture for books, periodicals and newspapers.

Cliff is a natural, enthusiastic teacher. And he enjoys exploring the wild and not-so-wild world with like-minded photographers. He and his wife, Mary, live in northern Indiana in a historic house which they are slowly and lovingly restoring.

Highlights

  • Small group of ten participants, with a student-to-instructor ratio of just over 3 to 1
  • Advanced seeing: Learn to find new and unexpected compositions
  • Breaking through creative block and making great photographs in challenging situations
  • Mastering a logical, efficient, and consistent workflow, from capture to final master image, that frees you to focus on creativity
  • Ensuring the highest-possible final image quality
  • Output and outlets for your work
  • Eight field photography sessions, pre-dawn to mid-morning and mid-afternoon to twilight
  • Constructive group critiques of participant work

Accommodations & Travel

Package includes single-occupancy lodging, all meals, and adult beverages with dinner. Prorated fees are available for double occupancy and for those who do not require lodging. The Broken Spur Inn has the comfort to prepare you for days of photography sessions and views to keep you surrounded by the area's beauty. This accommodation is located only 8 miles from Capitol Reef National Park and has a highly rated restaurant onsite, The Steakhouse.

airplane iconcar iconfoot iconweather icon
For those traveling by air, the nearest major airport is in Salt Lake City, UT, 3.5 hours drive away. There are also flights into Page, AZ which is slightly closer, and the drive from Page is stunning. We will carpool to field locations, which are carefully selected by the instructors. Access to locations on foot is easy. Highs will likely range from the low 50s to the low 70s, with lows ranging from the low 20s to the low 40s first thing in the morning. Precipitation is unlikely.