For lovers of wild mountain landscapes, few destinations on Earth are more spectacular than the Kyrgyz Republic (also known as Kyrgyzstan) with its soaring peaks ranging from Alpine to Himalayan in beauty and scale, glaciers, pristine lakes, wild rivers, spruce and fir forests, alpine wildflowers, and expansive high pastures. The Tien Shan mountains rise higher and wilder than the Rockies, Sierra Nevada, Alps, or Andes – peaks below 16,000-feet in elevation are barely considered worthy of a name. Along the Chinese border, the Kokshaal-Too range soars to truly Himalayan heights, including the world’s most northern summits over 7,000 meters (22,965 feet): Khan Tengri (translation: Lord of the Skies) and Jengish Chokusu (also known in Russian as Pik Pobeda, or Victory Peak). The landscape beneath the peaks is sublime: glacier-carved gorges, slopes covered in alpine wildflowers (there is more edelweiss here than in the Alps), raging rivers, spruce and fir forests, and high pastures (“jai-loh”) where semi-nomadic Kyrgyz graze small herds of horses, yaks, sheep, and cattle during the short summer.
Kyrgyzstan’s majestic mountain landscapes and unspoiled natural beauty make it a gem for avid photographers, but it has been relatively unknown and little-visited. Kyrgyzstan is now gaining recognition as a highly desirable travel destination for its magnificent mountains, glacier-fed lakes, wild rivers, comfortable climate, and unique and welcoming culture. It was recently ranked #5 on Lonely Planet’s Best in Travel 2019 Top Countries list. While others are just discovering Kyrgyzstan, Visionary Wild recognized its vast opportunity for photography years ago. Based on extensive scouting we have carefully developed an exceptional photography-focused itinerary for those seeking to travel in style and comfort, with a spirit of exploration and adventure.
Our adventure begins in the Kyrgyzstani capital of Bishkek, where our guests will be met at the airport and transferred to the thoroughly modern Solutel Hotel, offering excellent accommodations and English-speaking staff, conveniently located in the city center. There, we will welcome you to our introductory orientation and first dinner as a group. Early the next morning, we load up into our four-wheel-drive caravan, comprising three highly capable and comfortable Toyota Sequoias to carry our six guests, plus Visionary Wild photo leaders Justin Black and Jerry Dodrill, both veteran Kyrgyzstan travelers. Two additional 4WD support vehicles will carry gear, provisions, our cook and camp staff. From there, we set off on our spectacular route through the Tien Shan mountains.
Our itinerary is designed to take advantage of prime light on the landscape morning and evening each day. After dark, clean air and absence of light pollution provide a superb opportunity for nighttime landscapes including the Milky Way. Wildlife we typically see at some point along the way includes golden eagles, Marco Polo sheep (the largest wild sheep in the world), Lammergeier (a bird of prey with a ten-foot wingspan, related to the Egyptian vulture), ibex, and marmots. If we are very lucky, we might even see a wolf or snow leopard. We will also enjoy excellent opportunities to interact with and photograph the Kyrgyz people themselves, particularly herders in the high pastures, families at our yurt camps, and at the sprawling and colorful Osh Market in Bishkek. This will be a highly productive and immensely fun photographic adventure that you’ll never forget.
In April, Great Smoky Mountains National Park comes alive with the elegant rebirth of spring in the Appalachian mountains on the border between Tennessee and North Carolina. Redbud and dogwood trees bloom, fragile new pale-green leaves emerge, and fog brings simplicity to the chaotic the forest backdrop. This is without question one of the gems of the National Park system, and along with neighboring Blue Ridge Parkway it represents the highlight of Appalachia. Offering easy to a wide range of opportunities from expansive landscapes to intimate designs, it’s one of our favorite outdoor photographic “classrooms,” visiting midweek in spring means no crowds in this, the most visited park in the entire National Park System.
Your instructors are two of the most highly regarded – and down to earth – fine art photographers working today: Charles Cramer and Tillman Crane. Working in digital color and black & white platinum-palladium processes respectively, both are renowned as master print makers and natural teachers.
Charles is a masterful artist renowned for landscape photographs that derive their power from their elegant composition and gentle calm. He has returned again and again to Appalachia over the years to draw inspiration from its atmospheric interplay of light, mist, and elegant graphics. Garnering rave reviews whenever he teaches, Charlie enjoys nothing more than sharing his insights, creativity, and craftsmanship with other passionate photographers in an effort to help them refine their own vision.
Tillman’s motto is, “Great photographs can be made in ordinary places.” His distinctive platinum photographs combine 19th-century materials with a 21st century aesthetic. A former photojournalist turned artist, he loves Great Smoky National Park and Appalachia in general for its combination of nature and fascinating human history. Tillman has been teaching the art and craft of photography for three decades, and his passion for the artform continues to evolve as he embraces modern digital technology while simultaneously furthering his mastery of the platinum/palladium print. The focus of his imagery remains on the unique qualities of light and sense of place in the ordinary, everyday locations where he lives and teaches.
This all-inclusive workshop will be based at Highland Manor Inn, in the village of Townsend, Tennessee, the quietest of the three “gateway” communities accessing the park. This base of operations provides excellent access to field locations. Along with eight field sessions, Charlie and Tillman will present projected lectures on composition, light, exposure control, anticipating and working through changing conditions, and essentials of digital image development. A minimum of two constructive critique sessions will provide essential feedback on images created by participants in the workshop.
This Creative Core workshop deals heavily with developing creativity and visualizing compositions, with a great deal of photography in the field. Creative Core workshops are general outdoor photography workshops designed to expose participants to the full creative toolbox, but the emphasis of individual participants’ work is up to them. Whether they wish to focus on classic landscape, abstraction, color, black and white, HDR, panoramics, multiple exposures, or all of the above, any enthusiastic photographer will feel right at home in this workshop. Together, Charlie and Tillman have over 75 years of combined experience successfully accommodating a range of experience levels within the context of photographic workshops.
In advance of the session, we supply materials to get everyone up to speed with fundamentals of digital camera set-up and technique, as well as essential equipment recommendations, recommended packing list, and other guidelines to ensure that everyone is ready to make the most of the experience. Users of film are of course welcome to join the workshop, though in order to participate in critiques they will need to either bring digital files or prints of existing work.
Note: This workshop is operated under National Park Service Commercial Use Authorization.
I feel very privileged to have participated in the 2016 Greenland expedition. It far exceeded my expectations. And, as someone who has traveled extensively, I would rate it as truly a trip of a lifetime. – Sid S., 2016 Greenland participant
Thank you for another fantastic VW expedition! What a privilege to experience and photograph this wild and remote area in comfort while accompanied by the best leaders offering a wealth of experience and a willingness to share their immense talents. Thanks to Justin’s meticulous advance planning, all the arrangements were perfect throughout. –David & Kathy R., 2015 Greenland participants
Greenland’s remote and little-visited ice fjords hold a wealth of arctic grandeur. Towers, arches, and walls of ancient blue ice thrust skyward from the water’s surface. Steep-walled fjords, soaring coastal mountains, tundra in autumn color, the vast Greenland Ice Sheet, and the Aurora Borealis combine to form an incomparable landscape. Join a world-class team of leaders – Daisy Gilardini, Daniel Beltrá, and Jerry Dodrill – for this expedition to Greenland, photographing this arctic wilderness in all its glory. With generous photographic instruction and attentive support throughout, explore the largest fjord system in the world – Scoresbysund, covering 14,700 square miles and penetrating over 200 miles into Greenland’s interior – aboard the three-masted expedition vessel Rembrandt van Rijn.
We will make frequent landings by zodiac to photograph in morning and evening light, and as serendipity presents us with compelling opportunities along the way. In addition to the arctic landscape, we will photograph whales as we encounter them, as well a variety of coastal and pelagic birds such as fulmars, kittiwakes, and gannets. Excursions by Zodiac take us in among the icebergs. The ethereal glow of the Aurora Borealis dancing in the night sky over the iceberg-dotted fjords and bays will be the sight of a lifetime. One thing is for certain: this expedition will yield extraordinary photographic opportunities. This is of course a floating workshop as well, and while underway, Daniel, Daisy, Jerry, and the ship’s expedition staff will make instructive and inspiring presentations, answer your questions, and offer constructive feedback on participants’ photographs during group critique sessions, with the aid of the ship’s four large LCD screens.
Greenland was a trip of a lifetime. Imagine fog-shrouded icebergs, vibrant red/orange/yellow tundra, unreal sunsets, glistening ice and snow, colorful villages clinging to rocky headlands, Northern Lights and so much more under the generous guidance of world class instructors. I learned so much while having lots of fun. Thank you! –Ann L., 2015 Greenland participant
Our adventure begins in Reykjavik, Iceland, the world’s northernmost capital. Guests will be greeted upon arrival at Keflavik International Airport and transferred to the elegant Hotel Holt, conveniently located in the city center. After an introductory group meeting and dinner at Grillmarket, one of Reykjavik’s finer restaurants, the next morning we board our private charter flight to Greenland’s east coast. Awaiting our arrival will be our private floating base camp: the 168-foot, three-masted schooner Rembrandt van Rijn (click here for more about RVR). We are booking the entire ship for our exclusive use to ensure ample space for our group both on the ship and in zodiacs – our group will consist of sixteen to eighteen participants and three leaders (though Rembrandt normally sleeps up to 33 guests) in addition to her twelve-person crew and expedition staff. She is exceptionally well-suited to exploration and photography along the Greenland coast, with a reinforced hull, expansive unobstructed sight lines even under sail, and very comfortable accommodations.
To make this special itinerary possible, we have arranged private Air Iceland charter flights aboard modern twin-engine turboprop airliners (Bombardier Q200). After disembarking Rembrandt at Constable Point, we will be picked up by our aircraft and flown back to Reykjavik, where a celebratory group dinner and final restful night at the Hotel Holt await you.
This combination of workshop and expedition is a unique hit! The leaders knew the area, worked well together, imparted their knowledge with enthusiasm and congeniality to each participant and the local staff were professional and helped us as a group and individually at all times. The logistics and lodgings were excellent. An outstanding photographic experience! –S. Dater, 2015 Patagonia participant
We returned home with lots of great memories and many images to review and process! It was a very well organised trip & thanks again to the entire team. We will definitely look at Visionary Wild when planning future trips. –G. & H. Cuff, 2018 Patagonia participants
Patagonia: the word is synonymous with awe-inspiring landscape, and Torres del Paine National Park is both its crown jewel and a microcosm of the most aesthetically appealing features of the region. This hybrid program – part expedition, part workshop, led by National Geographic photographer Michael Melford and Justin Black is designed to maximize opportunities to execute well-crafted and compelling photographs that capture the spirit of this incredible place. Participants will have ample time to get to know Torres del Paine during its colorful autumn splendor, and your photography there will benefit from the opportunity to revisit fruitful situations to apply lessons learned and to take advantage of changing weather and light. The goal is for each participant to come away from this trip with a strong body of work, a new body of knowledge, new friendships, rejuvenation, and priceless memories.
Puma Extension – Save $1,000: Those interested in the best opportunity on Earth to photograph wild pumas up close should note that this itinerary is preceded immediately by and can be combined perfectly with our Pumas of Patagonia trip led by Roy Toft, March 30-April 6. Joining us for both itineraries entitles you to a $1,000 discount on the combined cost (on a per person basis, in either single or double-occupancy).
Torres del Paine National Park and Biosphere Reserve is the centerpiece of Patagonia – the ultimate distillation of the region’s most inspiring qualities. It’s one of those rare places that routinely exceeds the grandest dreams of even the most experienced photographers. Peaks and spires thrust abruptly upward above turquoise lakes, forcing moisture-laden winds off the ocean to form soaring lenticular clouds that catch the fiery sunrise and sunset alpenglow. Glaciers spill down from the Patagonian icecap, depositing cobalt blue icebergs on the shores of Lago Grey. Endemic lenga and ñirre tree forests glow in hues of gold and copper in the southern autumn. Rivers tumble over cascading waterfalls as condors ride thermals on the flanks of the Cordillera del Paine mountains. Guanacos, foxes, and pumas range over the golden pampas, and flamingoes wade the lagoons. At this time of year, the days are a manageable length with extended periods of dawn and dusk, and the sun never rises more than 35 degrees above the horizon. The quality of light is spectacular.
Michael Melford and Justin Black will lead the small group on field sessions adapted to make the most of the prevailing conditions each day. Emphasis will be on photography and hands-on mentoring in the field. We’ll photograph when the conditions are good, and we’ll gather in the lodge for presentations on light, composition, visualization, technique, and digital workflow at times when light or weather aren’t as conducive for photography (during harsh mid-day light, if a rain storm passes through, etc.). We will also hold constructive critiques of participant photographs, and then head back out into the field to apply what we’ve learned.
Excursions will include trips by ferry to visit the calving face of Glacier Grey and, via our group vehicles, spectacular locations around the park that we have discovered and scouted thoroughly on numerous prior visits. Some locations involve short hikes, but nothing particularly strenuous.
We are excited to operate our third workshop based in Moab, Utah, as we visit Arches National Park and Canyonlands National Park. We are going during the best time of the year—early. After researching visitor statistics, there is no better time: “In January of 2016, about 20,000 people visited Arches. By May, that number jumped to more than 200,000, according to the National Park Service.” Roads will be open and soft sheets of snow will illuminate the Parks. Arches National Park contains the highest density of natural arches in the world and Canyonlands National Park has multiple waterways carving away at the sandstone buttes and ephemeral pools with frozen surfaces, making for an impressive and serene landscape like no other.
Instructors Jeff Foott and Jerry Dodrill will lead eight field sessions to explore remote coves, canyons, creeks, the Colorado River, and striking desert ecology. Jeff lives nearby and can frequently be found exploring will know a lot of locations to scout and use for instruction. They will share insights that will help you to refine your creative vision, composition skills, and field techniques, understand the practical implications of human visual cognition, explore ways to use the element of time to expand your creative horizons, and help find ways to add greater purpose and meaning to your photography.
During field sessions, Jeff and Jerry will offer hands-on guidance on composition and technique, suggest creative ways to capture the mood and spirit of the place, and provide tips on creative use of aperture, shutter speed, filtration, multiple exposures, exposure blending, and panoramic stitching. Classroom sessions to review and critique your photographs will empower you to revisit and improve upon your creative ideas during subsequent outings. Friday morning will be the final field session, followed by critique until we adjourn at 3:00 pm.
Any enthusiastic photographer will feel right at home in this workshop. Jeff and Jerry are both experienced at successfully accommodating a range of experience levels in photography workshops. We supply materials in advance of the session to make sure all participants are prepared to get the most out of the experience.
The group size is limited to ten participants.
Workshop will be operated under a commercial use authorization issued by Arches National Park and Canyonlands National Park.
Refine your vision and harness the aesthetic potential of one of the world’s most geological wonders.
Wondering where to travel in winter? Bryce Canyon National Park is one of our favorite places to go to view some of the most unique opportunities during this season of snow dustings and low-angled light. Ponderosa pines, fir-spruce forests, slot canyons, horseshoe-shaped amphitheaters, and pink cliffs cover this area. Utah has a wealth of public lands to explore and challenge your photographic senses, and Bryce Canyon National Park in among the most rewarding.
This greatest concentration of hoodoos in the world – an unearthly landscape to be sure – was formed over hundreds of millions of years of deposition and erosion. Bryce’s colorful rock spires are oriented perfectly to catch the reflected morning light, resulting in a glowing fairytale landscape providing endless options for creative photography. Join us to capture its splendor.
This outdoor classroom is a highlight of our Vision series, a special program of advanced instruction focusing on refining your personal creative vision, composition, digital workflow and image processing, designed and presented by renowned photographers Jack Dykinga and Cliff Zenor. Both instructors have photographed Bryce extensively and know its secrets well. We will photograph at a variety of locations in the park during our morning and evening field sessions, with emphasis on the hoodoos and sculpted designs in the canyons.
Packaged with single-occupancy lodging at the Bryce Canyon Grand Hotel (a Best Western Plus property), located ideally near the park entrance, and with all meals, snacks and beverages included, this is a superb workshop scenario. We hope you’ll join us!
About Vision Workshops
The creation of a truly great finished photograph is part of a process from initial concept and vision through execution in the field to digital workflow and creation of a high-quality, final master file ready for printing or publication. Our Vision workshops address the two greatest challenges faced by photographers as they advance. The first of these is the tendency for original creative vision to reach a plateau in development, and the second is a digital workflow in need of streamlining and refinement to make the most of your images.
On Creative Vision:
When we experience images that really move us, we are aware that they have impacted us, though we may not know what it was in the image that made it so powerful. In other words, we know when it works, but can be difficult to quantify. I try to teach the time-honored components of fine photography to build successful compositions…even in ordinary situations. People ask me, “What’s the difference between a pro and an amateur?” My response is, (a) the amateur has better equipment and (b) the professional photographer must create a publishable image every single time. To be successful, the professional must be the practitioner of a disciplined approach to situations that will result in compelling images that inform and move people. This workshop is designed to unleash that creativity in my students. –Jack Dykinga
Both in the classroom and in the field, Jack and Cliff will focus on advanced seeing and ways to unlock creativity in situations that require conceptual and compositional ingenuity on the part of the photographer. In other words, they will answer the questions, “How do I make a great photograph when the subject matter and composition don’t suggest themselves to me?” and, “How do I avoid photographic clichés when the situation offers up a beautiful composition that is almost too obvious?”
Great photography starts with an impression – an idea, concept, or feeling – channeled through the photographer’s vision, but it doesn’t end there. Once you have a great composition in the bag, it takes good processing skills and aesthetic sensibilities to produce the best final image suitable for showcasing your talents.
Cliff will focus on teaching a logical, effective development workflow that ensures the highest quality for your work, as well an image archive that is stable, consistent, and retrievable over the long term, and that ultimately liberates rather than burdens. He will cover the step-by-step process from shooting RAW files in the field to optimizing the final image.
Workflow topics to be covered include:
As always, both instructors will be present to teach, assist, and socialize with participants throughout the workshop. The workshop includes eight field sessions, classroom lectures and ample hands-on instruction, critiques. Group meals provide an informal setting to socialize and address specific interests that may not be covered during lectures and classroom discussion.
The class size is limited to a small group of ten to ensure that everyone gets the time and attention they need, both in the field and the classroom.
We supply materials in advance of the session to get newcomers up to speed with basics having to do with digital camera set-up and techniques, essential equipment recommendations, and other guidelines to ensure that everyone is ready to make the most of the experience.
Note: Visionary Wild, LLC operates this workshop under a permit issued by the National Park Service at Bryce Canyon National Park.
I feel very privileged to have participated in the 2016 Greenland expedition. It far exceeded my expectations. And, as someone who has traveled extensively, I would rate it as truly a trip of a lifetime. – Sid S., 2016 Greenland participant
Thank you for another fantastic VW expedition! What a privilege to experience and photograph this wild and remote area in comfort while accompanied by the best leaders offering a wealth of experience and a willingness to share their immense talents. Thanks to Justin’s meticulous advance planning, all the arrangements were perfect throughout. –David & Kathy R., 2015 Greenland participants
Greenland’s remote and little-visited ice fjords hold a wealth of arctic grandeur. Towers, arches, and walls of ancient blue ice thrust skyward from the water’s surface. Steep-walled fjords, dramatic coastal mountains, tundra in autumn color, the vast Greenland Ice Sheet, and the Aurora Borealis combine to form an incomparable landscape. Join this world-class team of leaders – National Geographic photographer Jason Edwards, Justin Black, and Chris Linder – for this exclusive expedition to Greenland, photographing this arctic wilderness in all its glory. With generous photographic instruction and attentive support along the way, explore the largest fjord system in the world – Scoresbysund, covering 14,700 square miles and penetrating over 200 miles into Greenland’s interior – aboard the three-masted expedition vessel Rembrandt van Rijn. We will make frequent landings by zodiac to photograph in morning and evening light, and as serendipity presents us with compelling opportunities along the way. In addition to the arctic landscape, we will photograph whales if we encounter them, as well a variety of coastal and pelagic birds such as fulmars, kittiwakes, and gannets. Excursions by Zodiac take us in among the icebergs. The ethereal glow of the Aurora Borealis dancing in the night sky over the iceberg-dotted fjords and bays will be the sight of a lifetime. One thing is for certain: this expedition will yield extraordinary photographic opportunities. This is of course a floating workshop as well, and while underway, Jason, Justin, Chris, and the ship’s expedition staff will make inspiring and instructive presentations, answer your questions, and offer constructive feedback on participants’ photographs during group critique sessions, with the aid of the ship’s four large LCD screens.
Greenland was a trip of a lifetime. Imagine fog-shrouded icebergs, vibrant red/orange/yellow tundra, unreal sunsets, glistening ice and snow, colorful villages clinging to rocky headlands, Northern Lights and so much more under the generous guidance of world class instructors. I learned so much while having lots of fun. Thank you! –Ann L., 2015 Greenland participant
Our adventure begins in Reykjavik, Iceland, the world’s northernmost capital. Guests will be greeted upon arrival at Keflavik International Airport and transferred to the Canopy by Hilton, conveniently located in the city center (please note change in accommodations from the Holt Hotel to Canopy by Hilton). After an introductory group meeting and dinner at Grillmarket, one of Reykjavik’s finer restaurants, the next morning we board our private charter flight to Greenland’s east coast. Awaiting our arrival will be our private floating base camp: the 168-foot, three-masted schooner Rembrandt van Rijn (click here for more about RVR). We are booking the entire ship for our exclusive use to ensure ample space for our group both on the ship and in zodiacs – our group will consist of sixteen to eighteen participants and three leaders (though Rembrandt normally sleeps up to 33 guests) in addition to her twelve-person crew and expedition staff. She is exceptionally well-suited to exploration and photography along the Greenland coast, with a reinforced hull, expansive unobstructed sight lines even under sail, and very comfortable accommodations.
To make this special itinerary possible, we have arranged private Air Iceland charter flights aboard modern twin-engine turboprop airliners (Bombardier Q200). After disembarking Rembrandt at Constable Point, we will be picked up by our aircraft and flown back to Reykjavik, where a celebratory group dinner and final restful night at the Canopy Hotel await you.
Click “read more” at below right for the detailed itinerary…
Refine your vision and harness the aesthetic potential of one of the world’s most geological wonders.
Wondering where to travel in winter? Bryce Canyon National Park is one of our favorite places to go to view some of the most unique opportunities during this season of snow dustings and low-angled light. Ponderosa pines, fir-spruce forests, slot canyons, horseshoe-shaped amphitheaters, and pink cliffs cover this area. Utah has a wealth of parks to explore and challenge your photographic senses, and Bryce Canyon National Park in among the most rewarding.
This greatest concentration of hoodoos in the world – an unearthly landscape to be sure – was formed over hundreds of millions of years of deposition and erosion. Bryce’s colorful rock spires are oriented perfectly to catch the reflected morning light, resulting in a glowing fairytale landscape providing endless options for creative photography. Join us to capture its splendor.
This outdoor classroom is a highlight of our Vision series, a special program of advanced instruction focusing on refining your personal creative vision, composition, digital workflow and image processing, designed and presented by renowned photographers Jack Dykinga, John Shaw, and Justin Black. All three instructors have photographed Bryce extensively and know its secrets well. We will photograph at a variety of locations in the park during our morning and evening field sessions, with emphasis on the hoodoos and sculpted designs in the canyons.
Packaged with single-occupancy lodging at the Bryce Canyon Grand Hotel (a Best Western Plus property), located ideally near the park entrance, and with all meals, snacks and beverages included, this is a superb workshop scenario. We hope you’ll join us!
About Vision Workshops
The creation of a truly great finished photograph is part of a process from initial concept and vision through execution in the field to digital workflow and creation of a high-quality, final master file ready for printing or publication. Vision workshops with John Shaw and Jack Dykinga address the two greatest challenges faced by photographers as they advance. The first of these is the tendency for original creative vision to reach a plateau in development, and the second is a digital workflow in need of streamlining and refinement to make the most of your images.
Click “Read More…” below right to read on…
On Creative Vision:
When we experience images that really move us, we are aware that they have impacted us, though we may not know what it was in the image that made it so powerful. In other words, we know when it works, but can be difficult to quantify. I try to teach the time-honored components of fine photography to build successful compositions…even in ordinary situations. People ask me, “What’s the difference between a pro and an amateur?” My response is, (a) the amateur has better equipment and (b) the professional photographer must create a publishable image every single time. To be successful, the professional must be the practitioner of a disciplined approach to situations that will result in compelling images that inform and move people. This workshop is designed to unleash that creativity in my students. – Jack Dykinga
Jack will focus on advanced seeing and ways to unlock creativity in situations that require conceptual and compositional ingenuity on the part of the photographer. In other words, he’ll answer the questions, “How do I make a great photograph when the subject matter and composition don’t suggest themselves to me, and how do I avoid photographic clichés when the situation offers up a beautiful composition that is almost too obvious?”
On Workflow:
As photographers have switched to digital, one fact has become apparent: we are drowning in files. We’re shooting more images than ever, and digital file sizes are increasing with each new generation of cameras. Without a smart, logical workflow – and a familiarity with programs such as Lightroom and Photoshop – we will quickly be overwhelmed with data. – John Shaw
John will focus on teaching a logical, effective workflow that ensures the highest quality for your work, as well an image archive that is stable, consistent, and retrievable over the long term, and that ultimately liberates rather than burdens. He will cover step by step the process from shooting RAW files in the field to optimizing the final image in Photoshop.
Workflow topics to be covered include:
The workshop includes eight field sessions, classroom lectures and ample hands-on instruction, critiques, single-occupancy lodging in deluxe rooms (prorated fee available for double-occupancy or for those who do not require lodging), and all meals and drinks. Justin Black will be present to serve as an instructor and to ensure everything runs smoothly. As always, all three instructors will be present to teach and assist students throughout the workshop.
Field sessions begin the evening of the first day. Each morning and evening, we’ll be out to photograph first light before breakfast, and out for evening light before dinner. During mid-day hours in our classroom at the hotel, Jack and John will make presentations on advanced seeing, composition and creativity, digital workflow, and maximizing image potential. Critique sessions will be held each of the last three days before returning to the field for photography in afternoon and evening light. Friday morning will be the final field session, followed by critique until we adjourn at 3:00 pm.
The class size is limited to a small group of ten to ensure that everyone gets the time and attention they need, both in the field and the classroom.
Basecamp is the Best Western Plus Bryce Canyon Grand Hotel. Group meals provide an informal setting to socialize and address specific interests that may not be covered during lectures and classroom discussion.
We supply materials in advance of the session to get newcomers up to speed with basics having to do with digital camera set-up and techniques, essential equipment recommendations, and other guidelines to ensure that everyone is ready to make the most of the experience.
Lodging, all meals, and beverages are included in the package.
Please click the “Register” button at the top of the page or contact us directly to reserve your space. A deposit of 50% is required at time of booking, with balance payable 60 days prior to workshop start date.
The workshop begins at 1pm on Monday, January 8th, and ends by 3pm on Friday, January 12th, 2018.
Note: Visionary Wild, LLC operates this workshop under a permit issued by the National Park Service at Bryce Canyon National Park.
Note: Traveling alone? Feel free to book at the lower double-occupancy rates, so long as you are content to be paired with another guest of the same sex.
Designed for photographers by photographers, this expedition to the Svalbard archipelago will take you to the places we love, to make the most of the great spectacle of Arctic light, ice, landscape, and wildlife. Led by a dream team – Michael Melford, Daisy Gilardini, and Justin Black – generous expert photographic instruction will feature prominently throughout the voyage. Here are some highlights:
Our expedition vessel, M/V Plancius, optimizes the photographic potential and overall quality of experience on this trip. She is a very comfortable and capable 296-foot ice-rated expedition ship with accommodation in comfortable en suite cabins and staterooms. We have chosen to do this voyage on this ship because she offers the capabilities, amenities, comfort, dining, and photographic support that will enable us to deliver a thoroughly enjoyable and creatively productive experience, both aboard and on shore. If you wish to travel with a world-class team of photographic instructors to the best locations, and you appreciate the advantages of an adventure designed specifically to optimize both the photography and overall experience, this is an exceptional opportunity.
Our expedition begins in Oslo, Norway, with an introductory reception dinner at one of the capital’s finest restaurants. After a restful night at The Thief – a modern Scandinavian boutique hotel that is one of Oslo’s very best – we fly as a group to the small harbor of Longyearbyen on the island of Spitsbergen, where our ship awaits us. We set sail that afternoon through the sheltered waters of Adventfjord on our way to the west coast where we will work our way northward with views of the stunning mountain landscape.
The wild landscape of Svalbard and the pack ice are characterized by a mesmerizing serenity… I felt like I was floating through a dream. –Justin Black
The High Arctic is one of Earth’s most serene, sublime, and evocative places, and in our opinion the mountainous, glacier-covered islands of the Svalbard archipelago are the crown jewels, in part because a visitor here experiences the best features of the Arctic in microcosm. We have deliberately timed this expedition for Arctic autumn – late August and early September – to take advantage of special seasonal phenomena. The quality of light at this time of year is beautiful. The sun sets for several hours at this time of year, but gorgeous post-sunset light lingers all night long. Also, by this time the mountains typically have had their first fresh snow for the season, making the landscape look its best. Polar bears are to be found on both the islands and the pack ice, and Arctic fox patrol the shorelines. Blue whales – the largest animal that has ever lived on Earth – ply the coastal waters. Large walrus colonies can be photographed both ashore and at sea, and seals – bearded, ringed, harp, and harbor – are commonly sighted. Migratory birds linger on for a while, including Ivory Gulls, Kittywakes, Fulmars, Eider ducks, and more, while native Rock Ptarmigans transition to their winter plumage. Temperatures are still relatively comfortable by Arctic standards, but the summer’s mosquitoes will have been killed off by the frost. Weather and seas tend to be calm, and free of fog that can limit visibility in summer.
We have conceived this Svalbard expedition with considerable advantages for the passionate photographer. The first-rate photo leader team comprises three outstanding professionals, all known as generous and engaging teachers, who have a superb collaborative chemistry. Their photographic specialties cover a cross-section of the opportunities we will be presented with during the expedition: wildlife, landscape, natural abstract, travel, fine art, and conservation.
M/V Plancius: Our ice-rated expedition vessel provides an excellent platform for this voyage, in part due to her strength, maneuverability, and ability to navigate the ice pack and waters that can be impassable to larger ships. Those who appreciate small-group travel will enjoy our group’s participant limit of nineteen guests, with our own private Zodiacs for landings and cruises to approach wildlife and explore the ice. The ship typically carries a complement of around 108 passengers, supported by a fleet of ten zodiacs, a highly experienced expedition staff of eight, and a top-notch crew who welcome guests on the ship’s spacious bridge. With our relatively small group, everyone will have excellent access to our photo leaders and expedition staff, landing operations will be efficient, and we’ll be able to get to know one another well. Plancius offers an impressive range of vantage points for photography, from close to waterline to up high, and her three diesel-electric engines are surprisingly quiet and produce little vibration.
Dining aboard Plancius is of a high standard, with menus prepared by an accomplished German chef, sous chefs, and baker, with ample fresh ingredients and healthy options available. We are assembling an excellent wine list for the trip as well! She’s just a great ship.
The Potomac Highlands region of West Virginia’s Allegheny Mountains is one of the most scenic areas of the central Appalachians, at its best when brilliant autumn colors adorn the landscape. We invite you to join us for this exciting photo workshop, timed to operate during the peak of fall foliage among mountains densely covered in yellow birch, red maple, black cherry trees, spruce, and eastern hemlock trees. Color is everywhere at this time of year, framing the five-story waterfall and blowing in the mountain breezes.
In addition to visiting the iconic Blackwater Falls itself, we will take advantage of the best seasonal conditions in the surrounding mountain and valley landscapes, including excursions to Dolly Sods Wilderness and Canaan Valley, the highest large valley east of the Mississippi.
National Geographic photographer Michael Melford and renowned landscape photographer Justin Black will lead this workshop. Both have photographed extensively in the area, and are very familiar with an array of potential locations. Working one-on-one with participants, Michael and Justin aim to improve your photographic vision and composition skills, understanding of how to use changing qualities of light and weather to your advantage, and ability to effectively control exposure. They will also focus on creative exposure techniques to create mood, essential gear and creative tools, fundamentals of digital workflow, digital exposure blending and panoramic stitching, and lots of photography in the field followed by constructive group critiques.
Click the “read more…” tab below right for more information and to see the photo gallery!
Colossal redwoods thrust upward into the coastal fog. The pink blooms of wild rhododendrons take on a translucent glow against the dark greens of the forest. Dramatic seastacks and driftwood accent the wild Pacific coast. One of the world’s most creativity-inspiring and evocative landscapes – Northern California’s Redwood Coast – will be our outdoor classroom for this photo workshop, presented by photographers Jack Dykinga and Carr Clifton. This place is truly a photographer’s playground, rich with diverse photographic opportunities and a dynamic interplay of sun and fog. It’s the perfect setting for a fun, upbeat, and supportive workshop focused on developing creativity and honing skills. Participants will learn to take control of the finer points of composition, exposure and tonal control, and specialized techniques for approaching this sublime coastal landscape.
Click the “read more…” tab below right for more information and to see the photo gallery!
Thank you for another fantastic VW expedition! What a privilege to experience and photograph this wild and remote area in comfort while accompanied by the best leaders offering a wealth of experience and a willingness to share their immense talents. Thanks to Justin’s meticulous advance planning, all the arrangements were perfect throughout. –David & Kathy R., 2015 Greenland participants
Greenland’s remote and little-visited ice fjords hold a wealth of arctic grandeur. Towers, arches, and walls of ancient blue ice thrust skyward from the water’s surface. Steep-walled fjords, dramatic coastal mountains, tundra in autumn color, the vast Greenland Ice Sheet, and the Aurora Borealis combine to form an incomparable landscape. Join this world-class team of leaders – Frans Lanting, Christine Eckstrom, and Justin Black – for this exclusive expedition to Greenland’s east and west coasts, photographing this arctic wilderness in all its glory. With generous photographic instruction and attentive support along the way, explore the largest fjord system in the world – Scoresbysund on the east coast – aboard the three-masted expedition vessel Rembrandt van Rijn, followed by a four-night stay on Greenland’s west coast at Ilulissat, where the massive Jakobshavn Glacier calves some 35 billion tons of icebergs into the sheltered waters of Ilulissat Icefjord, the only UNESCO World Heritage Site on the world’s largest island. Excursions by helicopter for doors-off aerials, and by boat to get in among the massive bergs, yield extraordinary photographic opportunities.
Greenland was a trip of a lifetime. Imagine fog-shrouded icebergs, vibrant red/orange/yellow tundra, unreal sunsets, glistening ice and snow, colorful villages clinging to rocky headlands, Northern Lights and so much more under the generous guidance of world class instructors. I learned so much while having lots of fun. Thank you! –Ann L., 2015 Greenland participant
Our adventure begins in Reykjavik, Iceland, the world’s northernmost capital. Guests will be greeted upon arrival at Keflavik International Airport and transferred to the elegant Hotel Holt, conveniently located in the city center. After an introductory group meeting and dinner at Grillmarket, one of Reykjavik’s finer restaurants, the next morning we board our private charter flight to Greenland’s east coast. Awaiting our arrival will be our private floating base camp for the first eight days in Greenland: the 168-foot, three-masted schooner Rembrandt van Rijn (click here for more about RVR). We are booking the entire ship for our exclusive use to ensure ample space for our group both on the ship and in zodiacs – our group will consist of sixteen to eighteen participants and three leaders (though Rembrandt normally sleeps up to 33 guests) in addition to her twelve-person crew and expedition staff. She is exceptionally well-suited to exploration and photography along the Greenland coast, with a reinforced hull, expansive unobstructed sight lines even under sail, and very comfortable accommodations. We will make frequent landings by zodiac to photograph in morning and evening light, and as serendipity presents us with compelling opportunities along the way. In addition to the arctic landscape, we will photograph whales if we encounter them, as well a variety of coastal and pelagic birds such as fulmars, kittiwakes, and gannets. The ethereal glow of the Aurora Borealis dancing in the night sky over the iceberg-dotted fjords and bays will be the sight of a lifetime. While underway, in the ship’s common area Frans, Justin, and the ship’s expedition staff will make inspiring and instructive presentations, and offer constructive feedback on participants’ photographs during group critique sessions, with the aid of the ship’s four large LCD screens.
To make this special itinerary possible, we have arranged three private charter flights aboard modern twin-engine turboprop airliners (Dash-8 and Bombardier Q200). After disembarking Rembrandt, a private charter flight whisks us across the world’s second largest icecap to the west coast and the small fishing port of Ilulissat, home to 5,000 Greenlanders and an equivalent number of sled dogs. There, our base will be Hotel Hvide Falk (White Falcon). One of the highlights there will be a series of helicopter excursions (one hour of flight time per participant, each with a window seat) to do aerial photography of icebergs, Jakobshavn Glacier and Ilulissat Icefjord, and to access the Greenland Ice Sheet itself. We will also make excursions on a local charter boats to approach towering icebergs, and hikes on the autumn tundra with stunning views of Disko Bay and the coastal mountains.
Click “read more” at below right for the detailed itinerary…
“The NZ trip was really spectacular… and you’re to be congratulated for ensuring that it was such a great experience for us from beginning to end.” –Kathy R., 2014 participant
“The expedition greatly exceeded my expectations. It was no doubt an amazing and awesome experience of a lifetime!” – Susan S., 2015 participant
Towering mountain ranges, hanging alpine glaciers, wind-swept coastlines, crystal blue lakes, pristine turquoise river valleys, and primordial tree fern rainforests are just some of the scenes we will photograph as we explore the South Island on this intimate 16-day journey led by two top pros: National Geographic photographer Michael Melford (who recently covered the South Island on assignment for Nat Geo), and Phillip Bartlett, a renowned Kiwi landscape photographer and guide who is acclaimed for his professionalism and intimate knowledge of New Zealand’s stunning landscape. It was with good reason that motion picture director Peter Jackson chose New Zealand as his location for the fantasy world of Tolkien’s “Middle Earth”: the variety of incredible landscapes found in such a compact area is simply astounding.
We sought to design a trip that would take your breath away, visiting locations off the regular tourist path that offer superb photography. To access these areas we will be travelling by 4WD Toyota Landcruisers, with two guests per vehicle. In addition, private charter excursions by helicopter and boat – at Fox Glacier, Milford Sound, and Kaikoura – provide us access to some truly phenomenal opportunities. All the while, your trip leaders offer generous guidance and instruction to ensure that you make the most of the photographic possibilities.
Our 2014 and 2015 trips were exceedingly well received by our guests (see testimonials at the bottom of this page), but nevertheless we have adjusted the itinerary slightly to maximize the quality of the overall experience.
Click “read more” below right to see the itinerary and photo gallery…
“The NZ trip was really spectacular…and you’re to be congratulated for ensuring that it was such a great experience for us from beginning to end.” –Kathy R., 2014 participant
Towering mountain ranges, hanging alpine glaciers, wind-swept coastlines, crystal blue lakes, pristine turquoise river valleys, and primordial tree fern rainforests are just some of the scenes we will photograph as we explore the South Island on this intimate 15-day journey led by three top pros: National Geographic photographer Michael Melford (who recently covered the South Island on assignment for Nat Geo), Justin Black of Visionary Wild, and Phillip Bartlett, a renowned Kiwi landscape photographer and guide. It was with good reason that motion picture director Peter Jackson chose New Zealand as his location for the fantasy world of Tolkien’s “Middle Earth”: the variety of incredible landscapes found in such a compact area is simply astounding.
We sought to design a trip that would take your breath away, visiting locations off the regular tourist path that offer superb photography. To access these areas we will be travelling by 4WD Toyota Landcruisers, with two to three passengers per vehicle. In addition, private charter excursions by helicopter and boat – at Fox Glacier, Milford Sound, Lake Wanaka, and Kaikoura – provide us access to some truly phenomenal opportunities. All the while, your trip leaders offer generous guidance and instruction to ensure that you make the most of the photographic possibilities.
Our 2014 trip was exceedingly well received by our guests (see testimonials at the bottom of this page), but nevertheless we have made significant improvements to this trip in 2015, upgrading accommodations, adding a second helicopter excursion, and refining the itinerary to maximize the quality of the overall experience.
Click “read more” below right to see the itinerary and photo gallery…
Characterized by the ebb and flow of tides and fog, California’s sleepy Sonoma Coast features light, atmospherics, and landscape as fine as the region’s famous pinot noir. Dramatic headlands, sea stacks, and beaches are sculpted by the Pacific waves and the action of tectonic plates along the San Andreas Fault. The rugged beauty here offers unending opportunities for passionate photographers. This advanced workshop is geared for photographers who are fairly comfortable with the fundamentals of photography and digital workflow, and who seek higher-level mentorship.
Instructors Jeff Foott and Jerry Dodrill will lead eight field sessions to explore remote coves, sea arches and tidepools, coastal ridges and steep canyons filled with redwood forest. They will share insights that will help you to refine your creative vision, composition skills, and field techniques, understand the practical implications of human visual cognition, explore ways to use the element of time to expand your creative horizons, and help find ways to add greater purpose and meaning to your photography.
Our basecamp at historic Timber Cove Inn, located on a headland with dramatic views of sea stacks and surf, serves as an excellent position from which we will set off for a range of photographic objectives from Bodega Bay’s bluffs and sand dunes to the Russian River, Fort Ross, and the sculpted tufoni sandstone formations and wind-sculpted bishop pines at Salt Point. We will visit mysterious Bowling Ball Beach and the historic Point Arena lighthouse. Special features of this workshop include a field session in a scenic ridge-top old-vine Zinfandel vineyard, and a private wine tasting dinner with a local wine maker.
Colossal redwoods thrust upward into the coastal fog. The pink blooms of wild rhododendrons take on a translucent glow against the dark greens of the forest. Dramatic seastacks and driftwood accent the wild Pacific coast. One of the world’s most creativity-inspiring and evocative landscapes – Northern California’s Redwood Coast – will be our outdoor classroom for this photo workshop, presented by photographers Jeff Foott and Jerry Dodrill. This place is truly a photographer’s playground, rich with diverse photographic opportunities and a dynamic interplay of sun and fog. It’s the perfect setting for a fun, upbeat, and supportive workshop focused on developing creativity and honing skills. Participants will learn to take control of the finer points of composition, exposure and tonal control, and specialized techniques for approaching this sublime coastal landscape.
Click the “read more…” tab below right for more information and to see the photo gallery!
Featuring private charter of the three-masted expedition vessel Rembrandt van Rijn, helicopter flights onto the second largest ice cap on Earth, close encounters with the Arctic’s largest icebergs, and excursions onto the colorful autumn tundra.
Greenland’s remote and little-visited west coast is a world of arctic grandeur. Each year, the massive Jakobshavn Glacier calves some 35 billion tons of icebergs into the sheltered waters of Disko Bay and Ilulissat Icefjord, the only UNESCO World Heritage Site on the world’s largest island. Towers, arches, and walls of ancient blue ice thrust skyward from the water’s surface. Whales and seabirds abound. Steep-walled fjords, dramatic coastal mountains, tundra in autumn color, the Greenland Ice Sheet, and the Aurora Borealis combine to form an incomparable landscape. Visionary Wild presents a unique opportunity to experience and photograph this arctic wilderness in all its glory.
Join this world-class team of leaders – Frans Lanting, Christine Eckstrom, Justin Black, and Chris Linder – for our all-inclusive photographic exploration of Greenland’s west coast. The 168-foot, three-masted schooner Rembrandt van Rijn (click here for more about the vessel) will be our private floating base camp for the first eight days in Greenland. We are radically under-booking this comfortable vessel to ensure ample space for our group both on the ship and in zodiacs – our group will consist of only sixteen participants and four leaders, though Rembrandt normally sleeps 33 guests in addition to her crew of twelve. She is exceptionally well-suited to exploration and photography along the Greenland coast, with a reinforced hull, expansive unobstructed sight lines even under sail, and very comfortable accommodations. We will make frequent landings by zodiac to photograph in morning and evening light, and as serendipity presents us with compelling opportunities along the way. In addition to the arctic landscape, we will photograph Disko Bay’s whales, including beluga, bowhead, and humpbacks, and a variety of coastal and pelagic birds such as eider ducks and albatross. The etherial glow of the aurora borealis dancing in the night sky over the iceberg-dotted bay will be the sight of a lifetime.
After disembarking from Rembrandt, we will move on to the nearby town of Ilulissat, home to 5,000 Greenlanders and an equivalent number of sled dogs. There, our base will be Hotel Hvide Falk (White Falcon). One of the highlights of our four days there will be a series of helicopter excursions (one hour of flight time per participant, each with a window seat) to do aerial photography of icebergs, Jakobshavn Glacier and Ilulissat Icefjord, and to access the Greenland Ice Sheet itself, where we will land and photograph at a moulin, meltwater lake, or other interesting feature on the kilometers-deep icecap. We will also make excursions on a local charter boat to approach large icebergs, and hikes on the autumn tundra with stunning views of Disko Bay and the coastal mountains.
Click “read more” at below right for addition information, the itinerary, and the complete photo gallery…
This workshop is designed to maximize opportunities for well-crafted and compelling photographs in one of the world’s most awe-inspiring landscapes. Participants will have ample time to get to know Torres del Paine during its colorful autumn splendor, and your photography there will benefit from the opportunity to revisit fruitful situations to apply lessons learned and to take advantage of changing weather and light. The goal is for each participant to come away from this trip with a strong body of work, a new body of knowledge, new friendships, rejuvenation, and priceless memories.
Torres del Paine National Park and Biosphere Reserve is the centerpiece of Patagonia – the ultimate distillation of the region’s most inspiring qualities. It’s one of those rare places that routinely exceeds the grandest dreams of even the most experienced photographers. Peaks and spires thrust abruptly upward above turquoise lakes, forcing moisture-laden winds off the ocean to form soaring lenticular clouds that catch the fiery sunrise and sunset alpenglow. Glaciers spill down from the Patagonian icecap, depositing cobalt blue icebergs on the shores of Lago Grey. Endemic lenga tree forests glow in hues of gold and copper in the southern autumn. Rivers tumble over cascading waterfalls as condors ride thermals on the flanks of the Cordillera del Paine mountains. Guanacos and foxes range over the golden pampas, and flamingoes wade the lagoons. At this time of year, the days are a manageable length with extended periods of dawn and dusk, and the sun never rises more than 35 degrees above the horizon. The quality of light is spectacular.
Click “read more” below right for the itinerary and image gallery…
Pastel pinks and blues reflect from the sky at dawn and dusk, painting gypsum dunes that roll elegantly across the landscape. The tapestry of light and shadow, form and texture tempts the creative mind. Yuccas punctuate the landscape, rising in striking graphic isolation against the sand and sky. This is New Mexico’s White Sands National Monument, home of the world’s largest gypsum dune field, covering 275 square miles, set in a high desert basin with a dramatic mountain backdrop. This will be our outdoor classroom for this Vision series workshop, a special program of advanced instruction designed and presented by world-renowned photographers Jack Dykinga and John Shaw. Jack is recognized as one of the greatest practitioners and teachers in the history of landscape photography, and John is a natural photographic educator who is relied upon by some of the most successful photographers in the business to keep them current on digital workflow practices and Photoshop techniques. The combination is a uniquely effective and enjoyable experience.
Our fieldwork during this workshop will emphasize the search for elegant, carefully crafted compositions while anticipating the flow of light over the landscape each morning and evening. Opportunities abound, from classic near-far compositions that use yuccas to anchor foreground design, to abstracts harnessing the tones, curves and colors of the dunes, to broad panoramics and macro subjects.
The creation of a great finished photograph is part of a process from initial concept and vision through execution in the field to digital workflow and creation of a high-quality, final master file ready for printing or publication. Vision workshops with John Shaw and Jack Dykinga address the two greatest challenges faced by photographers as they advance. The first of these is the tendency for original creative vision to reach a plateau in development, and the second is a digital workflow in need of streamlining and refinement to make the most of your images.
A SPECIAL GIFT TO PARTICIPANTS: Each participant in this workshops is entitled to have two free fine exhibition prints up to 20″x30″ in size made by the master printmakers at West Coast Imaging of Oakhurst, California, one of the very best digital fine art photography labs in the world. These print packages include all the expert digital prep work of your original image file, based on your wishes and input as the artist, to make the best possible print. This special offer is cumulative, so you get two prints for each workshop you take.
Click the “read more” button below right to continue…
Motion picture director Peter Jackson chose New Zealand as the location to film the fantasy world of Tolkien’s “Middle Earth” for a very good reason: the variety of incredible landscapes found in such a small area is simply astounding! Towering mountain ranges, wind-swept coastlines, pristine river valleys, and moss-covered tree fern forests are just some of the scenes we will photograph as we explore the South Island on this unique small-group 15-day journey led by National Geographic photographer Michael Melford, Justin Black, and renowned “Kiwi” landscape photographer Phillip Bartlett.
We wanted to take you to wild places on the South Island which are off the regular tourist path, locations which are seldom-visited, but that offer superb photography. To access these areas we will be travelling by 4WD vehicles, with a maximum of three passengers per vehicle. In addition, private-charter excursions by helicopter and boat provide us access to some truly phenomenal opportunities.
Click “read more” below right to see the itinerary and photo gallery…
Colossal redwoods thrust upward into the coastal fog. The pink blooms of wild rhododendrons take on a translucent glow against the dark greens of the forest. Dramatic seastacks and driftwood accent the wild Pacific coast. One of the world’s most creativity-inspiring and evocative landscapes – Northern California’s Redwood Coast – will be our outdoor classroom for this photo workshop, presented by photographers Justin Black and Jerry Dodrill. This place is truly a photographer’s playground, rich with diverse photographic opportunities and a dynamic interplay of sun and fog. It’s the perfect setting for a fun, upbeat, and supportive workshop focused on developing creativity and honing skills. Participants will learn to take control of the finer points of composition, exposure and tonal control, and specialized techniques for approaching this sublime coastal landscape.
Click the “read more…” tab below right for more information and to see the photo gallery!
This workshop is designed to maximize opportunities for well-crafted and compelling photographs in one of the world’s most awe-inspiring landscapes. Participants will have ample time to get to know Torres del Paine during its colorful autumn splendor, and your photography there will benefit from the opportunity to revisit fruitful situations to apply lessons learned and to take advantage of changing weather and light. The goal is for each participant to come away from this trip with a strong body of work, a new body of knowledge, new friendships, rejuvenation, and priceless memories.
Torres del Paine National Park and Biosphere Reserve is the centerpiece of Patagonia – the ultimate distillation of the region’s most inspiring qualities. It’s one of those rare places that routinely exceeds the grandest dreams of even the most experienced photographers. Peaks and spires thrust abruptly upward above turquoise lakes, forcing moisture-laden winds off the ocean to form soaring lenticular clouds that catch the fiery sunrise and sunset alpenglow. Glaciers spill down from the Patagonian icecap, depositing cobalt blue icebergs on the shores of Lago Grey. Endemic lenga tree forests glow in hues of gold and copper in the southern autumn. Rivers tumble over cascading waterfalls as condors ride thermals on the flanks of the Cordillera del Paine mountains. Guanacos and foxes range over the golden pampas, and flamingoes wade the lagoons. At this time of year, the days are a manageable length with extended periods of dawn and dusk, and the sun never rises more than 35 degrees above the horizon. The quality of light is spectacular.
Click “read more” below right for the itinerary and image gallery…
Truly a photographer’s playground, the sublime, dramatic, and moody Pacific coast around Bandon, Oregon, will be our outdoor classroom for this landscape- and seascape-oriented photo workshop, presented by renowned photographers and workshops leaders Justin Black and Jerry Dodrill.
Ever-changing light and the beautiful interplay of sun, waves, towering sea stacks, tide pools, wind-sculpted clouds, and marine fog mean that every day offers a different mood, even when we revisit our primary location, the sprawling Bandon Beach. Just down a wooden stairway from our hotel, it’s the perfect setting for a workshop focused on developing creativity, honing skills, and refining your personal vision. Justin and Jerry will teach you to take control of the finer points of composition, exposure and tonal control, and specialized techniques for capturing this amazing coastal landscape.
A SPECIAL GIFT TO PARTICIPANTS: Each participant in this workshops is entitled to have two free fine exhibition prints up to 20″x30″ in size made by the master printmakers at West Coast Imaging one of the very best digital fine art photography labs in the world. These print packages include all the expert digital prep work of your original image file, based on your wishes and input as the artist, to make the best possible print. This special offer is cumulative, so you get two prints for each workshop you take.
Click the “read more…” tab below right for more information and to see the photo gallery!
The superb Pacific coast landscape around Bandon, Oregon, will be our outdoor classroom for this workshop, part of our Vision series, a special program of advanced instruction designed and presented by world-renowned photographers Jack Dykinga and John Shaw.
The creation of a truly great finished photograph is part of a process from initial concept and vision through execution in the field to digital workflow and creation of a high-quality, final master file ready for printing or publication. Vision workshops with John Shaw and Jack Dykinga address the two greatest challenges faced by photographers as they advance. The first of these is the tendency for original creative vision to reach a plateau in development, and the second is a digital workflow in need of streamlining and refinement to make the most of your images. read more…
Pastel pinks and blues reflect from the sky at dawn and dusk, painting gypsum dunes that roll elegantly across the landscape. The tapestry of light and shadow, form and texture inspires the creative mind. Yuccas punctuate the landscape, rising in striking graphic isolation against the sand and sky. This is New Mexico’s White Sands National Monument, home of the world’s largest gypsum dune field, covering 275 square miles, set in a high desert basin with a dramatic mountain backdrop. This will be our outdoor classroom for this Vision series workshop, a special program of advanced instruction designed and presented by world-renowned photographers Jack Dykinga and John Shaw. Jack is recognized as one of the greatest practitioners and teachers in the history of landscape photography, and John is a natural photographic educator who is relied upon by some of the most successful photographers in the business to keep them current on digital workflow practices and Photoshop techniques. The combination is a uniquely effective and enjoyable experience.
Our fieldwork during this workshop will emphasize the search for elegant, carefully crafted compositions while anticipating the flow of light over the landscape each morning and evening. Opportunities abound, from classic near-far compositions that use yuccas to anchor foreground design, to abstracts harnessing the tones, curves and colors of the dunes, to broad panoramics and macro subjects.
The creation of a truly great finished photograph is part of a process from initial concept and vision through execution in the field to digital workflow and creation of a high-quality, final master file ready for printing or publication. Vision workshops with John Shaw and Jack Dykinga address the two greatest challenges faced by photographers as they advance. The first of these is the tendency for original creative vision to reach a plateau in development, and the second is a digital workflow in need of streamlining and refinement to make the most of your images.
On Creative Vision:
When we experience images that really move us, we are aware that they have impacted us, though we may not know what it was in the image that made it so powerful. In other words, we know when it works, but can be difficult to quantify. I try to teach the time-honored components of fine photography to build successful compositions…even in ordinary situations. People ask me, “What’s the difference between a pro and an amateur?” My response is, (a) the amateur has better equipment and (b) the professional photographer must create a publishable image every single time. To be successful, the professional must be the practitioner of a disciplined approach to situations that will result in compelling images that inform and move people. This workshop is designed to unleash that creativity in our students. – Jack Dykinga
Jack will focus on advanced seeing and ways to unlock creativity in situations that require conceptual and compositional ingenuity on the part of the photographer. In other words, he’ll answer the questions, “How do I make a great photograph when the subject matter is overwhelming and compositions don’t suggest themselves to me, and how do I avoid photographic clichés when the situation offers up a beautiful composition that is almost too obvious?”
On Workflow:
As photographers have switched to digital, one fact has become apparent: we are drowning in files. We’re shooting more images than ever, and digital file sizes are increasing with each new generation of cameras. Without a smart, logical workflow – and a familiarity with programs such as Lightroom and Photoshop – we will quickly be overwhelmed with data. – John Shaw
John will focus on teaching a logical, effective workflow that ensures the highest quality for your work, as well an image archive that is stable, consistent, and retrievable over the long term, and that ultimately liberates rather than burdens. He will cover step by step the process from shooting RAW files in the field to optimizing the final image in Photoshop.
Workflow topics to be covered include:
• File formats for shooting and for archiving
• Exposing for digital
• Downloading for automatic image organization
• Proper file naming
• Cataloging of images: Lightroom or other software
• Keywording and captioning of images
• The many uses of metadata
• Processing the raw file
• Using the tools in Adobe Camera Raw and Lightroom’s Develop Module
• Color spaces for the best results in different media
• The many faces of Bridge
• Creating panoramic images
• Color adjustment strategies
• Using Photoshop to finalize the image: dodging and burning, adjustment layers and layer masking, controlling luminosity and contrast, sharpening for output
• Creating a PDF electronic book
• Color-managed workflow from input to output
The workshop includes eight field sessions at various locations around White Sands that we have scouted in advance. Also featured are several projected classroom lectures, and ample hands-on instruction, critiques, single-occupancy lodging (prorated fee available for double-occupancy or for those who do not require lodging), and all meals and drinks. Justin Black of Visionary Wild will be present to serve as assistant instructor and to ensure everything runs smoothly. As always, all three instructors will be present to teach and assist students throughout the workshop.
We will meet at Fairfield Inn in Alamogordo, New Mexico at 1pm on the first day. Photography sessions at White Sands begin that afternoon. Each morning and evening, we’ll be out to photograph first light before breakfast and the evening light before dinner. During mid-day hours, Jack and John will make presentations on advanced seeing, composition and creativity, digital workflow, and maximizing image potential. Critique sessions will follow each day before returning to the field for photography around 3:30pm. Friday morning will be the final field session, followed by critiquing until the final lunch and break up at 2:00 pm. The class size is limited to ten to ensure that everyone gets ample time and attention from the three instructors, both in the field and the classroom.
Any enthusiastic photographer will feel right at home in this workshop. We supply materials in advance of the session to get newcomers up to speed with basics having to do with digital camera set-up and techniques, essential equipment recommendations, and other guidelines to ensure that everyone is ready to make the most of the experience.
Please contact us with any questions you may have about this session. We recommend registering promptly to reserve your space as our Vision workshops fill especially quickly. A deposit of 50% is required at time of booking to reserve space, with balance payable 60 days prior to workshop start date.
Characterized by the ebb and flow of tides and fog, California’s sleepy Sonoma Coast features light, atmospherics, and landscape as fine as the region’s famous pinot noir. Dramatic headlands, sea stacks, and beaches are sculpted by the Pacific waves and the action of tectonic plates along the San Andreas Fault. The rugged beauty here offers unending opportunities for passionate photographers. This advanced workshop is geared for photographers who are fairly comfortable with the fundamentals of photography and digital workflow, and who seek higher-level mentorship.
Instructors Jerry Dodrill and Justin Black will lead eight field sessions to explore remote coves, sea arches and tidepools, coastal ridges and steep canyons filled with redwood forest. They will share insights that will help you to refine your creative vision, composition skills, and field techniques, understand the practical implications of human visual cognition, explore ways to use the element of time to expand your creative horizons, and help find ways to add greater purpose and meaning to your photography.
Our basecamp at historic Timber Cove Inn, located on a headland with dramatic views of sea stacks and surf, serves as an excellent position from which we will set off for a range of photographic objectives from Bodega Bay’s bluffs and sand dunes to the Russian River, Fort Ross, and the sculpted tufoni sandstone formations and wind-sculpted bishop pines at Salt Point. We will visit mysterious Bowling Ball Beach and the historic Point Arena lighthouse. A special feature of this workshop will be field session in a scenic ridge-top vineyard and a private wine tasting with the wine maker.
Photographer Jerry Dodrill has spent the last dozen years living and photographing along the Sonoma coast, chasing light and storms, and seeking out the exceptional opportunities offered by this little-photographed landscape. The Sonoma Coast is a photographer’s dream come true in contrast to the restricted access and crowds of more heavily trafficked destinations further south. The subject matter and freedom to explore the coastline is exceptional, and photographers are able to pursue their creativity without distraction.
Point Reyes National Seashore and the Marin Coast are truly a photographer’s playground, rich with diverse subject matter – landscape, seascape, flora and fauna – with ever-changing light and the beautiful interplay of sun and marine fog. It’s the perfect setting for a workshop focused on developing creativity and honing skills. The talented team of Jerry Dodrill and Justin Black will teach you to take control of the finer points of composition, exposure and tonal control, and specialized techniques for approaching this sublime coastal landscape.
Scheduled during the spring wildflowers season and during mid-week to avoid weekend crowds, we will spend our morning and evening field time at locations along the Marin County coast as far north as Tomales Point and as far south as Marin Headlands. Old-growth redwood forest, the blooming flanks of Mt. Tamalpais overlooking the Pacific, seastacks and cliffs, wild beaches, headlands, tule elk, seals, sea birds, and more make this place very special indeed.
My good friend and colleague, Jerry Dodrill, and I started our photographic exploration of this astonishing landscape when we worked with the late Galen Rowell, leading workshop groups to the Marin coast from Galen’s gallery in Emeryville. Jerry has chosen to spend the last eleven years here, chasing storms and photographing along edges of land and sea, earth and sky, fog and light. As Galen pointed out in his book Bay Area Wild, this piece of coastline is a spectacular natural treasure, despite being within easy day-trip range of a major metropolitan area. Those who live nearby just might begin to take its wonders for granted, but it is amazing what you can find here when you approach it with eyes wide open. –Justin Black
This four-day, four night Creative Core workshop deals heavily with composition, working with changing light, exposure control, essential gear and creative tools, fundamentals of digital workflow, and introduction to digital exposure blending and stitching, and an intense schedule of photography in the field followed by constructive group critiques. Creative Core workshops are generalist outdoor photography workshops and the emphasis of any individual participant’s work is up to them, whether they wish to focus on landscape, macro, wildlife (as the opportunity presents itself), abstraction, color, black and white, HDR, panoramics, multiple exposures, or all of the above. Any enthusiastic photographer will feel right at home in this workshop. In our experience, most participants will be solid intermediates with a couple relative beginners and a handful of advanced photographers. Jerry and Justin each have over a decade of experience successfully accommodating a range of experience levels at workshops.
Very often, we are amazed by the way in which the beginners teach the advanced students a thing or two about unrestrained creative openness and serendipity, while the expertise of the advanced students can be a welcome resource for the rest of the class. We supply materials in advance of the session to get newcomers up to speed with basics having to do with digital camera set-up and techniques, essential equipment recommendations, and other guidelines to ensure that everyone is ready to make the most of the experience.
Lodging, all meals, and beverages are included in the package.
The Olympic Peninsula offers an astonishing array of landscapes and micro-climates in a relatively compact area. From its dramatic rocky coast and tidal pools, to old-growth temperate rainforest, to alpine meadows, glaciated peaks, and vast wilderness, it seems to have it all. Marine fog pours through mountain passes, filling inland valleys while ridge-top meadows in full bloom bask in the sun. Roosevelt elk bugle in the lush forest, home to some of the world’s largest trees. The snowcapped splendor of the Olympic Mountains provides a constant backdrop. No one knows this majestic place better than the award-winning photographic team of Terry Donnelly and Mary Liz Austin.
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The superb Pacific coast landscape around Bandon, Oregon, will be our outdoor classroom for this workshop, part of our Vision series, a special program of advanced instruction designed and presented by world-renowned photographers Jack Dykinga and John Shaw.
The creation of a truly great finished photograph is part of a process from initial concept and vision through execution in the field to digital workflow and creation of a high-quality, final master file ready for printing or publication. Vision workshops with John Shaw and Jack Dykinga address the two greatest challenges faced by photographers as they advance. The first of these is the tendency for original creative vision to reach a plateau in development, and the second is a digital workflow in need of streamlining and refinement to make the most of your images.
On Creative Vision:
When we experience images that really move us, we are aware that they have impacted us, though we may not know what it was in the image that made it so powerful. In other words, we know when it works, but can be difficult to quantify. I try to teach the time-honored components of fine photography to build successful compositions…even in ordinary situations. People ask me, “What’s the difference between a pro and an amateur?” My response is, (a) the amateur has better equipment and (b) the professional photographer must create a publishable image every single time. To be successful, the professional must be the practitioner of a disciplined approach to situations that will result in compelling images that inform and move people. This workshop is designed to unleash that creativity in my students. – Jack Dykinga
Jack will focus on advanced seeing and ways to unlock creativity in situations that require conceptual and compositional ingenuity on the part of the photographer. In other words, he’ll answer the questions, “How do I make a great photograph when the subject matter and composition don’t suggest themselves to me, and how do I avoid photographic clichés when the situation offers up a beautiful composition that is almost too obvious?”
On Workflow:
As photographers have switched to digital, one fact has become apparent: we are drowning in files. We’re shooting more images than ever, and digital file sizes are increasing with each new generation of cameras. Without a smart, logical workflow – and a familiarity with programs such as Lightroom and Photoshop – we will quickly be overwhelmed with data. – John Shaw
John will focus on teaching a logical, effective workflow that ensures the highest quality for your work, as well an image archive that is stable, consistent, and retrievable over the long term, and that ultimately liberates rather than burdens. He will cover step by step the process from shooting RAW files in the field to optimizing the final image in Photoshop.
Workflow topics to be covered include:
• File formats for shooting and for archiving
• Exposing for digital
• Downloading for automatic image organization
• Proper file naming
• Cataloging of images: Lightroom or other software
• Keywording and captioning of images
• The many uses of metadata
• Processing the raw file
• Using the tools in Adobe Camera Raw and Lightroom’s Develop Module
• Color spaces for the best results in different media
• The many faces of Bridge
• Creating panoramic images
• Color adjustment strategies
• Using Photoshop to finalize the image: dodging and burning, adjustment layers and layer masking, controlling luminosity and contrast, sharpening for output
• Creating a PDF electronic book
• Color-managed workflow from input to output
The workshop includes field sessions, classroom lectures and ample hands-on instruction, critiques, single-occupancy lodging (prorated fee available for double-occupancy or for those who do not require lodging), and all meals and drinks. Justin Black of Visionary Wild will be present to serve as assistant instructor and to ensure everything runs smoothly. As always, all three instructors will be present to teach and assist students throughout the workshop.
Field sessions begin the evening of the first day. Each morning and evening, we’ll be out to photograph first light before breakfast, and out for evening light after dinner. During mid-day hours, Jack and John will make presentations on advanced seeing, composition and creativity, digital workflow, and maximizing image potential. Critique sessions will follow each day before returning to the field for photography in afternoon and evening light. Friday morning will be the final field session, followed by critiquing until the final lunch and break up at 2:00 pm.
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