Visionary Wild, LLC • 2200 19th St. NW, Ste 806, Washington, DC 20009

E-mail: info@visionarywild.com    •    Tel: 1-202-558-9596 (9am to 5pm, EST).

Justin Black – Managing Director: 1-202-302-9030 • Email: justin@visionarywild.com

Jennifer Woolley – Director of Operations • Email: jennifer@visionarywild.com

We look forward to hearing from you!

 

Limit 10 spaces | $3,695* Register
Creative Core January 21 - 25, 2019 | View other workshops

Moab with Jerry Dodrill and Jeff Foott

Map via Google

We are excited to operate our second workshop based in Moab, Utah, as we visit Arches National Park and Canyonlands National Park. We are going during the best time of the year—early. After researching visitor statistics, there is no better time: "In January of 2016, about 20,000 people visited Arches. By May, that number jumped to more than 200,000, according to the National Park Service." Roads will be open and soft sheets of snow will illuminate the Parks. Arches National Park contains the highest density of natural arches in the world and Canyonlands National Park has multiple waterways carving away at the sandstone buttes and ephemeral pools with frozen surfaces, making for an impressive and serene landscape like no other.

Instructors Jeff Foott and Jerry Dodrill will lead eight field sessions to explore remote coves, canyons, creeks, the Colorado River, and striking desert ecology. Jeff lives nearby and can frequently be found exploring will know a lot of locations to scout and use for instruction. They will share insights that will help you to refine your creative vision, composition skills, and field techniques, understand the practical implications of human visual cognition, explore ways to use the element of time to expand your creative horizons, and help find ways to add greater purpose and meaning to your photography.

Field sessions begin the evening of the first day. Each day, we'll be out to photograph during the best morning and evening light, following the daily weather conditions to make the most of opportunities. During mid-day hours, Jeff and Justin will make presentations from the lecture room at the Gonao Inn on composition and creativity, light and exposure, digital workflow, and maximizing image potential through post-production. During field sessions, Jeff and Justin will offer hands-on guidance on composition and technique, suggest creative ways to capture the mood and spirit of the place, and provide tips on creative use of aperture, shutter speed, filtration, multiple exposures, exposure blending, and panoramic stitching.  Classroom sessions to review and critique your photographs will empower you to revisit and improve upon your creative ideas during subsequent outings. Friday morning will be the final field session, followed by critique until we adjourn at 3:00 pm.

Any enthusiastic photographer will feel right at home in this workshop. Jeff and Justin are both experienced at successfully accommodating a range of experience levels in photography workshops. We supply materials in advance of the session to make sure all participants are prepared to get the most out of the experience.

The group size is limited to ten participants, and the package includes the workshop itself from 1pm on January 21 to 3pm on January 25, four nights accommodations in a suite at Gonzo Inn (arguably the nicest place to stay in Moab), all meals, snacks, and drinks (including adult beverages with dinner). The rate for single-occupancy is $3,695; double-occupancy is $3,395 per-participant; for those who do not need lodging arrangements provided in Moab, the rate is $3,095.

Workshop will be operated under a commercial use authorization issued by Arches National Park and Canyonlands National Park.

Jerry Dodrill

Jerry Dodrill is an award-winning landscape and adventure photographer who in the early years of his career was a protégé of the legendary Galen Rowell. An unrelenting passion for photography and outdoor adventures made it clear that Jerry was not destined for a desk job. An avid climber for twenty years, he feels equally at home in a rocky bivouac or a soft bed. In college, pre-med classes gave way to studies in fine art and weekends spent scaling Yosemite's granite walls. Photography was at first a byproduct of his adventures but quickly became his artistic medium of choice as he captured each experience with a concise aesthetic and quality of light revealing his inspiration.

Jerry's adventures have led him around the globe. He has climbed all the major walls in Yosemite Valley, at crags across the West, close to a hundred summits in the Sierra, and peaks in Bolivia, Argentina, Kyrgyzstan, and China. His full embrace of the many disciplines of climbing have led to many adventures and tales best told late at night around a raging campfire.

Jerry holds degrees in fine art and photography, which in 1997 led him to work for acclaimed photographer Galen Rowell at Mountain Light in Berkeley. There, he managed Galen's gallery space and workshops, an amazing experience (akin to a photographer's bootcamp).

Since 2000, he has been pursuing his own adventures and photography career. Jerry's immense talent and creative eye have been well recognized through international awards and exhibition in fine galleries, such as the Ansel Adams in Yosemite, Mountain Light, Mumm Napa Valley, and the Banff Center for Mountain Culture. Through his numerous workshops for Mountain Light Gallery, Visionary Wild, and Sierra Nevada College, and college-level teaching at Pacific Union College in Napa Valley, he has proven himself as a highly engaging and effective photography teacher and workshops leader.

After running his own gallery on California's North Coast for five years, he now resides in the Sonoma County town of Sebastopol, California, focusing on commercial and editorial assignment photography, exhibitions of his work, and sharing his vision and expertise with others. Jerry's work has been featured in many ad campaigns, books, and publications and is represented by Aurora Photos. Editorial and commercial clients include The North Face, Vanity Fair, Sunset, Men's Journal, Outside, Alpinist, Rock & Ice, and Climbing magazines. Expert in Photoshop and digital color management, Jerry is regularly sought out as a color pre-press manager for high-end photo books, and as a fine digital printmaker. He was also recently recruited as a design consultant for the exciting new outdoors-oriented photo pack company MindShift Gear, a spin-off from Think Tank Photo.

Visit Jerry's website

Visit Jerry's blog

Jerry Dodrill portrait: © Grant Ordelheide.

Jeff Foott

Having had the good fortune to work and play in nature most of my early life, it became obvious to me I had to spend my life outside. After working as a National Park Ranger, a mountain climbing guide, ski patrolman and a few other lesser jobs, I went back to school in marine biology – doing research on sea otters – which at the time were in trouble.

I had come to love these creatures and set out naively thinking that if I could only portray to the public how they survived the ocean storms, raised their young and the danger of extinction they faced, then the otters would be saved. This was my entry into photography.

I first took still pictures for lectures and magazine articles, and then started a film about this unique creature. The film was eventually shown in over 100 countries to an estimated 100 million people. I had found a platform to speak from. Forty-five films later, for National Geographic, Discovery, PBS, BBC, etc., I am still working to portray what we have in the natural world and its importance to our spiritual direction in a time where the calm of nature is less reflected in our beings than at any other time in the history of man.

Along the way, I added art to the biology. My last film for The Living Eden series, Patagonia, was a finalist for an Emmy for cinematography. I have continued to shoot still pictures, now often focusing on the simple beauty and design of nature. I have changed mediums from large format 4x5 to shooting digital. I have never lost touch with the original motivation of using the photography medium to show people the wonder and beauty of nature, and making a plea for sanity in dealing with our natural environment. Pristine natural environments provide optimum opportunity for each of us to experience the calm and wholeness of our being, which is really our natural state. While searching for photographs, I rely on what touches my center, and then with logic and camera I make the effort to pass on to the viewer the original feeling that drew me to the scene. – Jeff Foott

 

Jeff has been widely published in the U.S. and internationally.  National Geographic magazine, National Geographic Traveler, Audubon, National Wildlife magazine, Nature's Best, Outdoor Photographer, Sierra Club calendars, Audubon calendars are a few of the publications that use his work. He is an Associate of the International League of Conservation Photographers and has donated his time and photographic talent to the ILCP Borderlands and Patagonia Rapid Assessment Visual Expeditions (RAVEs).

Video: Jeff's project to fight the pine bark beetle invasion

Video: Jeff gets an amusing endorsement deal! (circa 1982)

Highlights

  • Two of the Southwest's most visually spectacular parks: Arches and Canyonlands, at a quiet time of the year.
  • Eight field photography sessions, morning and evening
  • Composition
  • Working the scene to capture its essence
  • Using various qualities of light to best effect
  • Exposure and tonal control
  • Essentials of digital workflow
  • Optimizing images in post-processing
  • Three constructive group critique sessions
  • Packaged with single-occupancy lodging, all meals and beverages

Accommodations & Travel

 

Gonzo Inn in Moab, Utah – a very comfortable boutique hotel with excellent amenities – will be our basecamp and indoor classroom.  All rooms are suites, which include one King bed and one Queen sofa sleeper with superior furnishings. This workshop is packaged inclusive of single-occupancy accommodation, with prorated options for double-occupancy or without lodging if you live nearby or prefer to make your own arrangements. All meals are included, and dinners will be served at the best restaurants in the area.

airplane iconcar iconfoot iconweather icon
Canyonlands Field (CNY) is the local airport in Moab, with daily commuter flights from Salt Lake City. Grand Junction, Colorado (GJT) is another regional airport option, although Salt Lake City International Airport (SLC) is the closest major airport. We will carpool to field locations, with drive times ranging from a few minutes to an hour. Locations will be accessed on foot via easy walks ranging from a few feet to a 1/2-mile on good trails. Weather at this time of year is typically fair, with a small chance of precipitation. Temperature range at this time is typically from highs in the upper 30s to mid 40s, to lows that could drop into the teens.

Expectations

This workshop offers the next step for those who feel they are photographing with a fairly good grasp on the technical fundamentals of digital cameras, exposure, and a basic digital workflow, but who are ready to focus on more specialized development in the areas of refining composition, applying creative techniques and tools, and polishing digital development. The small group size and two gifted instructors will ensure that everyone receives plenty of one-on-one time to address their particular interests, challenges, and priorities.

In addition to a warm welcome, great amenities, an expertly managed itinerary, and superb locations, you can expect highly engaging, insightful, and effective instruction from Jeff and Jerry, both of whom have earned stellar reputations among their workshop students over the years. Jeff is a life-long naturalist and visual storyteller, which led him through a long and successful career as a preeminent nature cinematographer and still photographer. Jerry had the fortunate opportunity to assist renowned photographer Galen Rowell on assignments and in his workshop program, and has gone on to be in demand as a workshops leader, teaching alongside such luminaries as Jack Dykinga, David Muench, and others. Along the way, his own work has become highly respected by his professional peers, amateur photographers, editorial clients, and collectors of his fine prints. To top it all off, Jeff and Jerry's upbeat good humor and thoughtful care for the needs of their clients make for a truly winning combination.