Paris and photography; photography and Paris – the two have been bound together in a lyrical poetic dance since the invention of the medium nearly two centuries ago. Her romantic beauty, layers of history, and progressive culture have long attracted many of the world’s greatest artists, among them some of the most important photographers of the last century – Atget, Kertész, Brassaï, Doisneau, Cartier-Bresson, and many more – yielding a collective body of work that informs our notions of the City of Light to this day.
Beyond the nostalgia and iconic views, however, Paris is always evolving. We find inspiration in the photographic raw material that Paris offers the creative photographer to capture new visions woven from aspects of past, present, and future. We invite you to join Justin Black and Paris-based photographic artist Julia Keil for this small-group workshop for just six passionate photographers, based at a 5-star boutique hotel on the Left Bank in Saint-Germain-des-Prés, the heart of the 6th Arrondissement. We will explore our favorite vantage points along the river Seine, the city’s markets, parks, avenues, and side streets, so full of life, culture, and characters from another time. The streets of Paris have a unique ability to breathe beauty, and the city wears many faces depending on the time of day or night, the weather and the path you take through it. Through the changing light in early morning and evening, Julia and Justin will encourage you to open your mind’s eye to make the most of available opportunities, sharing creative insights and helpful instruction throughout. There is nothing like losing yourself in the Parisian arrondissements with childlike eyes, with the city’s symphony in your ears, wondering what notes may be played next.
While we are there, we’ll take advantage of Paris’s status as one of the world’s great centers of photography, to make visits to at least two of the city’s most important photography galleries, drawing inspiration from exhibitions of work by great masters and contemporary artists alike. Back at our hotel’s meeting room, we will hold at least two group image reviews during mid-day hours, to provide you with constructive feedback that you can then apply during our next photographic outing. When we have a little down time during the day, you’ll be free to explore on your own, edit your photographs, or just relax. And, of course, we invite you to join us for a celebration of Parisian gastronomic delights at group meals in some of our favorite cafés and restaurants.
If you have a spouse, partner or friend who would enjoy this exploration of Paris, we have two additional spaces available for accompanying non-photographers (limit of one accompanying non-photographer per participant). Accompanying non-photographers are welcome to join the group on all excursions and at meals, but photographic instruction in the field and classroom/critique sessions are not included in this registration option.
At the request of a few regular clients, we have designed this creative photography workshop in Paris, France. I find photographing in Paris exhilarating and immensely productive, and though I know my way around, there is no substitute for local knowledge and experience. So, I’ve invited my friend Julia Keil, an immensely talented Paris-based photographic artist, to join us as co-leader. Julia knows the city intimately, has a great deal of experience teaching photographers to make the most of Paris as a creative palette. She is warm, engaging, and an absolute joy to spend time with. Together, we will teach you how to use the characteristic and unique opportunities offered by the city to create unique creative compositions, rather than simply doing a “tick list” of iconic views (though I suppose some of that is inevitable). We look forward to welcoming you for this creative exploration of the City of Light! –Justin Black
For lovers of wild mountain landscapes, few destinations on Earth are more spectacular than the Kyrgyz Republic (also known as Kyrgyzstan) with its soaring peaks ranging from Alpine to Himalayan in beauty and scale, glaciers, pristine lakes, wild rivers, spruce and fir forests, alpine wildflowers, and expansive high pastures. The Tien Shan mountains rise higher and wilder than the Rockies, Sierra Nevada, Alps, or Andes – peaks below 16,000-feet in elevation are barely considered worthy of a name. Along the Chinese border, the Kokshaal-Too range soars to truly Himalayan heights, including the world’s most northern summits over 7,000 meters (22,965 feet): Khan Tengri (translation: Lord of the Skies) and Jengish Chokusu (also known in Russian as Pik Pobeda, or Victory Peak). The landscape beneath the peaks is sublime: glacier-carved gorges, slopes covered in alpine wildflowers (there is more edelweiss here than in the Alps), raging rivers, spruce and fir forests, and high pastures (“jai-loh”) where semi-nomadic Kyrgyz graze small herds of horses, yaks, sheep, and cattle during the short summer.
Kyrgyzstan’s majestic mountain landscapes and unspoiled natural beauty make it a gem for avid photographers, but it has been relatively unknown and little-visited. Kyrgyzstan is now gaining recognition as a highly desirable travel destination for its magnificent mountains, glacier-fed lakes, wild rivers, comfortable climate, and unique and welcoming culture. It was recently ranked #5 on Lonely Planet’s Best in Travel 2019 Top Countries list. While others are just discovering Kyrgyzstan, Visionary Wild recognized its vast opportunity for photography years ago. Based on extensive scouting we have carefully developed an exceptional photography-focused itinerary for those seeking to travel in style and comfort, with a spirit of exploration and adventure.
Our adventure begins in the Kyrgyzstani capital of Bishkek, where our guests will be met at the airport and transferred to the thoroughly modern Solutel Hotel, offering excellent accommodations and English-speaking staff, conveniently located in the city center. There, we will welcome you to our introductory orientation and first dinner as a group. Early the next morning, we load up into our four-wheel-drive caravan, comprising three highly capable and comfortable Toyota Sequoias to carry our six guests, plus Visionary Wild photo leaders Justin Black and Jerry Dodrill, both veteran Kyrgyzstan travelers. Two additional 4WD support vehicles will carry gear, provisions, our cook and camp staff. From there, we set off on our spectacular route through the Tien Shan mountains.
Our itinerary is designed to take advantage of prime light on the landscape morning and evening each day. After dark, clean air and absence of light pollution provide a superb opportunity for nighttime landscapes including the Milky Way. Wildlife we typically see at some point along the way includes golden eagles, Marco Polo sheep (the largest wild sheep in the world), Lammergeier (a bird of prey with a ten-foot wingspan, related to the Egyptian vulture), ibex, and marmots. If we are very lucky, we might even see a wolf or snow leopard. We will also enjoy excellent opportunities to interact with and photograph the Kyrgyz people themselves, particularly herders in the high pastures, families at our yurt camps, and at the sprawling and colorful Osh Market in Bishkek. This will be a highly productive and immensely fun photographic adventure that you’ll never forget.
We are pleased to offer this intimate private-charter photographic expedition, including round trip flights across the Drake Passage, 13-nights aboard S/V Ocean Tramp, and instruction and guiding throughout by award-winning photographer and polar specialist Daisy Gilardini.
Ocean Tramp is a 20-meter motor-sail yacht (specifically, a ketch) which is operated by personal friends of Visionary Wild founder Justin Black, whose company Quixote Expeditions specializes in small-vessel Antarctic adventures. In an era when Antarctic expedition vessels are getting larger and larger, Ocean Tramp offers a wonderful way to go with a very small group of just six guests, on a comfortable vessel that can get into locations that bigger ships can’t reach.
Spend almost two weeks on location at Antarctica, rather than wasting precious days “rockin’ and rollin'” on the Drake Passage crossing. As master of the boat, Daisy will work with Captain David Roberts (U.K.) to choose the best route to maximize the photographic opportunities at destinations along the way, responding to local conditions of weather and ice. Captain Roberts and Ocean Tramp’s experienced first mate and cook have an excellent track record of delivering exceptional Antarctic experiences for their guests.
Ocean Tramp normally sleeps eight guests in four cabins, but we are limiting the group size to six to eliminate crowding onboard, in the Zodiac, and at landing sites. The boat’s Shackleton Suite features an en-suite private bathroom, while the other three cabins share two bathrooms.
If you have any questions at all, please let us know. We hope you will join us on this Antarctic adventure!
VIDEO OF S/V OCEAN TRAMP IN ANTARCTICA
https://youtu.be/jAPXU7DH1ik
VIDEO TOUR OF INTERIOR OF S/V OCEAN TRAMP, by our friend Laura Smith of Quixote-Expeditions: https://youtu.be/YNpsYLosl3M
PATAGONIA is vast and beautiful, and there is a great deal most visitors never see, beyond the most iconic locations like Torres del Paine National Park. While Torres represents a wonderful microcosm of what Patagonia has to offer, Chile’s little-visited Aysén region is home to soaring peaks, pristine lakes, wild turquoise rivers, water-sculpted marble caves, unique forest ecosystems, and numerous glaciers descending from the massive Northern Patagonian Ice Field. It offers the passionate photographer incredible opportunities for landscape, wildlife, and cultural photography, without the tour buses of the more heavily touristed Patagonian destinations. Put simply, the wild serenity, scenic splendor, and photographic potential will amaze you.
We are visiting in the Patagonian spring, when the lupines and other wildflowers are in full bloom, the rivers are roaring, and the high peaks still wear veils of fresh snow. Our trip begins in Balmaceda, Chile (population approximately 500), the location of the regional airport, with direct flights from Chile’s capital of Santiago. You will be met upon exit from baggage claim by our local guide team, headed by our good friend Ruth Cohen, regarded as one of the very best guides in Chilean Patagonia. Then, transfer to Patagonia House, Ruth’s excellent boutique lodge on the outskirts of the regional capital of Coyhaique (population approx. 50,000). We’ll all gather there and then kick off our adventure with a festive welcome dinner to get to know everyone. The next morning after breakfast, we will load up in our two spacious passenger vans, with plenty of extra room for gear and luggage, and proceed on the rest of our journey through the stunning landscape of Aysén. We will take helicopter flights to do aerial photography over the ice cap, a jet boat trip to the face of the Leones Glacier, and an excursion by boat through the fjords. See below for the full itinerary.
Eddie Soloway and Justin Black will lead this small group of passionate photographers (limited to eight guests) on field sessions adapted to make the most of the best opportunities presented to us by light, weather, landscape, and wildlife each day. Emphasis will be on creative photography and hands-on mentoring in the field. We’ll photograph when the conditions and light are their best, and we’ll gather for presentations on composition, visualization, qualities of light, technique, and digital workflow at times when light or weather aren’t as conducive for photography (during harsh mid-day light, if a rain storm passes through, etc.). We will also hold constructive critiques of participant photographs and then head back out into the field to apply what we’ve learned.
Excursions will include helicopter flights (each guest gets one flight) to do doors-off photography over the spectacular Northern Patagonian Ice Field and Monte San Valentin, a jet boat excursion from Lago Leones to the Leones Glacier, a boat excursion to Marble Caves on Lago General Carrera, as well as a day aboard a private expedition boat to visit the fjords and the Jorge Montt Glacier. Via our group vehicles, we’ll visit spectacular locations that we have explored on prior visits. Some locations involve short hikes, but nothing particularly strenuous.
Each evening, we will gather for a nice dinner and some good Chilean wine. Then it’s off to bed to get some rest, as most mornings we’ll be out around 5:30am to take advantage of the incredible pre-dawn light. Breakfasts and lunches will be handled in relation to our photographic activities, served either at our accommodations or local restaurants, or in the field as a gourmet picnic.
In April, Great Smoky Mountains National Park comes alive with the elegant rebirth of spring in the Appalachian mountains on the border between Tennessee and North Carolina. Redbud and dogwood trees bloom, fragile new pale-green leaves emerge, and fog brings simplicity to the chaotic the forest backdrop. This is without question one of the gems of the National Park system, and along with neighboring Blue Ridge Parkway it represents the highlight of Appalachia. Offering easy to a wide range of opportunities from expansive landscapes to intimate designs, it’s one of our favorite outdoor photographic “classrooms,” visiting midweek in spring means no crowds in this, the most visited park in the entire National Park System.
Your instructors are two of the most highly regarded – and down to earth – fine art photographers working today: Charles Cramer and Tillman Crane. Working in digital color and black & white platinum-palladium processes respectively, both are renowned as master print makers and natural teachers.
Charles is a masterful artist renowned for landscape photographs that derive their power from their elegant composition and gentle calm. He has returned again and again to Appalachia over the years to draw inspiration from its atmospheric interplay of light, mist, and elegant graphics. Garnering rave reviews whenever he teaches, Charlie enjoys nothing more than sharing his insights, creativity, and craftsmanship with other passionate photographers in an effort to help them refine their own vision.
Tillman’s motto is, “Great photographs can be made in ordinary places.” His distinctive platinum photographs combine 19th-century materials with a 21st century aesthetic. A former photojournalist turned artist, he loves Great Smoky National Park and Appalachia in general for its combination of nature and fascinating human history. Tillman has been teaching the art and craft of photography for three decades, and his passion for the artform continues to evolve as he embraces modern digital technology while simultaneously furthering his mastery of the platinum/palladium print. The focus of his imagery remains on the unique qualities of light and sense of place in the ordinary, everyday locations where he lives and teaches.
This all-inclusive workshop will be based at Highland Manor Inn, in the village of Townsend, Tennessee, the quietest of the three “gateway” communities accessing the park. This base of operations provides excellent access to field locations. Along with eight field sessions, Charlie and Tillman will present projected lectures on composition, light, exposure control, anticipating and working through changing conditions, and essentials of digital image development. A minimum of two constructive critique sessions will provide essential feedback on images created by participants in the workshop.
This Creative Core workshop deals heavily with developing creativity and visualizing compositions, with a great deal of photography in the field. Creative Core workshops are general outdoor photography workshops designed to expose participants to the full creative toolbox, but the emphasis of individual participants’ work is up to them. Whether they wish to focus on classic landscape, abstraction, color, black and white, HDR, panoramics, multiple exposures, or all of the above, any enthusiastic photographer will feel right at home in this workshop. Together, Charlie and Tillman have over 75 years of combined experience successfully accommodating a range of experience levels within the context of photographic workshops.
In advance of the session, we supply materials to get everyone up to speed with fundamentals of digital camera set-up and technique, as well as essential equipment recommendations, recommended packing list, and other guidelines to ensure that everyone is ready to make the most of the experience. Users of film are of course welcome to join the workshop, though in order to participate in critiques they will need to either bring digital files or prints of existing work.
Note: This workshop is operated under National Park Service Commercial Use Authorization.
Note: As this opportunity has developed on very short notice, and availability of berths is limited, this expedition may be booked directly through our office only. Please either call us at +1-202-558-9596 or email Director of Operations Jennifer Woolley at jennifer@visionarywild.com to book this trip or be added to the waiting list. Online bookings for this expedition are not enabled at this time.
We are pleased to offer this intimate private-charter photographic expedition, including round trip flights across the Drake Passage, 12-nights aboard S/V Ocean Tramp, and instruction and guiding throughout by National Geographic photographer Michael Melford.
Ocean Tramp is a 20-meter motor-sail yacht (specifically, a ketch) which is operated by personal friends of Visionary Wild founder Justin Black, whose company Quixote-Expeditions specializes in small-vessel Antarctic adventures. In an era when Antarctic expedition vessels are getting larger and larger, Ocean Tramp offers a wonderful way to go with a very small group of just six guests, on a comfortable vessel that can get into locations that bigger ships can’t reach.
Spend almost two weeks on location at Antarctica, rather than wasting precious days “rockin’ and rollin'” on the Drake Passage crossing. As master of the boat, Michael Melford will work with Captain David Roberts (U.K.) to choose the best route to maximize the photographic opportunities at destinations along the way, responding to local conditions of weather and ice. Captain Roberts and Ocean Tramp’s experienced first mate and cook have an excellent track record of delivering exceptional Antarctic experiences for their guests.
Ocean Tramp normally sleeps eight guests in four cabins, but we are limiting the group size to six to eliminate crowding onboard, in the Zodiac, and at landing sites. The boat’s Shackleton Suite features an en-suite private bathroom, while the other three cabins share two bathrooms.
Travel insurance and medical evacuation insurance are required for this trip.
If you have any questions at all, please let us know. We hope you will join us on this Antarctic adventure!
Contact info@visionarywild.com or +1-202-558-9596 to register or for more information.
VIDEO OF S/V OCEAN TRAMP IN ANTARCTICA
https://youtu.be/jAPXU7DH1ik
VIDEO TOUR OF INTERIOR OF S/V OCEAN TRAMP, by our friend Laura Smith of Quixote-Expeditions: https://youtu.be/YNpsYLosl3M
We are pleased to offer this intimate private-charter photographic expedition, including round trip flights across the Drake Passage, 13-nights aboard S/V Ocean Tramp, and instruction and guiding throughout by award-winning photographer and polar specialist Daisy Gilardini.
Ocean Tramp is a 20-meter motor-sail yacht (specifically, a ketch) which is operated by personal friends of Visionary Wild founder Justin Black, whose company Quixote-Expeditions specializes in small-vessel Antarctic adventures. In an era when Antarctic expedition vessels are getting larger and larger, Ocean Tramp offers a wonderful way to go with a very small group of just six guests, on a comfortable vessel that can get into locations that bigger ships can’t reach.
Spend almost two weeks on location at Antarctica, rather than wasting precious days “rockin’ and rollin'” on the Drake Passage crossing. As master of the boat, Daisy will work with Captain David Roberts (U.K.) to choose the best route to maximize the photographic opportunities at destinations along the way, responding to local conditions of weather and ice. Captain Roberts and Ocean Tramp’s experienced first mate and cook have an excellent track record of delivering exceptional Antarctic experiences for their guests.
Ocean Tramp normally sleeps eight guests in four cabins, but we are limiting the group size to six to eliminate crowding onboard, in the Zodiac, and at landing sites. The boat’s Shackleton Suite features an en-suite private bathroom, while the other three cabins share two bathrooms.
If you have any questions at all, please let us know. We hope you will join us on this Antarctic adventure!
Contact info@visionarywild.com or +1-202-558-9596 to register or for more information.
VIDEO OF S/V OCEAN TRAMP IN ANTARCTICA
https://youtu.be/jAPXU7DH1ik
VIDEO TOUR OF INTERIOR OF S/V OCEAN TRAMP, by our friend Laura Smith of Quixote-Expeditions: https://youtu.be/YNpsYLosl3M
Client Testimonials
For lovers of wild mountain landscapes, the Kyrgyz Republic is among the most underrated travel destinations on Earth. The Tien Shan mountains rise higher and wilder than the Rockies, Sierra Nevada, Alps, or Andes, and peaks below 16,000-feet in elevation are barely considered worthy of a name. Along the Chinese border, the Kok Shaal-Too range soars to truly Himalayan heights, including the world’s most northern summits over 7,000 meters: Khan Tengri and Jengish Chokusu (also known as Pik Pobeda, or Victory Peak). The landscape beneath the peaks is sublime: glacier-carved gorges, grassy slopes covered in alpine wildflowers, raging wild rivers, spruce and fir forests, and high pastures (“jai-loh”) where semi-nomadic Kyrgyz graze small herds of horses, yaks, sheep, and cattle during the short summer.
The sheer scale and beauty of this landscape is phenomenal, but what is almost unimaginable is the fact that it is barely on the tourist radar. The Kyrgyz Republic is solidifying democracy, and the Kyrgyz people take their freedom seriously. Though it is commonly referred to as the “Switzerland of Central Asia,” this complimentary moniker neglects to recognize the nation’s unique qualities. A former Soviet republic with slow economic growth, Kyrgyzstan has been spared excessive development, so what it lacks in infrastructure is made up for with glorious wild nature. The Kyrgyz people are a nomad culture that boasts the longest history of all currently extant groups in Central Asia. Over the last fifteen centuries, their language and culture have survived the Chinese, the Mongols, various Khaganates, the Russians, the Soviet era, and the challenges of building a viable democracy.
Our adventure begins in the Kyrgyz capital of Bishkek, where our guests will be met at the airport and transferred to the thoroughly modern Solutel Hotel, offering excellent accommodations in the city center. There, we will welcome you to our introductory orientation and first dinner as a group. Early the next morning, we load up into our four-wheel-drive caravan, comprising three highly capable and comfortable Toyota Sequoias to carry our six guests, plus Visionary Wild photo leaders Justin Black and Jerry Dodrill, both veterans of three prior trips to Kyrgyzstan. Two additional 4WD support vehicles will carry gear, provisions, our cook and camp staff. From there, we set off on our spectacular route through the Tien Shan mountains.
Our itinerary is designed to take advantage of prime light on the landscape morning and evening each day. After dark, clean air and absence of light pollution provide a superb opportunity for nighttime landscapes including the Milky Way. Wildlife we typically see at some point along the way includes golden eagles, Marco Polo sheep (the largest wild sheep in the world), Lammergeier (a bird of prey with a ten-foot wingspan, related to the Egyptian vulture), ibex, and marmots. If we are very lucky, we might even see a wolf or snow leopard. We will also enjoy excellent opportunities to interact with and photograph the Kyrgyz people themselves, particularly herders in the high pastures, families at our yurt camps, and at the sprawling and colorful Osh Market in Bishkek. This will be a highly productive and immensely fun photographic adventure that you’ll never forget.
Note: We advise anyone considering this adventure to read “Travel in the Kyrgyz Republic,” farther down on this page.
This combination of workshop and expedition is a unique hit! The leaders knew the area, worked well together, imparted their knowledge with enthusiasm and congeniality to each participant and the local staff were professional and helped us as a group and individually at all times. The logistics and lodgings were excellent. An outstanding photographic experience! –S. Dater, 2015 Patagonia participant
We returned home with lots of great memories and many images to review and process! It was a very well organised trip & thanks again to the entire team. We will definitely look at Visionary Wild when planning future trips. –G. & H. Cuff, 2018 Patagonia participants
Patagonia: the word is synonymous with awe-inspiring landscape, and Torres del Paine National Park is both its crown jewel and a microcosm of the most aesthetically appealing features of the region. This hybrid program – part expedition, part workshop, led by National Geographic photographer Michael Melford and Justin Black is designed to maximize opportunities to execute well-crafted and compelling photographs that capture the spirit of this incredible place. Participants will have ample time to get to know Torres del Paine during its colorful autumn splendor, and your photography there will benefit from the opportunity to revisit fruitful situations to apply lessons learned and to take advantage of changing weather and light. The goal is for each participant to come away from this trip with a strong body of work, a new body of knowledge, new friendships, rejuvenation, and priceless memories.
Puma Extension – Save $1,000: Those interested in the best opportunity on Earth to photograph wild pumas up close should note that this itinerary is preceded immediately by and can be combined perfectly with our Pumas of Patagonia trip led by Roy Toft, March 30-April 6. Joining us for both itineraries entitles you to a $1,000 discount on the combined cost (on a per person basis, in either single or double-occupancy).
Torres del Paine National Park and Biosphere Reserve is the centerpiece of Patagonia – the ultimate distillation of the region’s most inspiring qualities. It’s one of those rare places that routinely exceeds the grandest dreams of even the most experienced photographers. Peaks and spires thrust abruptly upward above turquoise lakes, forcing moisture-laden winds off the ocean to form soaring lenticular clouds that catch the fiery sunrise and sunset alpenglow. Glaciers spill down from the Patagonian icecap, depositing cobalt blue icebergs on the shores of Lago Grey. Endemic lenga and ñirre tree forests glow in hues of gold and copper in the southern autumn. Rivers tumble over cascading waterfalls as condors ride thermals on the flanks of the Cordillera del Paine mountains. Guanacos, foxes, and pumas range over the golden pampas, and flamingoes wade the lagoons. At this time of year, the days are a manageable length with extended periods of dawn and dusk, and the sun never rises more than 35 degrees above the horizon. The quality of light is spectacular.
Michael Melford and Justin Black will lead the small group on field sessions adapted to make the most of the prevailing conditions each day. Emphasis will be on photography and hands-on mentoring in the field. We’ll photograph when the conditions are good, and we’ll gather in the lodge for presentations on light, composition, visualization, technique, and digital workflow at times when light or weather aren’t as conducive for photography (during harsh mid-day light, if a rain storm passes through, etc.). We will also hold constructive critiques of participant photographs, and then head back out into the field to apply what we’ve learned.
Excursions will include trips by ferry to visit the calving face of Glacier Grey and, via our group vehicles, spectacular locations around the park that we have discovered and scouted thoroughly on numerous prior visits. Some locations involve short hikes, but nothing particularly strenuous.
Pumas are secretive survivors, adapting to a tremendously diverse range of environments. Also known as Mountain Lions or Cougars (all are Puma concolor), they sometimes thrive in surprisingly close proximity to humans, but rarely permit themselves to be seen, much less photographed up close and eye-to-eye. So, you might wonder what our secret is to reliably photographing wild pumas up close on this Patagonian expedition.
To find out for yourself, make pictures you never imagined were possible, and learn a great deal about puma behavior in the process, join Roy Toft on a huge private ranch, Estancia Laguna Amarga, with panoramic views over one of the most beautiful landscapes on Earth: Chile’s Torres del Paine National Park. A healthy population of wild pumas roam free there, moving at will between the ranch and park, and we have mastered the art of successfully tracking these apex predators through this landscape of rolling hills beneath the Paine range.
Based out of excellent accommodations at Hotel Las Torres, we will observe and photograph many of these amazing cats at distances that can be surprisingly close. With the help of our top notch Puma spotters and guides, our 2018 group had several close-up encounters, including one individual that calmly approached us within thirty feet. Note that the pictures illustrating this page are all the product of Visionary Wild’s 2018 Puma trip, not a “greatest hits” collection accumulated over the course of several visits or months on location. The simple fact is that the opportunities here are unrivaled anywhere in the Puma’s expansive range. Please watch the videos below (made on an iPhone) for a first-hand glimpse of Pumaland:
Though we will use 4WD vehicles to drive into the vicinity of puma sightings, and may sometimes see pumas from our vehicles, venturing out on foot yields the best opportunities. Throughout the itinerary, we expect to walk a total of about one to two miles each day in hilly, uneven terrain, split between two field sessions. We do recommend that you are fit enough to hike with gear, including tripods and long telephotos. With advance notice, porters can be made available to assist with carrying equipment (at additional cost); please inquire for further details.
On the way back to Punta Arenas, we are including a special day to visit the private “Cerro Palomares” Condor Roost Cliff where Andean Condors fly. From convenient perches, we will photograph scores of “below-horizon fly-bys” of Andean Condors, the world’s heaviest flying creature. The roost cliff normally has 60-90 Andean Condors on it in the late afternoon as they fly back and forth below the horizon, offering the world’s most spectacular photo opportunities for this impressive bird.
Landscape Extension – Save $1,000: This itinerary dovetails perfectly with our Torres del Paine landscape photography workshop, led by National Geographic photographer Michael Melford, and Justin Black of Visionary Wild, which meets the Puma group at Hotel Las Torres on April 6, and ends in Punta Arenas on April 16. Joining us for both itineraries entitles you to a $1,000 discount on the combined cost (on a per person basis, in either single or double-occupancy).
Throughout the itinerary, we expect to walk a total of about one to two miles in hilly terrain each day, split between two field sessions. For a more pleasant photographic experience, we do recommend that you are fit enough to hike with gear, including tripods and long telephotos. Porters are available (by advance request and at additional cost) to assist with carrying equipment; please inquire for further details. Though we may sometimes see pumas from our vehicles, venturing out on foot yields the best opportunities.
PLEASE NOTE:
Refine your vision and harness the aesthetic potential of one of the world’s most geological wonders.
Wondering where to travel in winter? Bryce Canyon National Park is one of our favorite places to go to view some of the most unique opportunities during this season of snow dustings and low-angled light. Ponderosa pines, fir-spruce forests, slot canyons, horseshoe-shaped amphitheaters, and pink cliffs cover this area. Utah has a wealth of public lands to explore and challenge your photographic senses, and Bryce Canyon National Park in among the most rewarding.
This greatest concentration of hoodoos in the world – an unearthly landscape to be sure – was formed over hundreds of millions of years of deposition and erosion. Bryce’s colorful rock spires are oriented perfectly to catch the reflected morning light, resulting in a glowing fairytale landscape providing endless options for creative photography. Join us to capture its splendor.
This outdoor classroom is a highlight of our Vision series, a special program of advanced instruction focusing on refining your personal creative vision, composition, digital workflow and image processing, designed and presented by renowned photographers Jack Dykinga and Cliff Zenor. Both instructors have photographed Bryce extensively and know its secrets well. We will photograph at a variety of locations in the park during our morning and evening field sessions, with emphasis on the hoodoos and sculpted designs in the canyons.
Packaged with single-occupancy lodging at the Bryce Canyon Grand Hotel (a Best Western Plus property), located ideally near the park entrance, and with all meals, snacks and beverages included, this is a superb workshop scenario. We hope you’ll join us!
About Vision Workshops
The creation of a truly great finished photograph is part of a process from initial concept and vision through execution in the field to digital workflow and creation of a high-quality, final master file ready for printing or publication. Our Vision workshops address the two greatest challenges faced by photographers as they advance. The first of these is the tendency for original creative vision to reach a plateau in development, and the second is a digital workflow in need of streamlining and refinement to make the most of your images.
On Creative Vision:
When we experience images that really move us, we are aware that they have impacted us, though we may not know what it was in the image that made it so powerful. In other words, we know when it works, but can be difficult to quantify. I try to teach the time-honored components of fine photography to build successful compositions…even in ordinary situations. People ask me, “What’s the difference between a pro and an amateur?” My response is, (a) the amateur has better equipment and (b) the professional photographer must create a publishable image every single time. To be successful, the professional must be the practitioner of a disciplined approach to situations that will result in compelling images that inform and move people. This workshop is designed to unleash that creativity in my students. –Jack Dykinga
Both in the classroom and in the field, Jack and Cliff will focus on advanced seeing and ways to unlock creativity in situations that require conceptual and compositional ingenuity on the part of the photographer. In other words, they will answer the questions, “How do I make a great photograph when the subject matter and composition don’t suggest themselves to me?” and, “How do I avoid photographic clichés when the situation offers up a beautiful composition that is almost too obvious?”
Great photography starts with an impression – an idea, concept, or feeling – channeled through the photographer’s vision, but it doesn’t end there. Once you have a great composition in the bag, it takes good processing skills and aesthetic sensibilities to produce the best final image suitable for showcasing your talents.
Cliff will focus on teaching a logical, effective development workflow that ensures the highest quality for your work, as well an image archive that is stable, consistent, and retrievable over the long term, and that ultimately liberates rather than burdens. He will cover the step-by-step process from shooting RAW files in the field to optimizing the final image.
Workflow topics to be covered include:
As always, both instructors will be present to teach, assist, and socialize with participants throughout the workshop. The workshop includes eight field sessions, classroom lectures and ample hands-on instruction, critiques. Group meals provide an informal setting to socialize and address specific interests that may not be covered during lectures and classroom discussion.
The class size is limited to a small group of ten to ensure that everyone gets the time and attention they need, both in the field and the classroom.
We supply materials in advance of the session to get newcomers up to speed with basics having to do with digital camera set-up and techniques, essential equipment recommendations, and other guidelines to ensure that everyone is ready to make the most of the experience.
Note: Visionary Wild, LLC operates this workshop under a permit issued by the National Park Service at Bryce Canyon National Park.
Pastel pinks and blues reflect from the sky at dawn and dusk, painting gypsum dunes that roll elegantly across the landscape. The tapestry of light and shadow, form and texture tempts the creative mind. Yuccas punctuate the landscape, rising in striking graphic isolation against the sand and sky. This is New Mexico’s White Sands National Monument, home of the world’s largest gypsum dune field, covering 275 square miles, set in a high desert basin with a dramatic mountain backdrop. This will be our outdoor classroom for this Vision series workshop, a special program of advanced instruction designed and presented by world-renowned photographers Jack Dykinga and John Shaw. Jack is recognized as one of the greatest practitioners and teachers in the history of landscape photography, and John is a natural photographic educator who is relied upon by some of the most successful photographers in the business to keep them current on digital workflow practices and Photoshop techniques. The combination is a uniquely effective and enjoyable experience.
Our fieldwork during this workshop will emphasize the search for elegant, carefully crafted compositions while anticipating the flow of light over the landscape each morning and evening. Opportunities abound, from classic near-far compositions that use yuccas to anchor foreground design, to abstracts harnessing the tones, curves and colors of the dunes, to broad panoramics and macro subjects.
The creation of a great finished photograph is part of a process from initial concept and vision through execution in the field to digital workflow and creation of a high-quality, final master file ready for printing or publication. Vision workshops with John Shaw and Jack Dykinga address the two greatest challenges faced by photographers as they advance. The first of these is the tendency for original creative vision to reach a plateau in development, and the second is a digital workflow in need of streamlining and refinement to make the most of your images. read more…
When I tell folks that my wife Lena is from Kyrgyzstan, the response is usually, “She’s from Kurdistan?!?” or alternatively, “What? Where is that?” This little-known Silk Road country is, however, home to some of the most awe-inspiring mountain landscapes on the planet, as well as an immensely hospitable culture. Visionary Wild’s first overland expedition there in July 2017 grew out of a lengthy scouting trip that Lena and I made in 2015. This photographic adventure, from the idyllic alpine lake of Song Kul to the glacier-borne basecamp beneath mighty Khan Tengri – one of the world’s most beautiful peaks rising to 23,000ft. – represents what Lena and I consider the finest of the Kyrgyz mountain landscape. We have fallen in love with the Kyrgyz people and their spectacular homeland, and look forward to sharing this wonderful corner of the planet with you! –Justin Black
For lovers of wild mountain landscapes, the Kyrgyz Republic is among the most underrated travel destinations on Earth. The Tien Shan mountains rise higher and wilder than the Rockies, Sierra Nevada, Alps, or Andes, and peaks below 16,000-feet in elevation are barely considered worthy of a name. Along the Chinese border, the Kakshaal-Too range soars to truly Himalayan heights, on the world’s most northern summits over 7,000 meters: Khan Tengri and Jengish Chokusu (known in the Soviet era as Pik Pobeda). The landscape beneath the peaks is sublime: glacier-carved gorges, slopes covered in alpine wildflowers, raging rivers, spruce and fir forests, and high pastures (“jai-loh”) where semi-nomadic Kyrgyz graze small herds of horses, yaks, sheep, and cattle during the short summer.
The sheer scale and beauty of this landscape is phenomenal, but what is almost unimaginable is the fact that it is barely on the tourist radar. The Kyrgyz Republic is an emerging democracy, and the Kyrgyz people take their freedom seriously. Though it is commonly referred to as the “Switzerland of Central Asia,” this complimentary moniker neglects to recognize the nation’s unique qualities. A former Soviet republic with relatively slow economic growth, Kyrgyzstan has been spared excessive development, so what it lacks in infrastructure is made up for with glorious wild nature. The Kyrgyz people are a Turkic nomad culture that boast the longest history of all currently extant groups in Central Asia. Over the last fifteen centuries, their language and culture have survived the Uyghurs, the Chinese, the Mongols, various Khaganates, the Russians, the Soviet era, and the challenges of building a viable democracy while surrounded by less democratic neighbors.
Our adventure begins in the Kyrgyz capital of Bishkek, where participants will be met at the airport and driven to the thoroughly modern Golden Tulip Hotel, offering excellent accommodations in the city center. There, we will welcome you to our introductory orientation and first dinner as a group. Early the next morning, we load up into our four-wheel drive caravan, comprising three highly capable and comfortable Toyota Sequoias to carry our six guests, Visionary Wild photo leaders Justin Black and Jerry Dodrill, as well as our team’s Kyrgyzstan native and Russian-language interpreter, Lena Black, Visionary Wild Director of Operations. Two additional 4WD support vehicles will carry gear, provisions, and camp staff. From there, we set off on our spectacular route through the Tien Shan mountains.
Our itinerary is designed to take advantage of prime light on the landscape morning and evening each day. After dark, clean air and virtual absence of light pollution provide a superb opportunity for nighttime landscapes including the Milky Way. We will also enjoy excellent opportunities for photography of the Kyrgyz people themselves, in the high pastures, at our yurt camps, and at the sprawling and colorful Osh Market in Bishkek. This will be a highly productive and immensely fun photographic adventure that you’ll never forget.
Click “read more” at below right for the full itinerary, inclusions, exclusions, and more photos…
Refine your vision and harness the aesthetic potential of one of the world’s most geological wonders.
Wondering where to travel in winter? Bryce Canyon National Park is one of our favorite places to go to view some of the most unique opportunities during this season of snow dustings and low-angled light. Ponderosa pines, fir-spruce forests, slot canyons, horseshoe-shaped amphitheaters, and pink cliffs cover this area. Utah has a wealth of parks to explore and challenge your photographic senses, and Bryce Canyon National Park in among the most rewarding.
This greatest concentration of hoodoos in the world – an unearthly landscape to be sure – was formed over hundreds of millions of years of deposition and erosion. Bryce’s colorful rock spires are oriented perfectly to catch the reflected morning light, resulting in a glowing fairytale landscape providing endless options for creative photography. Join us to capture its splendor.
This outdoor classroom is a highlight of our Vision series, a special program of advanced instruction focusing on refining your personal creative vision, composition, digital workflow and image processing, designed and presented by renowned photographers Jack Dykinga, John Shaw, and Justin Black. All three instructors have photographed Bryce extensively and know its secrets well. We will photograph at a variety of locations in the park during our morning and evening field sessions, with emphasis on the hoodoos and sculpted designs in the canyons.
Packaged with single-occupancy lodging at the Bryce Canyon Grand Hotel (a Best Western Plus property), located ideally near the park entrance, and with all meals, snacks and beverages included, this is a superb workshop scenario. We hope you’ll join us!
About Vision Workshops
The creation of a truly great finished photograph is part of a process from initial concept and vision through execution in the field to digital workflow and creation of a high-quality, final master file ready for printing or publication. Vision workshops with John Shaw and Jack Dykinga address the two greatest challenges faced by photographers as they advance. The first of these is the tendency for original creative vision to reach a plateau in development, and the second is a digital workflow in need of streamlining and refinement to make the most of your images.
Click “Read More…” below right to read on…
On Creative Vision:
When we experience images that really move us, we are aware that they have impacted us, though we may not know what it was in the image that made it so powerful. In other words, we know when it works, but can be difficult to quantify. I try to teach the time-honored components of fine photography to build successful compositions…even in ordinary situations. People ask me, “What’s the difference between a pro and an amateur?” My response is, (a) the amateur has better equipment and (b) the professional photographer must create a publishable image every single time. To be successful, the professional must be the practitioner of a disciplined approach to situations that will result in compelling images that inform and move people. This workshop is designed to unleash that creativity in my students. – Jack Dykinga
Jack will focus on advanced seeing and ways to unlock creativity in situations that require conceptual and compositional ingenuity on the part of the photographer. In other words, he’ll answer the questions, “How do I make a great photograph when the subject matter and composition don’t suggest themselves to me, and how do I avoid photographic clichés when the situation offers up a beautiful composition that is almost too obvious?”
On Workflow:
As photographers have switched to digital, one fact has become apparent: we are drowning in files. We’re shooting more images than ever, and digital file sizes are increasing with each new generation of cameras. Without a smart, logical workflow – and a familiarity with programs such as Lightroom and Photoshop – we will quickly be overwhelmed with data. – John Shaw
John will focus on teaching a logical, effective workflow that ensures the highest quality for your work, as well an image archive that is stable, consistent, and retrievable over the long term, and that ultimately liberates rather than burdens. He will cover step by step the process from shooting RAW files in the field to optimizing the final image in Photoshop.
Workflow topics to be covered include:
The workshop includes eight field sessions, classroom lectures and ample hands-on instruction, critiques, single-occupancy lodging in deluxe rooms (prorated fee available for double-occupancy or for those who do not require lodging), and all meals and drinks. Justin Black will be present to serve as an instructor and to ensure everything runs smoothly. As always, all three instructors will be present to teach and assist students throughout the workshop.
Field sessions begin the evening of the first day. Each morning and evening, we’ll be out to photograph first light before breakfast, and out for evening light before dinner. During mid-day hours in our classroom at the hotel, Jack and John will make presentations on advanced seeing, composition and creativity, digital workflow, and maximizing image potential. Critique sessions will be held each of the last three days before returning to the field for photography in afternoon and evening light. Friday morning will be the final field session, followed by critique until we adjourn at 3:00 pm.
The class size is limited to a small group of ten to ensure that everyone gets the time and attention they need, both in the field and the classroom.
Basecamp is the Best Western Plus Bryce Canyon Grand Hotel. Group meals provide an informal setting to socialize and address specific interests that may not be covered during lectures and classroom discussion.
We supply materials in advance of the session to get newcomers up to speed with basics having to do with digital camera set-up and techniques, essential equipment recommendations, and other guidelines to ensure that everyone is ready to make the most of the experience.
Lodging, all meals, and beverages are included in the package.
Please click the “Register” button at the top of the page or contact us directly to reserve your space. A deposit of 50% is required at time of booking, with balance payable 60 days prior to workshop start date.
The workshop begins at 1pm on Monday, January 8th, and ends by 3pm on Friday, January 12th, 2018.
Note: Visionary Wild, LLC operates this workshop under a permit issued by the National Park Service at Bryce Canyon National Park.
The Potomac Highlands region of West Virginia’s Allegheny Mountains is one of the most scenic areas of the central Appalachians, at its best when brilliant autumn colors adorn the landscape. We invite you to join us for this exciting photo workshop, timed to operate during the peak of fall foliage among mountains densely covered in yellow birch, red maple, black cherry trees, spruce, and eastern hemlock trees. Color is everywhere at this time of year, framing the five-story waterfall and blowing in the mountain breezes.
In addition to visiting the iconic Blackwater Falls itself, we will take advantage of the best seasonal conditions in the surrounding mountain and valley landscapes, including excursions to Dolly Sods Wilderness and Canaan Valley, the highest large valley east of the Mississippi.
National Geographic photographer Michael Melford and renowned landscape photographer Justin Black will lead this workshop. Both have photographed extensively in the area, and are very familiar with an array of potential locations. Working one-on-one with participants, Michael and Justin aim to improve your photographic vision and composition skills, understanding of how to use changing qualities of light and weather to your advantage, and ability to effectively control exposure. They will also focus on creative exposure techniques to create mood, essential gear and creative tools, fundamentals of digital workflow, digital exposure blending and panoramic stitching, and lots of photography in the field followed by constructive group critiques.
Click the “read more…” tab below right for more information and to see the photo gallery!
Pastel pinks and blues reflect from the sky at dawn and dusk, painting gypsum dunes that roll elegantly across the landscape. The tapestry of light and shadow, form and texture tempts the creative mind. Yuccas punctuate the landscape, rising in striking graphic isolation against the sand and sky. This is New Mexico’s White Sands National Monument, home of the world’s largest gypsum dune field, covering 275 square miles, set in a high desert basin with a dramatic mountain backdrop. This will be our outdoor classroom for this Vision series workshop, a special program of advanced instruction designed and presented by world-renowned photographers Jack Dykinga and John Shaw. Jack is recognized as one of the greatest practitioners and teachers in the history of landscape photography, and John is a natural photographic educator who is relied upon by some of the most successful photographers in the business to keep them current on digital workflow practices and Photoshop techniques. The combination is a uniquely effective and enjoyable experience.
Our fieldwork during this workshop will emphasize the search for elegant, carefully crafted compositions while anticipating the flow of light over the landscape each morning and evening. Opportunities abound, from classic near-far compositions that use yuccas to anchor foreground design, to abstracts harnessing the tones, curves and colors of the dunes, to broad panoramics and macro subjects.
The creation of a great finished photograph is part of a process from initial concept and vision through execution in the field to digital workflow and creation of a high-quality, final master file ready for printing or publication. Vision workshops with John Shaw and Jack Dykinga address the two greatest challenges faced by photographers as they advance. The first of these is the tendency for original creative vision to reach a plateau in development, and the second is a digital workflow in need of streamlining and refinement to make the most of your images.
A SPECIAL GIFT TO PARTICIPANTS: Each participant in this workshops is entitled to have two free fine exhibition prints up to 20″x30″ in size made by the master printmakers at West Coast Imaging of Oakhurst, California, one of the very best digital fine art photography labs in the world. These print packages include all the expert digital prep work of your original image file, based on your wishes and input as the artist, to make the best possible print. This special offer is cumulative, so you get two prints for each workshop you take.
Click the “read more” button below right to continue…
Magical places with towering red sand dunes, ancient withered, desiccated forests, and storm-ravaged coastline make Namibia unique. Rare desert lions, gemsbok, elephants, and giraffes inhabit the area, with the colorful Himba people carving out a life in this arid region.
In all my travels, I have never seen such amazing and colorful dune formations. The colors ran from black to garnet to peach and red colored…sometimes bathed in coastal fog. The Namib Desert has a timeless quality that calls to me. –Jack Dykinga
Experience the haunting beauty of Namibia – Africa’s desert gem – with renowned landscape photographers Jack Dykinga and Justin Black. We will explore the striking quiver tree forests and geological formations, a ghost town abandoned to drifting sands, the rugged beauty of the coast, culminating with three days of intensive photography among the elegant forms of the thousand-foot red dunes of Sossusvlei. With warm tints of apricot, orange, red and maroon, these dunes offer abstract beauty unseen anywhere else in the world. This special place is also home to the ancient sun-blackened skeletons of camel thorn trees at the white clay “dead marsh” of Deadvlei.
A string of colonial port towns dot the coast, trapped between the South Atlantic and the dunes. Lüderitz, on the edge of the diamond-rich Sperrgebiet area, is a fascinating relic of Germany’s late 19th-century imperial aspirations. Nearby is the otherworldly and sand-bound abandoned mining town of Kolmanskop, where dunes have invaded the abandoned buildings. The photographic potential of this place is astonishing. Further north, Swakopmund and Walvis Bay bracket the southern end of the Skeleton Coast. Both possess a welcoming resort town atmosphere, with ample photographic opportunities along the coast.
Awe-inspiring and unrestrictive, this diverse geography leaves an impact you won’t soon forget.
Our itinerary has been designed to take maximum advantage of the best landscape photography opportunities that Namibia has to offer. In addition to attentive photographic instruction throughout by Dykinga and Black, our group of up to ten photographers will be led by two excellent local guides. This trip includes excellent lodging, in-Africa flights (Johannesburg–Windhoek–Johannesburg), transfers and group ground transportation from start to finish, and all meals, snacks, and beverages.
Namibia is a very safe and welcoming country, and a tourist visa is not necessary for citizens of the USA and most developed nations.
We hope you will join us! To sign up, click the “REGISTER” link above right.
Pastel pinks and blues reflect from the sky at dawn and dusk, painting gypsum dunes that roll elegantly across the landscape. The tapestry of light and shadow, form and texture inspires the creative mind. Yuccas punctuate the landscape, rising in striking graphic isolation against the sand and sky. This is New Mexico’s White Sands National Monument, home of the world’s largest gypsum dune field, covering 275 square miles, set in a high desert basin with a dramatic mountain backdrop. This will be our outdoor classroom for this Vision series workshop, a special program of advanced instruction designed and presented by world-renowned photographers Jack Dykinga and John Shaw. Jack is recognized as one of the greatest practitioners and teachers in the history of landscape photography, and John is a natural photographic educator who is relied upon by some of the most successful photographers in the business to keep them current on digital workflow practices and Photoshop techniques. The combination is a uniquely effective and enjoyable experience.
Our fieldwork during this workshop will emphasize the search for elegant, carefully crafted compositions while anticipating the flow of light over the landscape each morning and evening. Opportunities abound, from classic near-far compositions that use yuccas to anchor foreground design, to abstracts harnessing the tones, curves and colors of the dunes, to broad panoramics and macro subjects.
The creation of a truly great finished photograph is part of a process from initial concept and vision through execution in the field to digital workflow and creation of a high-quality, final master file ready for printing or publication. Vision workshops with John Shaw and Jack Dykinga address the two greatest challenges faced by photographers as they advance. The first of these is the tendency for original creative vision to reach a plateau in development, and the second is a digital workflow in need of streamlining and refinement to make the most of your images.
On Creative Vision:
When we experience images that really move us, we are aware that they have impacted us, though we may not know what it was in the image that made it so powerful. In other words, we know when it works, but can be difficult to quantify. I try to teach the time-honored components of fine photography to build successful compositions…even in ordinary situations. People ask me, “What’s the difference between a pro and an amateur?” My response is, (a) the amateur has better equipment and (b) the professional photographer must create a publishable image every single time. To be successful, the professional must be the practitioner of a disciplined approach to situations that will result in compelling images that inform and move people. This workshop is designed to unleash that creativity in our students. – Jack Dykinga
Jack will focus on advanced seeing and ways to unlock creativity in situations that require conceptual and compositional ingenuity on the part of the photographer. In other words, he’ll answer the questions, “How do I make a great photograph when the subject matter is overwhelming and compositions don’t suggest themselves to me, and how do I avoid photographic clichés when the situation offers up a beautiful composition that is almost too obvious?”
On Workflow:
As photographers have switched to digital, one fact has become apparent: we are drowning in files. We’re shooting more images than ever, and digital file sizes are increasing with each new generation of cameras. Without a smart, logical workflow – and a familiarity with programs such as Lightroom and Photoshop – we will quickly be overwhelmed with data. – John Shaw
John will focus on teaching a logical, effective workflow that ensures the highest quality for your work, as well an image archive that is stable, consistent, and retrievable over the long term, and that ultimately liberates rather than burdens. He will cover step by step the process from shooting RAW files in the field to optimizing the final image in Photoshop.
Workflow topics to be covered include:
• File formats for shooting and for archiving
• Exposing for digital
• Downloading for automatic image organization
• Proper file naming
• Cataloging of images: Lightroom or other software
• Keywording and captioning of images
• The many uses of metadata
• Processing the raw file
• Using the tools in Adobe Camera Raw and Lightroom’s Develop Module
• Color spaces for the best results in different media
• The many faces of Bridge
• Creating panoramic images
• Color adjustment strategies
• Using Photoshop to finalize the image: dodging and burning, adjustment layers and layer masking, controlling luminosity and contrast, sharpening for output
• Creating a PDF electronic book
• Color-managed workflow from input to output
The workshop includes eight field sessions at various locations around White Sands that we have scouted in advance. Also featured are several projected classroom lectures, and ample hands-on instruction, critiques, single-occupancy lodging (prorated fee available for double-occupancy or for those who do not require lodging), and all meals and drinks. Justin Black of Visionary Wild will be present to serve as assistant instructor and to ensure everything runs smoothly. As always, all three instructors will be present to teach and assist students throughout the workshop.
We will meet at Fairfield Inn in Alamogordo, New Mexico at 1pm on the first day. Photography sessions at White Sands begin that afternoon. Each morning and evening, we’ll be out to photograph first light before breakfast and the evening light before dinner. During mid-day hours, Jack and John will make presentations on advanced seeing, composition and creativity, digital workflow, and maximizing image potential. Critique sessions will follow each day before returning to the field for photography around 3:30pm. Friday morning will be the final field session, followed by critiquing until the final lunch and break up at 2:00 pm. The class size is limited to ten to ensure that everyone gets ample time and attention from the three instructors, both in the field and the classroom.
Any enthusiastic photographer will feel right at home in this workshop. We supply materials in advance of the session to get newcomers up to speed with basics having to do with digital camera set-up and techniques, essential equipment recommendations, and other guidelines to ensure that everyone is ready to make the most of the experience.
Please contact us with any questions you may have about this session. We recommend registering promptly to reserve your space as our Vision workshops fill especially quickly. A deposit of 50% is required at time of booking to reserve space, with balance payable 60 days prior to workshop start date.
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