Visionary Wild, LLC • 2200 19th St. NW, Ste 806, Washington, DC 20009

E-mail:    •    Tel: 1-202-558-9596 (9am to 5pm, EST).

Justin Black – Managing Director: 1-202-302-9030 • Email:

Jennifer Woolley – Director of Operations • Email:

We look forward to hearing from you!


Limit 10 spaces | $11,750* Closed
Expedition April 1 - 13, 2018 | View other workshops

Patagonia with Justin Black and Eddie Soloway

Map via Google

This combination of workshop and expedition is a unique hit! The leaders knew the area, worked well together, imparted their knowledge with enthusiasm and congeniality to each participant and the local staff were professional and helped us as a group and individually at all times. The logistics and lodgings were excellent. An outstanding photographic experience! –S. Dater, 2015 Patagonia participant

Patagonia: the word is synonymous with awe-inspiring landscape, and Torres del Paine National Park is both its crown jewel and a microcosm of the most aesthetically appealing features of the region. This hybrid program – part expedition, part workshop, led by acclaimed fine art photography instructor Eddie Soloway and Justin Black of Visionary Wild is designed to maximize opportunities to execute well-crafted and compelling photographs that capture the spirit of this incredible place. Participants will have ample time to get to know Torres del Paine during its colorful autumn splendor, and your photography there will benefit from the opportunity to revisit fruitful situations to apply lessons learned and to take advantage of changing weather and light. Assuming the weather cooperates, moonless nights during our itinerary will mean excellent opportunities to incorporate the Milky Way in nocturnal landscapes. The goal is for each participant to come away from this trip with a strong body of work, a new body of knowledge, new friendships, rejuvenation, and priceless memories.

Torres del Paine National Park and Biosphere Reserve is the centerpiece of Patagonia – the ultimate distillation of the region's most inspiring qualities. It's one of those rare places that routinely exceeds the grandest dreams of even the most experienced photographers. Peaks and spires thrust abruptly upward above turquoise lakes, forcing moisture-laden winds off the ocean to form soaring lenticular clouds that catch the fiery sunrise and sunset alpenglow. Glaciers spill down from the Patagonian icecap, depositing cobalt blue icebergs on the shores of Lago Grey. Endemic lenga tree forests glow in hues of gold and copper in the southern autumn. Rivers tumble over cascading waterfalls as condors ride thermals on the flanks of the Cordillera del Paine mountains. Guanacos and foxes range over the golden pampas, and flamingoes wade the lagoons. At this time of year, the days are a manageable length with extended periods of dawn and dusk, and the sun never rises more than 35 degrees above the horizon. The quality of light is spectacular.

Our trip begins in Santiago, Chile, where we will meet participants at the airport and transfer to The Aubrey, a splendidly remodeled historic boutique hotel in the colorful and photogenic Bellavista district of Santiago, next to the Park Metropolitano and Cerro San Cristobal. We'll all gather there and go out as a group for a welcome dinner to get to know everyone. The next day features a guided photo walk through highlights of the historic city center, with lunch featuring superb local seafood at our favorite restaurant in the Mercado Central. The next morning, we'll catch a flight to Punta Arenas, our jumping off point in Patagonia. There we will be joined by our local guide team, good friends regarded as some of the very best local guides in Chilean Patagonia. We proceed to Torres del Paine National Park (with lunch at a restaurant along the way) where we'll check into Hotel Las Torres, the first of three excellent lodges in the park that will serve as our base camps for the next nine days and nights – the others are the spectacularly located Hostería Pehoe, and recently upgraded Hotel Lago Grey.

Eddie Soloway and Justin Black will lead the small group on field sessions adapted to make the most of the prevailing conditions each day. Emphasis will be on photography and hands-on mentoring in the field. We'll photograph when the conditions are good, and we'll gather in the lodge for presentations on light, composition, visualization, technique, and digital workflow at times when light or weather aren't as conducive for photography (during harsh mid-day light, if a rain storm passes through, etc.). We will also hold constructive critiques of participant photographs, and then head back out into the field to apply what we've learned.

Excursions will include a trip by ferry to visit Glacier Grey and, via our comfortable group vehicles, spectacular locations around the park that we have scouted in detail on prior visits. Some locations involve short hikes, but nothing particularly strenuous.

After dusk each day, we will gather for a nice dinner and some good Chilean wine. Then it's off to bed to rest, as most mornings we'll be out around 6:00am to take advantage of the incredible pre-dawn light. Breakfasts and lunches will be handled in relation to our photographic activities, served either at our lodges or in the field as a gourmet picnic.

Included in the program:

  • Photographic instruction throughout by Eddie Soloway and Justin Black, a highly effective instructor team with several previous Torres del Paine visits under their belts
  • Top local guide, plus support by a first-rate team of assistant guides and drivers
  • Flights: Santiago – Punta Arenas – Santiago
  • Ground transportation and transfers
  • Twelve nights lodging (package is priced as single-occupancy; double-occ available at pro-rated fee)
  • All meals, snacks, and beverages (including beer, wine, cocktails with dinner)

Justin Black

JUSTIN BLACK is a photographer, writer, editor, expedition leader, photo workshops instructor, a Fellow of the International League of Conservation Writers (ILCW), and a former executive director of the International League of Conservation Photographers (ILCP). Since 2011 with Visionary Wild and for ten years at Galen Rowell's Mountain Light Photography, he has created inspiring and effective educational photographic experiences for thousands of passionate photographers. He is widely recognized as one of the world's leading photo workshops organizers.

A professional photographer since 1995 when he signed his first picture agency contract, before founding Visionary Wild he served the ILCP as Executive Director, and for seven years was General Manager and Curator of Mountain Light Gallery.

Justin's photographs have been published by magazines such as National Geographic Adventure, Sierra, Sunset, American Photo, Outdoor Photographer, Rock & Ice, and Nature Conservancy among others. His work has also been published by major news outlets in print and online, and has been used in advertising for brands such as MasterCard, Patagonia, Nikon, and Fujifilm.

Among conservation NGOs that have used his photographs in their campaigns are World Wildlife Fund, Conservation International, The Sierra Club, National Parks Conservation Association, Panthera, Land Trust Alliance, Earth Justice, The Wilderness Society, the Chesapeake Bay Foundation, ILCP, and the Wild Foundation.

In 2017, he entered the world of motion pictures as an Executive Producer on the award-winning documentary film, Headhunt Revisited: With Brush, Canvas, and Camera, produced and directed by Michele Westmorland. Justin was invited to serve as a judge for the 2015 and 2017 Nature's Best Photography Africa competitions. He has also been an editor and contributor to numerous award-winning photo book projects, including Galen Rowell: A Retrospective; Freshwater: The Essence of Life; The Wealth of Nature: Ecosystem Services, Biodiversity, and Human Well-Being; Our National Parks: America's Natural Heritage; as well as Flying South: A Pilot's Inner Journey by Barbara Rowell. His limited edition fine prints are available through his portfolio website at

An early career as a travel photographer and image licensing specialist led him to Mountain Light Photography in the San Francisco Bay Area, founded by Galen Rowell – a world-renowned National Geographic photographer, author, and mountaineer – and his wife and business partner, Barbara Cushman Rowell. Beginning in May of 1999, Justin managed marketing of the Rowell image collection, assisted Galen on assignments and in his workshop program, and taught seminars on nature photography. In April 2002, the Rowells invited Justin to relocate with them to California's scenic Owens Valley as Mountain Light's General Manager. Justin eagerly embraced his new responsibility, along with the sublime Eastern Sierra Nevada landscape as his new home.

Four months later, Galen and Barbara perished in the crash of a chartered plane, leaving behind a tremendous creative and visionary vacuum. Justin went to work, building on the impressive Rowell legacy to reinvigorate Mountain Light by establishing a seasonal series of guest photographer exhibitions, expanding the image collection, and relaunching the highly acclaimed photo workshop program through collaboration with Galen's leading professional peers, including Frans Lanting, Pat O'Hara, Jack Dykinga, John Shaw, David Muench, and Jeff Foott. In May 2008, Justin's successful efforts were recognized by both Sunset and American Photo magazines, as each magazine featured editorial recommendations of his workshop program at Mountain Light.

After ten years with Mountain Light, Justin was recruited to take over the position of Executive Director of ILCP, a non-profit association of the best photographers worldwide working in the field of environmental and cultural conservation. At ILCP, Justin oversaw an explosion of productivity in expeditions, publishing, multimedia production, and the achievement of successful conservation outcomes. He contributed photographic coverage to ILCP's Rapid Assessment Visual Expeditions (RAVE) program, including Flathead Valley (Canada, 2009), Yucatán (Mexico, 2009), and Chesapeake (USA, 2010), as well as a solo project for The Nature Conservancy, documenting the Dragon Run wetland on Virginia's Middle Peninsula. One of Justin's photographs from the Flathead River project appeared as a section opener in the Vancouver Sun newspaper – the first time the threatened watershed received significant coverage in that nationally important media outlet.  The photograph was later selected by the United States Senate for display in the U.S. Capitol Building, as Canada and the USA reached an agreement to protect the Flathead.

Justin left his position at ILCP in late 2010 to establish Visionary Wild, building on his successful leadership of the Mountain Light workshop program and applying expertise gained at ILCP to provide superlative workshops and expeditions for passionate photographers seeking to advance to the next level of creativity, quality, purpose, and meaning in their work. His own work continues to evolve in new directions, driven by the ongoing search for extraordinary qualities in our world's dynamic landscapes.

Justin lives in Washington, DC, with his brilliant wife, Lena, and their children Philippe and Alexandra.

Justin Black's limited editions portfolio

Justin's Outdoor Photographer Profile

Bringing focus and meaning to your photography

The Top 40 Nature Photos Project

Justin's Conservation Photography Projects


Justin’s Camera Bag

After using an array of 4x5, medium format, and 35mm film cameras in the first two decades of his career, Justin fully embraced digital cameras in 2010. His current gear includes Nikon DSLRs and Fujifilm mirrorless systems.


Fujifilm Medium Format Mirrorless:

GFX 50S camera

23mm f/4 GF Fujinon

32-64 f/4 GF Fujinon

120mm f/4 GF Fujinon


Nikon DSLR:

Nikon D810 cameras (x2)

24mm f/3.5 PC-E tilt-shift Nikkor

45mm f/2.8 PC-E tilt-shift Nikkor

85mm f/2.8 PC-E tilt-shift Nikkor

24mm f/1.4 Sigma Art

35mm f/1.4 Sigma Art

50mm f/1.4 Sigma Art

85mm f/1.8 G AF-S ED Nikkor

200mm f/4 AF-D Micro-Nikkor

500mm f/4 AF-S Nikkor

18-35mm f/3.5-4.5 G AF-S ED Nikkor

24-70mm f/2.8 G AF-S ED Nikkor

70-200mm f/4.0 G AF-S ED VR Nikkor

200-400mm f/4.0 G AF-S ED VR Nikkor

Nikon TC-14EII teleconverter

Nikon TC-20EIII teleconverter

Nikon SB-900 flash

Nikon SB-700 flash

Assorted Nikon TTL flash cables


Fujifilm APS-C Mirrorless:

X-Pro2 Cameras (x2)

14mm f/2.8 XF Fujinon

23mm f/2 XF Fujinon

35mm f/1.4 XF Fujinon

50mm f/2 XF Fujinon

18-55mm f/2.8-4 XF Fujinon

55-200mm f/3.5-4.8 XF Fujinon


Filters and Light Modifiers

Nikon Circular Polarizer II

Singh-Ray Vari-ND

Tiffen WW IRND neutral density filters

Photoflex reflectors and diffusers

Lumiquest soft boxes

Rogue Flashbender

Rosco gels



Really Right Stuff TVC-24L with leveling base and Really Right Stuff BH-55 ballhead or Arca-Swiss D4 geared head

Gitzo 1028 with RRS BH-25 ballhead


Photo Packs

MindShift Backlight 36L

MindShift Backlight 26L

Mindshift FirstLight 30L

MindShift Rotation 180 Pro

Mindshift Rotation 180 Horizon

Mindshift Rotation 180 Panorama

ThinkTank Airport Addicted V2.0

ThinkTank Urban Disguise 50 V2.0


Eddie Soloway

Eddie Soloway’s photographs are the expression of his passion for the natural world. In 1998, he received the Excellence in Photographic Teaching Award presented by the Santa Fe Center for Photography, and in 2010 Photo District News named Eddie one of America’s best photography workshop teachers. In 2014 he was one of twenty photographers selected into the international “Power of the Image” exhibition which premiered in Beijing. He divides his time between speaking on photography and creativity for National Geographic and other organizations, teaching for leading photographic institutions, making fine-art prints, and publishing photographic projects. His book, One Thousand Moons, was published in 2004, the dvd, A Natural Eye Workshop, in 2009, and A Natural Eye video series in 2015. His workshops and educational offerings may be seen at


  • One of the world's most spectacular landscapes: peaks of the Cordillera del Paine, lakes, waterfalls, icebergs, glaciers, lagoons, and magnificent Patagonian light.
  • Wildlife: guancos (wild ancestors of llamas), Andean grey foxes, endangered huemul deer, Andean condors, Darwin's rhea, and flamingos
  • Small group of ten participants
  • Attentive and effective photographer support with instruction throughout by the highly regarded team of Eddie Soloway and Justin Black
  • Local support by our friend, Ruth Cohen, perhaps the most highly respected Patagonia guide there is, plus a team of assistant guides and drivers.
  • Creativity and visualization: learn to find new and unexpected compositions
  • Advanced field techniques for landscape and wildlife photography
  • Breaking through creative block and making great photographs in challenging situations
  • Mastering a logical, efficient, and consistent digital workflow, from capture to final master image, that frees you to focus on creativity
  • Ensuring the highest-possible final image quality
  • All-inclusive from Santiago

Accommodations & Travel


Package includes:

  • R/T Flights within Chile: Santiago – Punta Arenas – Santiago
  • Single-occupancy accommodation in excellent hotels: The Aubrey (Santiago – two nights), Hotel Las Torres (3 nights), Hostería Pehoe (3 nights), Hotel Lago Grey (3 nights), Cabo de Hornos (Punta Arenas – one night)
  • All ground transportation
  • All meals and snacks
  • Non-alcoholic beverages, and wine, beer, and cocktails (Pisco sour, anyone?) with dinner
airplane iconcar iconboat iconfoot iconweather icon
Fly into Santiago, Chile, to be met for ground transfer to our group's hotel for the first night. In-country flights are included; international flights are not. Ground transportation is provided throughout the workshop. We will make excursions by ferry on Lago Grey in Torres del Paine N.P. Most locations are accessed by short walks from vehicles. Longer hikes are an option, but are not mandatory. Weather is variable, with highs between 45 to 65ºF and lows between 30 to 45ºF at this time of year. We will likely experience a mix of conditions from partly cloudy to overcast, with wind varying by local microclimate. Rain showers and snow flurries are possible from time to time.


The workshop in Patagonia was well planned and extremely well executed. The leaders were constructive, inclusive and always ready to answer questions, no matter what the content. The most important part though, was the positive attitude displayed and the humor which encompassed every situation. I eagerly look forward to my next experience with Visionary Wild. –V. Snyder

Going to Patagonia was a dream of mine since I saw a picture of Cerro Torre in the 1972 Chouinard Equipment catalog. So I was thrilled to be finally going, not as a climber as originally planned, but as a photographer. Traveling with Justin and the crew felt like being with old friends. If you're thinking about going on an expedition with Visionary Wild, stop thinking and do it! –L. Bartlett