Workshops by Focus: Advanced Techniques

Expedition July 5 - 22, 2021
6 spaces | $* Register

For lovers of wild mountain landscapes, few destinations on Earth are more spectacular than the Kyrgyz Republic (also known as Kyrgyzstan) with its soaring peaks ranging from Alpine to Himalayan in beauty and scale, glaciers, pristine lakes, wild rivers, spruce and fir forests, alpine wildflowers, and expansive high pastures. The Tien Shan mountains rise higher and wilder than the Rockies, Sierra Nevada, Alps, or Andes – peaks below 16,000-feet in elevation are barely considered worthy of a name. Along the Chinese border, the Kokshaal-Too range soars to truly Himalayan heights, including the world’s most northern summits over 7,000 meters (22,965 feet): Khan Tengri (translation: Lord of the Skies) and Jengish Chokusu (also known in Russian as Pik Pobeda, or Victory Peak). The landscape beneath the peaks is sublime: glacier-carved gorges, slopes covered in alpine wildflowers (there is more edelweiss here than in the Alps), raging rivers, spruce and fir forests, and high pastures (“jai-loh”) where semi-nomadic Kyrgyz graze small herds of horses, yaks, sheep, and cattle during the short summer.

Kyrgyzstan’s majestic mountain landscapes and unspoiled natural beauty make it a gem for avid photographers, but it has been relatively unknown and little-visited. Kyrgyzstan is now gaining recognition as a highly desirable travel destination for its magnificent mountains, glacier-fed lakes, wild rivers, comfortable climate, and unique and welcoming culture. It was recently ranked #5 on Lonely Planet’s Best in Travel 2019 Top Countries list. While others are just discovering Kyrgyzstan, Visionary Wild recognized its vast opportunity for photography years ago. Based on extensive scouting we have carefully developed an exceptional photography-focused itinerary for those seeking to travel in style and comfort, with a spirit of exploration and adventure.

Our adventure begins in the Kyrgyzstani capital of Bishkek, where our guests will be met at the airport and transferred to the thoroughly modern Solutel Hotel, offering excellent accommodations and English-speaking staff, conveniently located in the city center. There, we will welcome you to our introductory orientation and first dinner as a group. Early the next morning, we load up into our four-wheel-drive caravan, comprising three highly capable and comfortable Toyota Sequoias to carry our six guests, plus Visionary Wild photo leaders Justin Black and Jerry Dodrill, both veteran Kyrgyzstan travelers. Two additional 4WD support vehicles will carry gear, provisions, our cook and camp staff. From there, we set off on our spectacular route through the Tien Shan mountains.

Our itinerary is designed to take advantage of prime light on the landscape morning and evening each day. After dark, clean air and absence of light pollution provide a superb opportunity for nighttime landscapes including the Milky Way. Wildlife we typically see at some point along the way includes golden eagles, Marco Polo sheep (the largest wild sheep in the world), Lammergeier (a bird of prey with a ten-foot wingspan, related to the Egyptian vulture), ibex, and marmots. If we are very lucky, we might even see a wolf or snow leopard. We will also enjoy excellent opportunities to interact with and photograph the Kyrgyz people themselves, particularly herders in the high pastures, families at our yurt camps, and at the sprawling and colorful Osh Market in Bishkek. This will be a highly productive and immensely fun photographic adventure that you’ll never forget.

Kyrgyz Republic
Map via Google
Expedition November 10 - 23, 2019
8 spaces | $13,500* Register

PATAGONIA is vast and beautiful, and there is a great deal most visitors never see, beyond the most iconic locations like Torres del Paine National Park. While Torres represents a wonderful microcosm of what Patagonia has to offer, Chile’s little-visited Aysén region is home to soaring peaks, pristine lakes, wild turquoise rivers, water-sculpted marble caves, unique forest ecosystems, and numerous glaciers descending from the massive Northern Patagonian Ice Field. It offers the passionate photographer incredible opportunities for landscape, wildlife, and cultural photography, without the tour buses of the more heavily touristed Patagonian destinations. Put simply, the wild serenity, scenic splendor, and photographic potential will amaze you.

We are visiting in the Patagonian spring, when the lupines and other wildflowers are in full bloom, the rivers are roaring, and the high peaks still wear veils of fresh snow. Our trip begins in Balmaceda, Chile (population approximately 500), the location of the regional airport, with direct flights from Chile’s capital of Santiago. You will be met upon exit from baggage claim by our local guide team, headed by our good friend Ruth Cohen, regarded as one of the very best guides in Chilean Patagonia. Then, transfer to Patagonia House, Ruth’s excellent boutique lodge on the outskirts of the regional capital of Coyhaique (population approx. 50,000). We’ll all gather there and then kick off our adventure with a festive welcome dinner to get to know everyone. The next morning after breakfast, we will load up in our two spacious passenger vans, with plenty of extra room for gear and luggage, and proceed on the rest of our journey through the stunning landscape of Aysén. We will take helicopter flights to do aerial photography over the ice cap, a jet boat trip to the face of the Leones Glacier, and an excursion by boat through the fjords. See below for the full itinerary.

Eddie Soloway and Justin Black will lead this small group of passionate photographers (limited to eight guests) on field sessions adapted to make the most of the best opportunities presented to us by light, weather, landscape, and wildlife each day. Emphasis will be on creative photography and hands-on mentoring in the field. We’ll photograph when the conditions and light are their best, and we’ll gather for presentations on composition, visualization, qualities of light, technique, and digital workflow at times when light or weather aren’t as conducive for photography (during harsh mid-day light, if a rain storm passes through, etc.). We will also hold constructive critiques of participant photographs and then head back out into the field to apply what we’ve learned.

Excursions will include helicopter flights (each guest gets one flight) to do doors-off photography over the spectacular Northern Patagonian Ice Field and Monte San Valentin, a jet boat excursion from Lago Leones to the Leones Glacier, a boat excursion to Marble Caves on Lago General Carrera, as well as a day aboard a private expedition boat to visit the fjords and the Jorge Montt Glacier. Via our group vehicles, we’ll visit spectacular locations that we have explored on prior visits. Some locations involve short hikes, but nothing particularly strenuous.

Each evening, we will gather for a nice dinner and some good Chilean wine. Then it’s off to bed to get some rest, as most mornings we’ll be out around 5:30am to take advantage of the incredible pre-dawn light. Breakfasts and lunches will be handled in relation to our photographic activities, served either at our accommodations or local restaurants, or in the field as a gourmet picnic.

Hidden Patagonia
Map via Google
Creative Core April 15 - 19, 2019
10 spaces | $3,750* Register

In April, Great Smoky Mountains National Park comes alive with the elegant rebirth of spring in the Appalachian mountains on the border between Tennessee and North Carolina. Redbud and dogwood trees bloom, fragile new pale-green leaves emerge, and fog brings simplicity to the chaotic the forest backdrop. This is without question one of the gems of the National Park system, and along with neighboring Blue Ridge Parkway it represents the highlight of Appalachia. Offering easy to a wide range of opportunities from expansive landscapes to intimate designs, it’s one of our favorite outdoor photographic “classrooms,” visiting midweek in spring means no crowds in this, the most visited park in the entire National Park System.

Your instructors are two of the most highly regarded – and down to earth – fine art photographers working today: Charles Cramer and Tillman Crane. Working in digital color and black & white platinum-palladium processes respectively, both are renowned as master print makers and natural teachers.

Charles is a masterful artist renowned for landscape photographs that derive their power from their elegant composition and gentle calm. He has returned again and again to Appalachia over the years to draw inspiration from its atmospheric interplay of light, mist, and elegant graphics. Garnering rave reviews whenever he teaches, Charlie enjoys nothing more than sharing his insights, creativity, and craftsmanship with other passionate photographers in an effort to help them refine their own vision.

Tillman’s motto is, “Great photographs can be made in ordinary places.” His distinctive platinum photographs combine 19th-century materials with a 21st century aesthetic. A former photojournalist turned artist, he loves Great Smoky National Park and Appalachia in general for its combination of nature and fascinating human history. Tillman has been teaching the art and craft of photography for three decades, and his passion for the artform continues to evolve as he embraces modern digital technology while simultaneously furthering his mastery of the platinum/palladium print. The focus of his imagery remains on the unique qualities of light and sense of place in the ordinary, everyday locations where he lives and teaches.

This all-inclusive workshop will be based at Highland Manor Inn, in the village of Townsend, Tennessee, the quietest of the three “gateway” communities accessing the park. This base of operations provides excellent access to field locations. Along with eight field sessions, Charlie and Tillman will present projected lectures on composition, light, exposure control, anticipating and working through changing conditions, and essentials of digital image development. A minimum of two constructive critique sessions will provide essential feedback on images created by participants in the workshop.

This Creative Core workshop deals heavily with developing creativity and visualizing compositions, with a great deal of photography in the field. Creative Core workshops are general outdoor photography workshops designed to expose participants to the full creative toolbox, but the emphasis of individual participants’ work is up to them. Whether they wish to focus on classic landscape, abstraction, color, black and white, HDR, panoramics, multiple exposures, or all of the above, any enthusiastic photographer will feel right at home in this workshop. Together, Charlie and Tillman have over 75 years of combined experience successfully accommodating a range of experience levels within the context of photographic workshops.

In advance of the session, we supply materials to get everyone up to speed with fundamentals of digital camera set-up and technique, as well as essential equipment recommendations, recommended packing list, and other guidelines to ensure that everyone is ready to make the most of the experience. Users of film are of course welcome to join the workshop, though in order to participate in critiques they will need to either bring digital files or prints of existing work.

Note: This workshop is operated under National Park Service Commercial Use Authorization.

Great Smoky Mountains
Map via Google
Expedition September 3 - 15, 2019
18 spaces | $14,950* Register

I feel very privileged to have participated in the 2016 Greenland expedition. It far exceeded my expectations. And, as someone who has traveled extensively, I would rate it as truly a trip of a lifetime. – Sid S., 2016 Greenland participant

Thank you for another fantastic VW expedition! What a privilege to experience and photograph this wild and remote area in comfort while accompanied by the best leaders offering a wealth of experience and a willingness to share their immense talents. Thanks to Justin’s meticulous advance planning, all the arrangements were perfect throughout. –David & Kathy R., 2015 Greenland participants

Greenland’s remote and little-visited ice fjords hold a wealth of arctic grandeur. Towers, arches, and walls of ancient blue ice thrust skyward from the water’s surface. Steep-walled fjords, soaring coastal mountains, tundra in autumn color, the vast Greenland Ice Sheet, and the Aurora Borealis combine to form an incomparable landscape. Join a world-class team of leaders – Daisy Gilardini, Daniel Beltrá, and Jerry Dodrill – for this  expedition to Greenland, photographing this arctic wilderness in all its glory. With generous photographic instruction and attentive support throughout, explore the largest fjord system in the world – Scoresbysund, covering 14,700 square miles and penetrating over 200 miles into Greenland’s interior – aboard the three-masted expedition vessel Rembrandt van Rijn.

We will make frequent landings by zodiac to photograph in morning and evening light, and as serendipity presents us with compelling opportunities along the way. In addition to the arctic landscape, we will photograph whales as we encounter them, as well a variety of coastal and pelagic birds such as fulmars, kittiwakes, and gannets. Excursions by Zodiac take us in among the icebergs. The ethereal glow of the Aurora Borealis dancing in the night sky over the iceberg-dotted fjords and bays will be the sight of a lifetime. One thing is for certain: this expedition will yield extraordinary photographic opportunities. This is of course a floating workshop as well, and while underway, Daniel, Daisy, Jerry, and the ship’s expedition staff will make instructive and inspiring presentations, answer your questions, and offer constructive feedback on participants’ photographs during group critique sessions, with the aid of the ship’s four large LCD screens.


Greenland was a trip of a lifetime. Imagine fog-shrouded icebergs, vibrant red/orange/yellow tundra, unreal sunsets, glistening ice and snow, colorful villages clinging to rocky headlands, Northern Lights and so much more under the generous guidance of world class instructors. I learned so much while having lots of fun. Thank you! –Ann L., 2015 Greenland participant


Our adventure begins in Reykjavik, Iceland, the world’s northernmost capital. Guests will be greeted upon arrival at Keflavik International Airport and transferred to the elegant Hotel Holt, conveniently located in the city center. After an introductory group meeting and dinner at Grillmarket, one of Reykjavik’s finer restaurants, the next morning we board our private charter flight to Greenland’s east coast. Awaiting our arrival will be our private floating base camp: the 168-foot, three-masted schooner Rembrandt van Rijn (click here for more about RVR). We are booking the entire ship for our exclusive use to ensure ample space for our group both on the ship and in zodiacs – our group will consist of sixteen to eighteen participants and three leaders (though Rembrandt normally sleeps up to 33 guests) in addition to her twelve-person crew and expedition staff. She is exceptionally well-suited to exploration and photography along the Greenland coast, with a reinforced hull, expansive unobstructed sight lines even under sail, and very comfortable accommodations.

To make this special itinerary possible, we have arranged private Air Iceland charter flights aboard modern twin-engine turboprop airliners (Bombardier Q200). After disembarking Rembrandt at Constable Point, we will be picked up by our aircraft and flown back to Reykjavik, where a celebratory group dinner and final restful night at the Hotel Holt await you.

Greenland
Map via Google
Expedition April 5 - 16, 2019
10 spaces | $10,995* Register

This combination of workshop and expedition is a unique hit! The leaders knew the area, worked well together, imparted their knowledge with enthusiasm and congeniality to each participant and the local staff were professional and helped us as a group and individually at all times. The logistics and lodgings were excellent. An outstanding photographic experience! –S. Dater, 2015 Patagonia participant

We returned home with lots of great memories and many images to review and process! It was a very well organised trip & thanks again to the entire team. We will definitely look at Visionary Wild when planning future trips. –G. & H. Cuff, 2018 Patagonia participants

Patagonia: the word is synonymous with awe-inspiring landscape, and Torres del Paine National Park is both its crown jewel and a microcosm of the most aesthetically appealing features of the region. This hybrid program – part expedition, part workshop, led by National Geographic photographer Michael Melford and Justin Black is designed to maximize opportunities to execute well-crafted and compelling photographs that capture the spirit of this incredible place. Participants will have ample time to get to know Torres del Paine during its colorful autumn splendor, and your photography there will benefit from the opportunity to revisit fruitful situations to apply lessons learned and to take advantage of changing weather and light. The goal is for each participant to come away from this trip with a strong body of work, a new body of knowledge, new friendships, rejuvenation, and priceless memories.

Puma Extension – Save $1,000: Those interested in the best opportunity on Earth to photograph wild pumas up close should note that this itinerary is preceded immediately by and can be combined perfectly with our Pumas of Patagonia trip led by Roy Toft, March 30-April 6. Joining us for both itineraries entitles you to a $1,000 discount on the combined cost (on a per person basis, in either single or double-occupancy).

Torres del Paine National Park and Biosphere Reserve is the centerpiece of Patagonia – the ultimate distillation of the region’s most inspiring qualities. It’s one of those rare places that routinely exceeds the grandest dreams of even the most experienced photographers. Peaks and spires thrust abruptly upward above turquoise lakes, forcing moisture-laden winds off the ocean to form soaring lenticular clouds that catch the fiery sunrise and sunset alpenglow. Glaciers spill down from the Patagonian icecap, depositing cobalt blue icebergs on the shores of Lago Grey. Endemic lenga and ñirre tree forests glow in hues of gold and copper in the southern autumn. Rivers tumble over cascading waterfalls as condors ride thermals on the flanks of the Cordillera del Paine mountains. Guanacos, foxes, and pumas range over the golden pampas, and flamingoes wade the lagoons. At this time of year, the days are a manageable length with extended periods of dawn and dusk, and the sun never rises more than 35 degrees above the horizon. The quality of light is spectacular.

 

Michael Melford and Justin Black will lead the small group on field sessions adapted to make the most of the prevailing conditions each day. Emphasis will be on photography and hands-on mentoring in the field. We’ll photograph when the conditions are good, and we’ll gather in the lodge for presentations on light, composition, visualization, technique, and digital workflow at times when light or weather aren’t as conducive for photography (during harsh mid-day light, if a rain storm passes through, etc.). We will also hold constructive critiques of participant photographs, and then head back out into the field to apply what we’ve learned.

Excursions will include trips by ferry to visit the calving face of Glacier Grey and, via our group vehicles, spectacular locations around the park that we have discovered and scouted thoroughly on numerous prior visits. Some locations involve short hikes, but nothing particularly strenuous.

 

Torres del Paine
Map via Google
Vision January 14 - 18, 2019
10 spaces | $3,400* Register

Refine your vision and harness the aesthetic potential of one of the world’s most geological wonders.

Wondering where to travel in winter? Bryce Canyon National Park is one of our favorite places to go to view some of the most unique opportunities during this season of snow dustings and low-angled light. Ponderosa pines, fir-spruce forests, slot canyons, horseshoe-shaped amphitheaters, and pink cliffs cover this area. Utah has a wealth of public lands to explore and challenge your photographic senses, and Bryce Canyon National Park in among the most rewarding.

This greatest concentration of hoodoos in the world – an unearthly landscape to be sure – was formed over hundreds of millions of years of deposition and erosion. Bryce’s colorful rock spires are oriented perfectly to catch the reflected morning light, resulting in a glowing fairytale landscape providing endless options for creative photography. Join us to capture its splendor.

This outdoor classroom is a highlight of our Vision series, a special program of advanced instruction focusing on refining your personal creative vision, composition, digital workflow and image processing, designed and presented by renowned photographers Jack Dykinga and Cliff Zenor. Both instructors have photographed Bryce extensively and know its secrets well. We will photograph at a variety of locations in the park during our morning and evening field sessions, with emphasis on the hoodoos and sculpted designs in the canyons.

Packaged with single-occupancy lodging at the Bryce Canyon Grand Hotel (a Best Western Plus property), located ideally near the park entrance, and with all meals, snacks and beverages included, this is a superb workshop scenario. We hope you’ll join us!

 

About Vision Workshops

The creation of a truly great finished photograph is part of a process from initial concept and vision through execution in the field to digital workflow and creation of a high-quality, final master file ready for printing or publication. Our Vision workshops address the two greatest challenges faced by photographers as they advance. The first of these is the tendency for original creative vision to reach a plateau in development, and the second is a digital workflow in need of streamlining and refinement to make the most of your images.

On Creative Vision:

When we experience images that really move us, we are aware that they have impacted us, though we may not know what it was in the image that made it so powerful. In other words, we know when it works, but can be difficult to quantify. I try to teach the time-honored components of fine photography to build successful compositions…even in ordinary situations. People ask me, “What’s the difference between a pro and an amateur?” My response is, (a) the amateur has better equipment and (b) the professional photographer must create a publishable image every single time. To be successful, the professional must be the practitioner of a disciplined approach to situations that will result in compelling images that inform and move people. This workshop is designed to unleash that creativity in my students. –Jack Dykinga

Both in the classroom and in the field, Jack and Cliff will focus on advanced seeing and ways to unlock creativity in situations that require conceptual and compositional ingenuity on the part of the photographer. In other words, they will answer the questions, “How do I make a great photograph when the subject matter and composition don’t suggest themselves to me?” and, “How do I avoid photographic clichés when the situation offers up a beautiful composition that is almost too obvious?”

Great photography starts with an impression – an idea, concept, or feeling – channeled through the photographer’s vision, but it doesn’t end there. Once you have a great composition in the bag, it takes good processing skills and aesthetic sensibilities to produce the best final image suitable for showcasing your talents.

Cliff will focus on teaching a logical, effective development workflow that ensures the highest quality for your work, as well an image archive that is stable, consistent, and retrievable over the long term, and that ultimately liberates rather than burdens.  He will cover the step-by-step process from shooting RAW files in the field to optimizing the final image.

Workflow topics to be covered include:

  • File formats for shooting and for archiving
  • Exposing for digital
  • Downloading
  • File naming
  • Cataloging of images: Lightroom or other software
  • Keywording and captioning
  • The many uses of metadata
  • Processing the raw file
  • Using the tools in Adobe Camera Raw and Lightroom’s Develop Module
  • Color spaces for the best results in different media
  • Creating panoramic images
  • Creating focus-stacked images
  • Color adjustment strategies
  • Localized adjustments and masking
  • Controlling luminosity and contrast
  • Sharpening for output
  • Color-managed workflow from input to output

As always, both instructors will be present to teach, assist, and socialize with participants throughout the workshop. The workshop includes eight field sessions, classroom lectures and ample hands-on instruction, critiques. Group meals provide an informal setting to socialize and address specific interests that may not be covered during lectures and classroom discussion.

The class size is limited to a small group of ten to ensure that everyone gets the time and attention they need, both in the field and the classroom.

We supply materials in advance of the session to get newcomers up to speed with basics having to do with digital camera set-up and techniques, essential equipment recommendations, and other guidelines to ensure that everyone is ready to make the most of the experience.

Note: Visionary Wild, LLC operates this workshop under a permit issued by the National Park Service at Bryce Canyon National Park.

Bryce in Winter
Map via Google
Vision December 2 - 6, 2019
10 spaces | $4,250* Register

Pastel pinks and blues reflect from the sky at dawn and dusk, painting gypsum dunes that roll elegantly across the landscape. The tapestry of light and shadow, form and texture tempts the creative mind. Yuccas punctuate the landscape, rising in striking graphic isolation against the sand and sky. This is New Mexico’s White Sands National Monument, home of the world’s largest gypsum dune field, covering 275 square miles, set in a high desert basin with a dramatic mountain backdrop. This will be our outdoor classroom for this Vision series workshop, a special program of advanced instruction designed and presented by world-renowned photographers Jack Dykinga and John Shaw. Jack is recognized as one of the greatest practitioners and teachers in the history of landscape photography, and John is a natural photographic educator who is relied upon by some of the most successful photographers in the business to keep them current on digital workflow practices and Photoshop techniques. The combination is a uniquely effective and enjoyable experience.

Our fieldwork during this workshop will emphasize the search for elegant, carefully crafted compositions while anticipating the flow of light over the landscape each morning and evening. Opportunities abound, from classic near-far compositions that use yuccas to anchor foreground design, to abstracts harnessing the tones, curves and colors of the dunes, to broad panoramics and macro subjects.

The creation of a great finished photograph is part of a process from initial concept and vision through execution in the field to digital workflow and creation of a high-quality, final master file ready for printing or publication. Vision workshops with John Shaw and Jack Dykinga address the two greatest challenges faced by photographers as they advance. The first of these is the tendency for original creative vision to reach a plateau in development, and the second is a digital workflow in need of streamlining and refinement to make the most of your images. read more…

White Sands
Map via Google
Expedition September 14 - 27, 2018
18 spaces | $13,500* Register

I feel very privileged to have participated in the 2016 Greenland expedition. It far exceeded my expectations. And, as someone who has traveled extensively, I would rate it as truly a trip of a lifetime. – Sid S., 2016 Greenland participant

Thank you for another fantastic VW expedition! What a privilege to experience and photograph this wild and remote area in comfort while accompanied by the best leaders offering a wealth of experience and a willingness to share their immense talents. Thanks to Justin’s meticulous advance planning, all the arrangements were perfect throughout. –David & Kathy R., 2015 Greenland participants

Greenland’s remote and little-visited ice fjords hold a wealth of arctic grandeur. Towers, arches, and walls of ancient blue ice thrust skyward from the water’s surface. Steep-walled fjords, dramatic coastal mountains, tundra in autumn color, the vast Greenland Ice Sheet, and the Aurora Borealis combine to form an incomparable landscape. Join this world-class team of leaders – National Geographic photographer Jason Edwards, Justin Black, and Chris Linder – for this exclusive expedition to Greenland, photographing this arctic wilderness in all its glory. With generous photographic instruction and attentive support along the way, explore the largest fjord system in the world – Scoresbysund, covering 14,700 square miles and penetrating over 200 miles into Greenland’s interior – aboard the three-masted expedition vessel Rembrandt van Rijn.  We will make frequent landings by zodiac to photograph in morning and evening light, and as serendipity presents us with compelling opportunities along the way. In addition to the arctic landscape, we will photograph whales if we encounter them, as well a variety of coastal and pelagic birds such as fulmars, kittiwakes, and gannets. Excursions by Zodiac take us in among the icebergs. The ethereal glow of the Aurora Borealis dancing in the night sky over the iceberg-dotted fjords and bays will be the sight of a lifetime. One thing is for certain: this expedition will yield extraordinary photographic opportunities. This is of course a floating workshop as well, and while underway, Jason, Justin, Chris, and the ship’s expedition staff will make inspiring and instructive presentations, answer your questions, and offer constructive feedback on participants’ photographs during group critique sessions, with the aid of the ship’s four large LCD screens.


Greenland was a trip of a lifetime. Imagine fog-shrouded icebergs, vibrant red/orange/yellow tundra, unreal sunsets, glistening ice and snow, colorful villages clinging to rocky headlands, Northern Lights and so much more under the generous guidance of world class instructors. I learned so much while having lots of fun. Thank you! –Ann L., 2015 Greenland participant


Our adventure begins in Reykjavik, Iceland, the world’s northernmost capital. Guests will be greeted upon arrival at Keflavik International Airport and transferred to the Canopy by Hilton, conveniently located in the city center (please note change in accommodations from the Holt Hotel to Canopy by Hilton). After an introductory group meeting and dinner at Grillmarket, one of Reykjavik’s finer restaurants, the next morning we board our private charter flight to Greenland’s east coast. Awaiting our arrival will be our private floating base camp: the 168-foot, three-masted schooner Rembrandt van Rijn (click here for more about RVR). We are booking the entire ship for our exclusive use to ensure ample space for our group both on the ship and in zodiacs – our group will consist of sixteen to eighteen participants and three leaders (though Rembrandt normally sleeps up to 33 guests) in addition to her twelve-person crew and expedition staff. She is exceptionally well-suited to exploration and photography along the Greenland coast, with a reinforced hull, expansive unobstructed sight lines even under sail, and very comfortable accommodations.

To make this special itinerary possible, we have arranged private Air Iceland charter flights aboard modern twin-engine turboprop airliners (Bombardier Q200). After disembarking Rembrandt at Constable Point, we will be picked up by our aircraft and flown back to Reykjavik, where a celebratory group dinner and final restful night at the Canopy Hotel await you.

Click “read more” at below right for the detailed itinerary…

read more…

Greenland
Map via Google
Vision January 8 - 12, 2018
10 spaces | $3,850* Register

 

Refine your vision and harness the aesthetic potential of one of the world’s most geological wonders.

Wondering where to travel in winter? Bryce Canyon National Park is one of our favorite places to go to view some of the most unique opportunities during this season of snow dustings and low-angled light. Ponderosa pines, fir-spruce forests, slot canyons, horseshoe-shaped amphitheaters, and pink cliffs cover this area. Utah has a wealth of parks to explore and challenge your photographic senses, and Bryce Canyon National Park in among the most rewarding.

This greatest concentration of hoodoos in the world – an unearthly landscape to be sure – was formed over hundreds of millions of years of deposition and erosion. Bryce’s colorful rock spires are oriented perfectly to catch the reflected morning light, resulting in a glowing fairytale landscape providing endless options for creative photography. Join us to capture its splendor.

This outdoor classroom is a highlight of our Vision series, a special program of advanced instruction focusing on refining your personal creative vision, composition, digital workflow and image processing, designed and presented by renowned photographers Jack Dykinga, John Shaw, and Justin Black. All three instructors have photographed Bryce extensively and know its secrets well. We will photograph at a variety of locations in the park during our morning and evening field sessions, with emphasis on the hoodoos and sculpted designs in the canyons.

Packaged with single-occupancy lodging at the Bryce Canyon Grand Hotel (a Best Western Plus property), located ideally near the park entrance, and with all meals, snacks and beverages included, this is a superb workshop scenario. We hope you’ll join us!

 

About Vision Workshops

The creation of a truly great finished photograph is part of a process from initial concept and vision through execution in the field to digital workflow and creation of a high-quality, final master file ready for printing or publication. Vision workshops with John Shaw and Jack Dykinga address the two greatest challenges faced by photographers as they advance. The first of these is the tendency for original creative vision to reach a plateau in development, and the second is a digital workflow in need of streamlining and refinement to make the most of your images.

Click “Read More…” below right to read on…

On Creative Vision:

When we experience images that really move us, we are aware that they have impacted us, though we may not know what it was in the image that made it so powerful. In other words, we know when it works, but can be difficult to quantify. I try to teach the time-honored components of fine photography to build successful compositions…even in ordinary situations. People ask me, “What’s the difference between a pro and an amateur?” My response is, (a) the amateur has better equipment and (b) the professional photographer must create a publishable image every single time. To be successful, the professional must be the practitioner of a disciplined approach to situations that will result in compelling images that inform and move people. This workshop is designed to unleash that creativity in my students. – Jack Dykinga

Jack will focus on advanced seeing and ways to unlock creativity in situations that require conceptual and compositional ingenuity on the part of the photographer. In other words, he’ll answer the questions, “How do I make a great photograph when the subject matter and composition don’t suggest themselves to me, and how do I avoid photographic clichés when the situation offers up  a beautiful composition that is almost too obvious?”

On Workflow:

As photographers have switched to digital, one fact has become apparent:  we are drowning in files.  We’re shooting more images than ever, and digital file sizes are increasing with each new generation of cameras.  Without a smart, logical workflow – and a familiarity with programs such as Lightroom and Photoshop – we will quickly be overwhelmed with data.   – John Shaw

John will focus on teaching a logical, effective workflow that ensures the highest quality for your work, as well an image archive that is stable, consistent, and retrievable over the long term, and that ultimately liberates rather than burdens.  He will cover step by step the process from shooting RAW files in the field to optimizing the final image in Photoshop.

Workflow topics to be covered include:

  • File formats for shooting and for archiving
  • Exposing for digital
  • Downloading for automatic image organization
  • Proper file naming
  • Cataloging of images: Lightroom or other software
  • Keywording and captioning of images
  • The many uses of metadata
  • Processing the raw file
  • Using the tools in Adobe Camera Raw and Lightroom’s Develop Module
  • Color spaces for the best results in different media
  • The many faces of Bridge
  • Creating panoramic images
  • Color adjustment strategies
  • Using Photoshop to finalize the image: dodging and burning, adjustment layers and layer masking, controlling luminosity and contrast, sharpening for output
  • Color-managed workflow from input to output

The workshop includes eight field sessions, classroom lectures and ample hands-on instruction, critiques, single-occupancy lodging in deluxe rooms (prorated fee available for double-occupancy or for those who do not require lodging), and all meals and drinks. Justin Black will be present to serve as an instructor and to ensure everything runs smoothly. As always, all three instructors will be present to teach and assist students throughout the workshop.

Field sessions begin the evening of the first day. Each morning and evening, we’ll be out to photograph first light before breakfast, and out for evening light before dinner. During mid-day hours in our classroom at the hotel, Jack and John will make presentations on advanced seeing, composition and creativity, digital workflow, and maximizing image potential. Critique sessions will be held each of the last three days before returning to the field for photography in afternoon and evening light. Friday morning will be the final field session, followed by critique until we adjourn at 3:00 pm.

The class size is limited to a small group of ten to ensure that everyone gets the time and attention they need, both in the field and the classroom.

Basecamp is the Best Western Plus Bryce Canyon Grand Hotel. Group meals provide an informal setting to socialize and address specific interests that may not be covered during lectures and classroom discussion.

We supply materials in advance of the session to get newcomers up to speed with basics having to do with digital camera set-up and techniques, essential equipment recommendations, and other guidelines to ensure that everyone is ready to make the most of the experience.

Lodging, all meals, and beverages are included in the package.

Please click the “Register” button at the top of the page or contact us directly to reserve your space. A deposit of 50% is required at time of booking, with balance payable 60 days prior to workshop start date.

The workshop begins at 1pm on Monday, January 8th, and ends by 3pm on Friday, January 12th, 2018.

Note: Visionary Wild, LLC operates this workshop under a permit issued by the National Park Service at Bryce Canyon National Park.

Bryce in Winter
Map via Google
Expedition December 4 - 11, 2016
6 spaces | $6,995* Register

Exotic Birds – Poison Dart Frogs –  Monkeys – Waterfalls – Wild Pacific Beach

All of this and more is to be found in one of the most biologically exciting places on Earth – Coast Rica’s remote Osa Peninsula – and we’d like to share the best of it with you. Envision original primary rainforest rising up a low ridge from a pristine and entirely undeveloped Pacific beach, stretching as far as the eye can see. Native toucans, scarlet macaws, two- and three-toed sloths, and four species of New World monkeys cruise through the trees, while dramatic waterfalls roar in the jungle. Numerous species of visually striking frogs inhabit the area, including three species of colorful poison dart frogs, red-eyed tree frogs, masked tree frogs, and massive cane toads in their native habitat. Hundreds of exotic bird species abound. In addition to the toucans and macaws, long-tail hermit hummingbirds, elegant and violaceous trogons, blue-capped manakins, crested caracaras, ibis, various raptors and myriad other species are readily photographed. The forest itself is stunning, with old-growth trees and vegetation full of character and beautiful graphic designs just waiting to be discovered.

Leaders John Shaw and Justin Black will share their creative approaches to photographing rainforest fauna and flora, as well as the dramatic landscape. Hands-on in the field, we will cover long-lens and macro wildlife techniques, control of composition and light, fill-flash, control of focal plane and perspective with tilt-shift lenses, panoramic stitching, and other techniques that can be used to great effect in this amazing place.

Read Justin Black’s article “Frogs of the Osa” in Outdoor Photographer magazine

Our base camp is El Remanso, a top-rated eco-lodge, which offers a uniquely rich and accessible environment to witness and explore the incredible flora and fauna of Central America’s rainforests.  The owners are our personal friends, and the staff make guests feel like family. It’s a peaceful resort where it’s easy to let go of the hassles of travel logistics and fully immerse yourself in exploring and photographing the birds, waterfalls, monkeys and frogs, gorgeous old-growth trees, and the stunning Pacific beach.

The staff at El Remanso take great care of us – providing a delicious mix of international and local Tico cuisine, fresh tropical fruits, not to mention the superb margaritas, caipirinhas, and piña coladas – all on an inviting and spacious covered dining deck perched at the top of a canyon, at eye-level with the forest canopy.  We’ll bring our long lenses to breakfast to photograph monkeys, macaws and toucans feeding in the trees.  The opportunities to explore don’t end with the setting sun. A stroll with our naturalist guides around El Remanso just after dark reveals all manner of nocturnal species.

Click “read more” at below right for the full itinerary

read more…

Costa Rica
Map via Google
Expedition April 9 - 17, 2016
9 spaces | $* Register

Testimonials from our 2015 Lake Powell participants

“I just wanted to take a minute to thank you (and the rest of the crew) for the wonderful Lake Powell workshop. Both Lynne and I had a great time and the uniqueness of the location was perfect for a variety of different photographic challenges.” –Steve A.

“Thanks again for another great trip… Quite the adventure!” –Dan W.

“Just back from a houseboat-based photo workshop on Lake Powell with Visionary Wild. It was a great trip with lots of old friends, and few new ones.” –Julie F [Posted to Facebook]

“Thanks again for great time at Lake Powell!  I had a ton of fun.” –Walter R.

The sinuous channels, sculpted slick rock, red rock formations, abstract glowing reflections, and sublime canyon light of Lake Powell and Glen Canyon await you on this eight-day, seven-night photographic exploration with Jack Dykinga and Jeff Foott. A professionally crewed deluxe 75-foot houseboat will be our base camp, and 19-foot Boston Whaler motorboats will provide access to the quiet corners of the sprawling lake, including sections of Glen Canyon that haven’t been seen since it was flooded. We’ll also have a few kayaks along for accessing slot canyons so narrow that one can touch both sides with arms outstretched.

The trip will begin at Comfort Inn and Suites in Page, Arizona, with an afternoon meeting and orientation before kicking things off with a group dinner. The next morning, we’ll drive across Glen Canyon Dam to Wahweap Marina to board our boat and cruise out to onto the lake. From pre-dawn to post-sunset each day, we will make the most of the light, including mid-day use of bounced canyon light. Instructors Jack Dykinga and Jeff Foott will guide excursions by motorboat to explore and photograph while the houseboat crew cruises from one anchorage to the next. We will make short hikes into side canyons and across the slickrock landscape to access mind-bending locations. Each evening, we will spend the night at anchor in a secluded cove beneath the amazing starscape of the  clear southwestern sky.

Accommodations on the houseboat include five staterooms with queen beds (suitable for single or double occupancy), plus two large pull-out beds (convertible dinette areas, best suited to single occupants), as well as the option for two guests to sleep out under the stars on the sun deck (the crew and leaders will also share this space). The boat also features two full bathrooms with hot showers, washbasins, and toilets, spacious common areas, a hot tub, fireplace, and more. Hearty meals will be prepared by our friendly, Coast Guard-licensed captain and guide, Myron Cook.

 

Pricing and Accommodation Options:

Master Suite – One Queen Bed, extra room, and private entrance onto stern deck (Quantity: 1 only)
$6995 Double Occupancy (per person) – or – $7995 Single Occupancy 

Standard Cabin – One Queen Bed (Quantity: 4)
$5995 Double Occupancy (per person)  – or – $6995 Single Occupancy 

Convertible Dinette Bed – One full (Quantity: 2)
$5995 Single Occupancy 

Sun Deck Mattress – Outside, under the Stars (Quantity: 2)
$5500 Single Occupancy

Maximum group size is limited to nine guests.

This workshop will be operated under a Commercial Use Authorization issued by the National Park Service.

 

 

 

Lake Powell
Map via Google
Expedition November 29 - December 6, 2015
6 spaces | $8,500* Register

Exotic Birds – Poison Dart Frogs –  Monkeys – Waterfalls – Wild Pacific Beach

All of this and more is to be found in one of the most biologically exciting places on Earth – Coast Rica’s remote Osa Peninsula – and we’d like to share the best of it with you. Envision original primary rainforest rising up a low ridge from a pristine and entirely undeveloped Pacific beach, stretching as far as the eye can see. Native toucans, scarlet macaws, and four species of New World monkeys cruise through the trees, while dramatic waterfalls roar in the jungle. Numerous species of visually striking frogs inhabit the area, including three species of colorful poison dart frogs, red-eyed tree frogs, masked tree frogs, and massive cane toads in their native habitat. Hundreds of exotic bird species abound. In addition to the toucans and macaws, long-tail hermit hummingbirds, elegant and violaceous trogons, blue-capped manakins, crested caracaras, ibis, various raptors and myriad other species are readily photographed. The forest itself is stunning, with old-growth trees and vegetation full of character and beautiful graphic compositions just waiting to be discovered.

Leaders Tom Mangelsen and Justin Black will share their creative approaches to photographing rainforest fauna and flora, as well as the dramatic landscape. Hands-on in the field, we will cover long-lens and macro wildlife techniques, control of composition and light, fill-flash, control of focal plane and perspective with tilt-shift lenses, panoramic stitching, and other techniques that can be used to great effect in this amazing place.

Read Justin Black’s article “Frogs of the Osa” in Outdoor Photographer magazine

Our base camp is El Remanso, a top-rated eco-lodge, which offers a uniquely rich and accessible environment to witness and explore the incredible flora and fauna of Central America’s rainforests.  The owners are our personal friends, and the staff make guests feel like family. It’s a peaceful resort where it’s easy to let go of the hassles of travel logistics and fully immerse yourself in exploring and photographing the birds, waterfalls, monkeys and frogs, gorgeous old-growth trees, and the stunning Pacific beach.

The staff at El Remanso take great care of us – providing a delicious mix of international and local Tico cuisine, fresh tropical fruits, not to mention the superb margaritas, caipirinhas, and piña coladas – all on an inviting and spacious covered dining deck perched at the top of a canyon, at eye-level with the forest canopy.  We’ll bring our long lenses to breakfast to photograph monkeys, macaws and toucans feeding in the trees.  The opportunities to explore don’t end with the setting sun. A stroll with our naturalist guides around El Remanso just after dark reveals all manner of nocturnal species.

Click “read more” at below right for the full itinerary

read more…

Costa Rica
Map via Google
Expedition May 16 - 24, 2015
10 spaces | $5,695* Register

The sinuous channels, sculpted slick rock, red rock formations, abstract glowing reflections, and sublime canyon light of Lake Powell and Glen Canyon await you on this eight-day, seven-night photographic exploration with Gary Ladd, Jeff Foott, and Justin Black. A professionally crewed deluxe 75-foot houseboat will be our base camp, and three motorboats will provide access to the quiet corners of the sprawling lake, including sections of Glen Canyon that haven’t been seen since it was flooded. We’ll also have a few kayaks along for accessing slot canyons so narrow that one can touch both sides with arms outstretched.

The trip will begin at Comfort Inn and Suites in Page, Arizona, with an afternoon meeting and orientation before going out for an inaugural group dinner. The next morning, we’ll drive across Glen Canyon Dam to Wahweap Marina to board our boat and cruise out to onto the lake. From pre-dawn to post-sunset each day, we will make the most of the light, including mid-day use of bounced canyon light. Instructors Gary Ladd, Jeff Foott, and Justin Black will guide excursions by motorboat to explore and photograph while the houseboat crew cruises from one anchorage to the next. We will make short, easy hikes into side canyons and across the slickrock landscape to access mind-bending locations. Each evening, we will spend the night at anchor in a secluded cove beneath the amazing starscape of the  clear southwestern sky.

Accommodations on the houseboat include five staterooms with queen beds, plus two large pull-out beds (all suitable for single or double occupancy), as well as the option of sleeping out under the stars on the sun deck (the crew and leaders will share this space). The boat also features two full bathrooms with showers, spacious common areas, hot tub, fireplace, and more.

Hearty meals will be prepared by our friendly boat crew: captain Randy Tucker – a Coast Guard-licensed and experienced Lake Powell and Grand Canyon guide – and his wife Barbara, a certified Grand Canyon raft guide. Randy and Barb are some of the finest people we know, and we are very pleased to have them join us for this trip. We hope you will too!

 

 

 

 

 

Lake Powell
Map via Google
Vision March 25 - April 5, 2015
10 spaces | $11,250* Register

This workshop is designed to maximize opportunities for well-crafted and compelling photographs in one of the world’s most awe-inspiring landscapes. Participants will have ample time to get to know Torres del Paine during its colorful autumn splendor, and your photography there will benefit from the opportunity to revisit fruitful situations to apply lessons learned and to take advantage of changing weather and light. The goal is for each participant to come away from this trip with a strong body of work, a new body of knowledge, new friendships, rejuvenation, and priceless memories.

Torres del Paine National Park and Biosphere Reserve is the centerpiece of Patagonia – the ultimate distillation of the region’s most inspiring qualities. It’s one of those rare places that routinely exceeds the grandest dreams of even the most experienced photographers. Peaks and spires thrust abruptly upward above turquoise lakes, forcing moisture-laden winds off the ocean to form soaring lenticular clouds that catch the fiery sunrise and sunset alpenglow. Glaciers spill down from the Patagonian icecap, depositing cobalt blue icebergs on the shores of Lago Grey. Endemic lenga tree forests glow in hues of gold and copper in the southern autumn. Rivers tumble over cascading waterfalls as condors ride thermals on the flanks of the Cordillera del Paine mountains. Guanacos and foxes range over the golden pampas, and flamingoes wade the lagoons. At this time of year, the days are a manageable length with extended periods of dawn and dusk, and the sun never rises more than 35 degrees above the horizon. The quality of light is spectacular.

Click “read more” below right for the itinerary and image gallery

read more…

Patagonia Vision
Map via Google
Vision February 2 - 6, 2015
0 of 10 spaces left | $3,850* Waitlist

The majestic Santa Catalina Mountains will be our backdrop in a landscape containing over 5,000 saguaro cactus – our outdoor classroom for this workshop, part of our Vision series, a special program of advanced instruction designed and presented by world-renowned photographers Jack Dykinga and John Shaw.

The creation of a truly great finished photograph is part of a process from initial concept and vision through execution in the field to digital workflow and creation of a high-quality, final master file ready for printing or publication. Vision workshops with John Shaw and Jack Dykinga address the two greatest challenges faced by photographers as they advance. The first of these is the tendency for original creative vision to reach a plateau in development, and the second is a digital workflow in need of streamlining and refinement to make the most of your images.

A SPECIAL GIFT: Each participant is entitled to have two fine exhibition prints made by the master printmakers at West Coast Imaging. Please see the “Outcomes” section below for details.

Click the “read more” button below right for more information and the image gallery…

read more…

Catalina S.P. Arizona
Map via Google
Vision March 26 - April 6, 2014
10 spaces | $11,250* Register

This workshop is designed to maximize opportunities for well-crafted and compelling photographs in one of the world’s most awe-inspiring landscapes. Participants will have ample time to get to know Torres del Paine during its colorful autumn splendor, and your photography there will benefit from the opportunity to revisit fruitful situations to apply lessons learned and to take advantage of changing weather and light. The goal is for each participant to come away from this trip with a strong body of work, a new body of knowledge, new friendships, rejuvenation, and priceless memories.

Torres del Paine National Park and Biosphere Reserve is the centerpiece of Patagonia – the ultimate distillation of the region’s most inspiring qualities. It’s one of those rare places that routinely exceeds the grandest dreams of even the most experienced photographers. Peaks and spires thrust abruptly upward above turquoise lakes, forcing moisture-laden winds off the ocean to form soaring lenticular clouds that catch the fiery sunrise and sunset alpenglow. Glaciers spill down from the Patagonian icecap, depositing cobalt blue icebergs on the shores of Lago Grey. Endemic lenga tree forests glow in hues of gold and copper in the southern autumn. Rivers tumble over cascading waterfalls as condors ride thermals on the flanks of the Cordillera del Paine mountains. Guanacos and foxes range over the golden pampas, and flamingoes wade the lagoons. At this time of year, the days are a manageable length with extended periods of dawn and dusk, and the sun never rises more than 35 degrees above the horizon. The quality of light is spectacular.

Click “read more” below right for the itinerary and image gallery

read more…

Patagonia Vision
Map via Google
Vision February 10 - 14, 2014
0 of 10 spaces left | $3,850* Waitlist

The majestic Santa Catalina Mountains will be our backdrop in a landscape containing over 5,000 saguaro cactus – our outdoor classroom for this workshop, part of our Vision series, a special program of advanced instruction designed and presented by world-renowned photographers Jack Dykinga and John Shaw.

The creation of a truly great finished photograph is part of a process from initial concept and vision through execution in the field to digital workflow and creation of a high-quality, final master file ready for printing or publication. Vision workshops with John Shaw and Jack Dykinga address the two greatest challenges faced by photographers as they advance. The first of these is the tendency for original creative vision to reach a plateau in development, and the second is a digital workflow in need of streamlining and refinement to make the most of your images.

Click the “read more” button below right for more information and the image gallery…

read more…

Catalina S.P. Arizona
Map via Google
Expedition November 30 - December 7, 2013
10 spaces | $5,850* Register

Exotic Birds – Poison Dart Frogs –  Monkeys – Waterfalls – Wild Pacific Beach

All of this and more is to be found in one of the most biologically exciting places on Earth – Coast Rica’s remote Osa Peninsula – and we’d like to share the best of it with you. Envision original primary rainforest rising up a low ridge from a pristine and entirely undeveloped Pacific beach, stretching as far as the eye can see. Native toucans, scarlet macaws, and four species of New World monkeys cruise through the trees, while dramatic waterfalls roar in the jungle. Numerous species of visually striking frogs inhabit the area, including three species of colorful poison dart frogs, red-eyed tree frogs, masked tree frogs, and massive cane toads in their native habitat. Hundreds of exotic bird species abound. In addition to the toucans and macaws, long-tail hermit hummingbirds, elegant and violaceous trogons, blue-capped manakins, crested caracaras, ibis, various raptors and myriad other species are readily photographed. The forest itself is stunning, with old-growth trees full of character and beautiful graphic compositions just waiting to be discovered.

Instructors Daniel Beltrá and Justin Black will share their creative approaches to photographing rainforest fauna and flora, as well as the dramatic landscape. Hands-on in the field, we will cover long-lens and macro wildlife techniques, control of composition and light, fill-flash, control of focal plane and perspective with tilt-shift lenses, panoramic stitching, and other techniques that can be used to great effect in this amazing place.

Read Justin Black’s article “Frogs of the Osa” in Outdoor Photographer magazine

Our basecamp, El Remanso eco-lodge, is a uniquely rich and accessible environment to witness and explore the incredible flora and fauna of Central America’s rainforests.  The owners are personal friends of the instructors, and the staff make guests feel like family. It’s a peaceful resort where it’s easy to let go of the hassles of travel logistics and fully immerse yourself in exploring and photographing the birds, waterfalls, monkeys and frogs, gorgeous old-growth trees, and the stunning Pacific beach.

The staff at El Remanso take great care of us – providing fresh tropical fruits, a delicious mix of international and local Tico cuisine, not to mention the superb margaritas, caipirinhas, and piña coladas  – all on an inviting and spacious covered dining deck perched at the top of a canyon, at eye-level with the forest canopy.  We’ll bring our long lenses to breakfast to photograph monkeys, macaws and toucans feeding in the trees.  The opportunities to explore don’t end with the setting sun. A stroll with our naturalist guides around El Remanso just after dark reveals all manner of nocturnal species.

* IMPORTANT NOTE: Scheduling International Flights
We have found that is difficult or impossible to fly from the USA to the Osa Peninsula in one day, hence the overnight at Hotel Bougainvillea on November 30th prior to the flight to Puerto Jimenez and El Remanso. The tropical gardens at Hotel Bougainvillea are truly stunning, so those who are able to schedule a mid-day arrival at SJO on 11/30 will be rewarded with an amazing experience and excellent photographic opportunities. Transfer from SJO to Hotel Bougainvillea can be arranged at any time, even for late evening arrivals.  Return flights to the USA on December 7th should be scheduled no earlier than 1:30pm. We are happy to arrange an additional night (or nights) at Hotel Bougainvillea on your outbound leg if you wish.
Costa Rica
Map via Google
Vision February 18 - 22, 2013
0 of 10 spaces left | $3,750* Waitlist

The majestic Santa Catalina Mountains will be our backdrop in a landscape containing over 5,000 saguaro cactus – our outdoor classroom for this workshop, part of our Vision series, a special program of advanced instruction designed and presented by world-renowned photographers Jack Dykinga and John Shaw.

The creation of a truly great finished photograph is part of a process from initial concept and vision through execution in the field to digital workflow and creation of a high-quality, final master file ready for printing or publication. Vision workshops with John Shaw and Jack Dykinga address the two greatest challenges faced by photographers as they advance. The first of these is the tendency for original creative vision to reach a plateau in development, and the second is a digital workflow in need of streamlining and refinement to make the most of your images. read more…

Catalina II
Map via Google
Vision May 13 - 17, 2013
10 spaces | $3,995* Register

The superb Pacific coast landscape around Bandon, Oregon, will be our outdoor classroom for this workshop, part of our Vision series, a special program of advanced instruction designed and presented by world-renowned photographers Jack Dykinga and John Shaw.

The creation of a truly great finished photograph is part of a process from initial concept and vision through execution in the field to digital workflow and creation of a high-quality, final master file ready for printing or publication. Vision workshops with John Shaw and Jack Dykinga address the two greatest challenges faced by photographers as they advance. The first of these is the tendency for original creative vision to reach a plateau in development, and the second is a digital workflow in need of streamlining and refinement to make the most of your images. read more…

Oregon Coast
Map via Google
Vision February 11 - 15, 2013
0 of 10 spaces left | $3,750* Waitlist

The majestic Santa Catalina Mountains will be our backdrop in a landscape containing over 5,000 saguaro cactus – our outdoor classroom for this workshop, part of our Vision series, a special program of advanced instruction designed and presented by world-renowned photographers Jack Dykinga and John Shaw.

The creation of a truly great finished photograph is part of a process from initial concept and vision through execution in the field to digital workflow and creation of a high-quality, final master file ready for printing or publication. Vision workshops with John Shaw and Jack Dykinga address the two greatest challenges faced by photographers as they advance. The first of these is the tendency for original creative vision to reach a plateau in development, and the second is a digital workflow in need of streamlining and refinement to make the most of your images. read more…

Catalina S.P. Arizona
Map via Google
Advanced December 2 - 8, 2012
10 spaces | $5,495* Register

Exotic Birds – Poison Dart Frogs –  Monkeys – Waterfalls – Wild Pacific Beach

All of this and more is to be found in one of the most biologically exciting places on Earth – Coast Rica’s remote Osa Peninsula – and we’d like to share the best of it with you. Envision original primary rainforest rising up a low ridge from a pristine and entirely undeveloped Pacific beach, stretching as far as the eye can see. Native toucans, scarlet macaws, and four species of New World monkeys cruise through the trees, while dramatic waterfalls roar in the jungle. Numerous species of visually striking frogs inhabit the area, including three species of colorful poison dart frogs, red-eyed tree frogs, masked tree frogs, and massive cane toads in their native habitat. Hundreds of exotic bird species abound. In addition to the toucans and macaws, long-tail hermit hummingbirds, trogons, blue-capped manakins, crested caracaras, ibis, various raptors and myriad other species are readily photographed. The forest itself is stunning, with old-growth trees full of character and beautiful graphic compositions just waiting to be discovered.

Instructors Daniel Beltrá and Justin Black will share their creative approaches to photographing rainforest fauna and flora, as well as the dramatic landscape. Hands-on in the field, we will cover long-lens and macro wildlife techniques, control of composition and light, fill-flash, control of focal plane and perspective with tilt-shift lenses, panoramic stitching, and other techniques that can be used to great effect in this amazing place.

CLICK HERE to read Justin Black’s article “Frogs of the Osa” in Outdoor Photographer magazine

Click “read more…” below right for more information and the photo gallery…

read more…

Costa Rica
Map via Google
Vision January 17 - 21, 2012
0 of 10 spaces left | $3,750* Waitlist

This second session has been added due to popular demand for the Vision Workshops series.

The majestic Santa Catalina Mountains will be our backdrop in a landscape containing over 5,000 saguaro cactus – our outdoor classroom for this workshop, part of our Vision series, a special program of advanced instruction designed and presented by world-renowned photographers Jack Dykinga and John Shaw.

The creation of a truly great finished photograph is part of a process from initial concept and vision through execution in the field to digital workflow and creation of a high-quality, final master file ready for printing or publication. Vision workshops with John Shaw and Jack Dykinga address the two greatest challenges faced by photographers as they advance. The first of these is the tendency for original creative vision to reach a plateau in development, and the second is a digital workflow in need of streamlining and refinement to make the most of your images.

On Creative Vision:

When we experience images that really move us, we are aware that they have impacted us, though we may not know what it was in the image that made it so powerful. In other words, we know when it works, but can be difficult to quantify. I try to teach the time-honored components of fine photography to build successful compositions…even in ordinary situations. People ask me, “What’s the difference between a pro and an amateur?” My response is, (a) the amateur has better equipment and (b) the professional photographer must create a publishable image every single time. To be successful, the professional must be the practitioner of a disciplined approach to situations that will result in compelling images that inform and move people. This workshop is designed to unleash that creativity in my students. – Jack Dykinga

Jack will focus on advanced seeing and ways to unlock creativity in situations that require conceptual and compositional ingenuity on the part of the photographer. In other words, he’ll answer the questions, “How do I make a great photograph when the subject matter and composition don’t suggest themselves to me, and how do I avoid photographic clichés when the situation offers up  a beautiful composition that is almost too obvious?”

On Workflow:

As photographers have switched to digital, one fact has become apparent:  we are drowning in files.  We’re shooting more images than ever, and digital file sizes are increasing with each new generation of cameras.  Without a smart, logical workflow – and a familiarity with programs such as Lightroom and Photoshop – we will quickly be overwhelmed with data.   – John Shaw

John will focus on teaching a logical, effective workflow that ensures the highest quality for your work, as well an image archive that is stable, consistent, and retrievable over the long term, and that ultimately liberates rather than burdens.  He will cover step by step the process from shooting RAW files in the field to optimizing the final image in Photoshop.

Workflow topics to be covered include:
• File formats for shooting and for archiving
• Exposing for digital
• Downloading for automatic image organization
• Proper file naming
• Cataloging of images: Lightroom or other software
• Keywording and captioning of images
• The many uses of metadata
• Processing the raw file
• Using the tools in Adobe Camera Raw and Lightroom’s Develop Module
• Color spaces for the best results in different media
• The many faces of Bridge
• Creating panoramic images
• Color adjustment strategies
• Using Photoshop to finalize the image: dodging and burning, adjustment layers and layer masking, controlling luminosity and contrast, sharpening for output
• Creating a PDF electronic book
• Color-managed workflow from input to output

The workshop includes field sessions, classroom lectures and ample hands-on instruction, critiques, single-occupancy lodging (prorated fee available for double-occupancy or for those who do not require lodging), and all meals and drinks. Justin Black of Visionary Wild will be present to serve as assistant instructor and to ensure everything runs smoothly. As always, all three instructors will be present to teach and assist students throughout the workshop.

Field sessions begin the evening of the first day. Each morning and evening, we’ll be out to photograph first light before breakfast, and out for evening light after dinner. During mid-day hours, Jack and John will make presentations on advanced seeing, composition and creativity, digital workflow, and maximizing image potential. Critique sessions will follow each day before returning to the field for photography in afternoon and evening light. Saturday morning will be the final field session, followed by critiquing until the final lunch and break up at 2:00 pm.

Catalina II
Map via Google
Expedition January 24 - 30, 2012
6 spaces | $8,249* Register

In the final year of the 5,126-year Mayan calendar cycle, we bring you a very special expedition for six photographers into this land of hidden cenotes, stunning pre-Columbian cities, elegant haciendas, and abundant tropical life.

The Mexican state of Yucatán, on the west side of the peninsula, is a world apart from the more familiar tourist Mecca of Cancún.  It is a wonderful, safe, and intriguing place, rich with human and geological history and overflowing with haunting beauty. Subtropical forest conceals beneath its roots a geological sponge of porous limestone. The Chicxulub impact crater, created by the asteroid that ended the age of the dinosaurs 65 million years ago, filled with water that dissolved pockets and channels in the subterranean limestone around its periphery, creating myriad caves and underground rivers.

Whenever these caves and sinkholes open to the outside world, they are known as cenotes (seh-NÓH-tehs). The inspiration for countless Mayan legends, these crystal clear underground pools and grottoes will be a primary focus of this expedition, which will also feature pre-Columbian Mayan sites, elegant and updated 19th-century haciendas full of historic character, and the largest pink flamingo colony in the world at Celestún Biosphere Reserve.

Of the thousands of cenotes distributed across the Yucatán, some have wide-mouthed cave entrances, inviting the visitor to walk in to discover the fantastic subterranean grottoes they conceal. In the darkest cenotes, we’ll creatively illuminate the walls, stalagmites and stalactites, and other formations both above and below water, using lamps and strobes that we bring along. Others admit brilliant shafts of natural light that spotlight the blue water and reflect to illuminate the interior. Some cenotes are open-air sinkholes holding inviting pools of cool, clear water. Most are undeveloped and virtually impossible to find without the benefit of a knowledgeable local guide.

We have arranged for our friend Alfredo Medina to lead the way. Since 1992, Alfredo has lived in Quintana Roo on the peninsula’s east coast, where he owns a high-end printing business. He carried out extensive photographic coverage of Yucatecan cenotes for his beautiful book Cenotes: Imprints of Water and Light in the Jungle, published in 2008. Alfredo is also co-photographer for the book Birds of the Yucatán Peninsula (1997). Alfredo and his wife, Sara, serve as trustees for the non-profit conservation organization Amigos de Sian Ka’an, promoting conservation action on the Yucatan peninsula.

Jack Dykinga and Justin Black collaborated with Alfredo in October 2009, during a Rapid Assessment Visual Expedition (RAVE) in the Yucatan operated by the International League of Conservation Photographers, while Justin was the ILCP’s Executive Director. Guidance by Alfredo and his wife Sara was critical to our RAVE assignment, accessing beautiful cenotes off the tourist routes, known only to the friendly and gracious Mayan locals. Alfredo is a true gentleman explorer, a gifted photographer, and an absolute pleasure to work with.

In addition to several cenote excursions, our group will visit the pre-Columbian Mayan City of Uxmal, spectacularly situated in the Puuc hills south of Merida. Considered by many to be the most architecturally beautiful Mayan city, Uxmal was built between 600 and 900 A.D. Due to excellent construction, it is one of the few Mayan cities to remain sufficiently well-preserved to provide the modern visitor with a good sense of what the central ceremonial district would have been like at its peak. The pyramids, temples, hieroglyphs, mosaics, and sculptures here are sublime and full of mystery.

Another Mayan pyramid rises immediately behind the main house at Hacienda Itzincab-Cámara, our lodging for the first four nights of the expedition. “Itzincab,” as it is known locally, is a photographer’s dream in itself, with recently restored 19th-century architecture, lush tropical gardens, and excellent bird habitat. We were welcomed as guests at Itzincab during the ILCP RAVE and were singularly impressed by the hospitality of the staff, the comfort and elegance of the accommodations, and its exceptional suitability to serve as a workshop base. Read more about this special place below under “Accommodations.”

For our final two nights, we will relocate to Eco Paraiso near the estuary of Celestún Biosphere Reserve, where 30,000 pink flamingos gather in January each year to form the largest colony of the species to be found anywhere on Earth. Celestún is also host to over 300 other species of birds and many species of reptiles, including Morelet’s and American crocodiles, four sea turtle species, iguanas, land turtles, and boa constrictors.

Yucatán
Map via Google
Vision May 21 - 25, 2012
10 spaces | $3,995* Register

The superb Pacific coast landscape around Bandon, Oregon, will be our outdoor classroom for this workshop, part of our Vision series, a special program of advanced instruction designed and presented by world-renowned photographers Jack Dykinga and John Shaw.

The creation of a truly great finished photograph is part of a process from initial concept and vision through execution in the field to digital workflow and creation of a high-quality, final master file ready for printing or publication. Vision workshops with John Shaw and Jack Dykinga address the two greatest challenges faced by photographers as they advance. The first of these is the tendency for original creative vision to reach a plateau in development, and the second is a digital workflow in need of streamlining and refinement to make the most of your images.

On Creative Vision:

When we experience images that really move us, we are aware that they have impacted us, though we may not know what it was in the image that made it so powerful. In other words, we know when it works, but can be difficult to quantify. I try to teach the time-honored components of fine photography to build successful compositions…even in ordinary situations. People ask me, “What’s the difference between a pro and an amateur?” My response is, (a) the amateur has better equipment and (b) the professional photographer must create a publishable image every single time. To be successful, the professional must be the practitioner of a disciplined approach to situations that will result in compelling images that inform and move people. This workshop is designed to unleash that creativity in my students. – Jack Dykinga

Jack will focus on advanced seeing and ways to unlock creativity in situations that require conceptual and compositional ingenuity on the part of the photographer. In other words, he’ll answer the questions, “How do I make a great photograph when the subject matter and composition don’t suggest themselves to me, and how do I avoid photographic clichés when the situation offers up  a beautiful composition that is almost too obvious?”

On Workflow:

As photographers have switched to digital, one fact has become apparent:  we are drowning in files.  We’re shooting more images than ever, and digital file sizes are increasing with each new generation of cameras.  Without a smart, logical workflow – and a familiarity with programs such as Lightroom and Photoshop – we will quickly be overwhelmed with data.   – John Shaw

John will focus on teaching a logical, effective workflow that ensures the highest quality for your work, as well an image archive that is stable, consistent, and retrievable over the long term, and that ultimately liberates rather than burdens.  He will cover step by step the process from shooting RAW files in the field to optimizing the final image in Photoshop.

Workflow topics to be covered include:
• File formats for shooting and for archiving
• Exposing for digital
• Downloading for automatic image organization
• Proper file naming
• Cataloging of images: Lightroom or other software
• Keywording and captioning of images
• The many uses of metadata
• Processing the raw file
• Using the tools in Adobe Camera Raw and Lightroom’s Develop Module
• Color spaces for the best results in different media
• The many faces of Bridge
• Creating panoramic images
• Color adjustment strategies
• Using Photoshop to finalize the image: dodging and burning, adjustment layers and layer masking, controlling luminosity and contrast, sharpening for output
• Creating a PDF electronic book
• Color-managed workflow from input to output

The workshop includes field sessions, classroom lectures and ample hands-on instruction, critiques, single-occupancy lodging (prorated fee available for double-occupancy or for those who do not require lodging), and all meals and drinks. Justin Black of Visionary Wild will be present to serve as assistant instructor and to ensure everything runs smoothly. As always, all three instructors will be present to teach and assist students throughout the workshop.

Field sessions begin the evening of the first day. Each morning and evening, we’ll be out to photograph first light before breakfast, and out for evening light after dinner. During mid-day hours, Jack and John will make presentations on advanced seeing, composition and creativity, digital workflow, and maximizing image potential. Critique sessions will follow each day before returning to the field for photography in afternoon and evening light. Friday morning will be the final field session, followed by critiquing until the final lunch and break up at 2:00 pm.

Oregon Coast
Map via Google
Vision January 10 - 14, 2012
0 of 10 spaces left | $3,750* Waitlist

The majestic Santa Catalina Mountains will be our backdrop in a landscape containing over 5,000 saguaro cactus – our outdoor classroom for this workshop, part of our Vision series, a special program of advanced instruction designed and presented by world-renowned photographers Jack Dykinga and John Shaw.

The creation of a truly great finished photograph is part of a process from initial concept and vision through execution in the field to digital workflow and creation of a high-quality, final master file ready for printing or publication. Vision workshops with John Shaw and Jack Dykinga address the two greatest challenges faced by photographers as they advance. The first of these is the tendency for original creative vision to reach a plateau in development, and the second is a digital workflow in need of streamlining and refinement to make the most of your images.

On Creative Vision:

When we experience images that really move us, we are aware that they have impacted us, though we may not know what it was in the image that made it so powerful. In other words, we know when it works, but can be difficult to quantify. I try to teach the time-honored components of fine photography to build successful compositions…even in ordinary situations. People ask me, “What’s the difference between a pro and an amateur?” My response is, (a) the amateur has better equipment and (b) the professional photographer must create a publishable image every single time. To be successful, the professional must be the practitioner of a disciplined approach to situations that will result in compelling images that inform and move people. This workshop is designed to unleash that creativity in my students. – Jack Dykinga

Jack will focus on advanced seeing and ways to unlock creativity in situations that require conceptual and compositional ingenuity on the part of the photographer. In other words, he’ll answer the questions, “How do I make a great photograph when the subject matter and composition don’t suggest themselves to me, and how do I avoid photographic clichés when the situation offers up  a beautiful composition that is almost too obvious?”

On Workflow:

As photographers have switched to digital, one fact has become apparent:  we are drowning in files.  We’re shooting more images than ever, and digital file sizes are increasing with each new generation of cameras.  Without a smart, logical workflow – and a familiarity with programs such as Lightroom and Photoshop – we will quickly be overwhelmed with data.   – John Shaw

John will focus on teaching a logical, effective workflow that ensures the highest quality for your work, as well an image archive that is stable, consistent, and retrievable over the long term, and that ultimately liberates rather than burdens.  He will cover step by step the process from shooting RAW files in the field to optimizing the final image in Photoshop.

Workflow topics to be covered include:
• File formats for shooting and for archiving
• Exposing for digital
• Downloading for automatic image organization
• Proper file naming
• Cataloging of images: Lightroom or other software
• Keywording and captioning of images
• The many uses of metadata
• Processing the raw file
• Using the tools in Adobe Camera Raw and Lightroom’s Develop Module
• Color spaces for the best results in different media
• The many faces of Bridge
• Creating panoramic images
• Color adjustment strategies
• Using Photoshop to finalize the image: dodging and burning, adjustment layers and layer masking, controlling luminosity and contrast, sharpening for output
• Creating a PDF electronic book
• Color-managed workflow from input to output

The workshop includes field sessions, classroom lectures and ample hands-on instruction, critiques, single-occupancy lodging (prorated fee available for double-occupancy or for those who do not require lodging), and all meals and drinks. Justin Black of Visionary Wild will be present to serve as assistant instructor and to ensure everything runs smoothly. As always, all three instructors will be present to teach and assist students throughout the workshop.

Field sessions begin the evening of the first day. Each morning and evening, we’ll be out to photograph first light before breakfast, and out for evening light after dinner. During mid-day hours, Jack and John will make presentations on advanced seeing, composition and creativity, digital workflow, and maximizing image potential. Critique sessions will follow each day before returning to the field for photography in afternoon and evening light. Saturday morning will be the final field session, followed by critiquing until the final lunch and break up at 2:00 pm.

Catalina S.P. Arizona
Map via Google
Expedition September 5 - 12, 2011
10 spaces | $14,995* Register

Visionary Wild is kicking off our program of world-class photography workshops and expeditions with a unique opportunity in British Columbia’s remote and pristine Great Bear Rainforest, based out of the world-class King Pacific Lodge, September 5-12, 2011. This expedition is led by photographers Jack Dykinga and Daniel Beltrá, both of whom became intimately familiar with this threatened coastal ecosystem in September 2010, during a Rapid Assessment Visual Expedition (RAVE) organized by the International League of Conservation Photographers (ILCP). Justin Black of Visionary Wild will manage workshop operations and serve as assistant instructor.

There are few places on Earth where pristine temperate rain forest merges with a healthy and thriving marine ecosystem. Jack Dykinga characterizes the place beautifully:

read more…

Great Bear Rainforest
Map via Google